
An exceptionally elegant pair of storefronts with apartments above in the main business strip of Mount Oliver. Enlarge the picture and enjoy the Renaissance details.
An exceptionally elegant pair of storefronts with apartments above in the main business strip of Mount Oliver. Enlarge the picture and enjoy the Renaissance details.
Not one of our most spectacular buildings, but this 22-storey minor skyscraper, opened in 1982, was designed by a firm with a history of breaking records. Skidmore, Owings & Merrill designed the Sears Tower (now Willis Tower), which was the tallest building in the world for quite a while; they also designed One World Trade Center, currently the tallest building in America, and the Burj Khalifa, currently the tallest building on earth. It is a huge firm with offices all over the globe, and Father Pitt does not imagine that this project got the same project leader as the Sears Tower.
Addendum: Skidmore, Owings & Merrill was also the firm responsible for Two PNC Plaza, formerly the Equibank Building. The lead architect on that project was Natalie de Blois, and when the building went up in 1974 it was the largest in the world designed by a woman. Another record!
Addendum: This was originally called Haddon Hall, and it was built as a hotel, or at least it was a hotel early in its history. We now have a picture of Haddon Hall in 1929, before the modernist growth on the front.
This is a distinctive building, and old Pa Pitt searched almost fifteen minutes for the architect without success. He would be delighted if someone could tell him who designed this little outcropping of dignified Art Nouveau. Father Pitt might suspect Kiehnel and Elliott as the architects most likely to be working in this style in Pittsburgh, but that is nothing more than a wild speculation.
The glass-block windows in the front stairwell were probably stained glass when the building opened, and we can hope that those windows are preserved in a private collection somewhere.
The modernist addition on the front is not as delightful as its architect probably hoped it would be. It was probably put there in about 1961: a newspaper ad from December 22, 1961, promotes the Walt Harper Quintet’s appearance at the “newly remodeled Haddon Hall Lounge.” (In an earlier version of this article, Father Pitt wrote, “It appears to be a glass enclosure for what was once an elegant verandah.” That was wrong: old photos from before the remodeling show no verandah.)
The imposing Tudor or Jacobean Gothic front of this church is its most impressive feature, with twin towers that make the church seem bigger than it is. The large stained-glass window in the center seems a little undersized for the building, leaving an awkward blank space above it; but that is a minor quibble, and this is a fine building kept in good shape by its congregation.
Another of Benno Janssen’s imposing clubs. We have seen this building from the front before; this corner view gives us an impression of the scale of the whole structure. It is now Bellefield Hall of the University of Pittsburgh.
The tall houses here probably date from the Civil War era, and they were probably built to be rental properties; they appear on our 1872 map as belonging to A. Milliken. Originally there were three pairs of houses and one single on the corner, all matching; one of the pairs has disappeared and been replaced by smaller modern rowhouses. The newer houses do a good job of matching the style of the neighborhood, but they would have done better if they had been built at the same setback from the street. As for the height, it is probably useless to quibble about that. It is old Pa Pitt’s impression that builders of any given era are very dogmatic about the proper height for a ceiling. Look at the third floor of the house on the corner, and compare it to the third floor of the house next to it: you will see at once that modern ceilings are much lower than ceilings from the 1860s, and that is simply the way it is and nothing can be done about it.
This street is now North Avenue, but when these houses were built it was Fayette Avenue; it did not connect to North Avenue until the later twentieth century.
Now apartments, this grand old house, right at the edge of Oakland on the border of Shadyside, is a remnant of the time when what is now the apartment district was a suburban retreat for the well-to-do.
With the Lower Hill demolished and replaced with a modernist wasteland, this church became the gateway to the Hill District. There may be no more effective religious statue in all of Pittsburgh than the statue of St. Benedict the Moor (by Frederick Charles Shrady) on top of the tower, his arms spread wide to welcome us to his neighborhood. The Gothic church, built in 1894, was designed by Moeser & Bippus. They had their offices downtown on Liberty Avenue, so there must be other buildings by them in the area, but old Pa Pitt does not know of any; he would be delighted if someone could name a few, or even one. It originally belonged to Holy Trinity, a German Catholic parish.
And now let us say something for a moment about the ethnic diversity of the Hill a hundred years ago. If you stayed within six blocks of this German church, you could have visited two African Methodist Episcopal churches and one “colored” Presbyterian church, an Irish Catholic church, a Greek Catholic (that is, Byzantine Catholic) church, a Black Baptist church, and every kind of synagogue:
Congregation Machsike Hadas
Beth Jacob Congregation
B’nai Israel Congregation
Gates of Wisdom Synagogue
Congregation Tent of Jacob
Tiphereth Israel Congregation
Paolo Zaoec Synagogue (Austro-Hungarian)
Congregation Shaare Tefilla
Congregation Kanascis Israel
And doubtless some others; we have just been glancing at the 1923 maps at the Pittsburgh Historic Maps site and have not made any scientific survey. This was not the whole Hill, of course; we have kept within a short walk of today’s St. Benedict the Moor. People of all sorts lived side by side in a crowded but lively neighborhood. Over at Pittsburgh Cemeteries, Father Pitt has noticed the ethnic diversity of the Hill reflected in the Minersville Cemetery on the Upper Hill, a German Lutheran cemetery that nevertheless found space for people whose tombstones are written in Slovak, Greek, and Arabic.
That the Hill became an almost exclusively Black neighborhood was the result of deliberate public policy. A neighborhood where races mixed was defined as a slum, and slums had to be cleared. Of the streets we were just walking in our imagination, half were simply demolished. The rest was marked out as a Black neighborhood; other residents had every incentive to move to areas from which Blacks were excluded by invisible red lines, though many businesses continued to be owned by former residents who had moved away, until the 1968 riots discouraged them.
The human spirit triumphs over inhumanity, however, and today’s Hill is a neighborly neighborhood. It is not prosperous; it has lost far too many buildings and gained too many vacant lots. But it is a place where people practice the neighborly virtues, and we hope that from that precious resource will come a revival of the lesser assets as well.