Father Pitt

Category: Squirrel Hill

Squirrel Hill’s Manor Has the Atmosphere of a Country Club

The Manor, which opened in 1922, was designed by Harry S. Bair, who did a number of theaters around here (including the Regent, now the Kelly-Strayhorn in East Liberty). As the caption says, it was “a distinct departure from the conventional,” and the Tudor half-timbering of the exterior advertised the sumptuous club-like atmosphere of the interior. Today the exterior has been simplified, and the building expanded, but it still feels like an outpost of Merrie England on Murray Avenue.

This gable on the Darlington Road side of the building still preserves all its intricate diagonal brickwork and half-timbering.

Canon PowerShot SX150 IS.

These little chimneys should have their own separate landmark status.

Almost nothing remains of the original interior, though the Manor is still a movie house, now divided into four small theaters. Originally, the lobby was a feast of luxurious furniture and decoration.

And that was just the entrance lobby. If you were meeting someone or just waiting for something, you could retire to the parlor:

There was also a men’s club room with the atmosphere of an old English manor:

After all that, movies seem almost superfluous, but the auditorium was just as luxurious as the rest of the building:

Old Pa Pitt particularly likes the arrangement of tropical plants in the orchestra pit.

Today, although the Manor is still a very pleasant place to take in a movie, almost nothing is left of that sumptuous interior except a bit of ceiling and this fine chandelier:

The 1922 pictures all came from a two-page feature in Moving Picture World for August 5, 1922, and we reprint the text of the article here (making a few silent typographic corrections).
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December 7, 2024
Rafferty Rows, Squirrel Hill

These two long rows of houses where Beeler Street meets Wilkins Avenue make a striking impression now, but they must have been more striking when they were built in the early 1900s. For several years they sat out in the farmlands of Squirrel Hill, forming a strange urban island (along with two rows of three houses across Beeler Street) in the midst of the otherwise rural East End. We caught them on a dim and rainy evening.

1910 fire-insurance map.

Note how the rhythm of the houses is made more interestingly varied by alternating the peaked and rounded fronts but running the oriels in a series of three.

Fujifilm FinePix HS10.

November 30, 2024
A Rainy Evening in Murdoch Farms, Squirrel Hill

Architect: Lamont Button.

It was rainy and dim, so don’t expect too much of these pictures. But old Pa Pitt happened to be in Squirrel Hill just before dark with half an hour to waste, so he took a walk in the rain in Murdoch Farms, one of the richest parts of Squirrel Hill, and did what he could with the camera.

Architect: Edward Crump.

Fujifilm FinePix HS10.

November 23, 2024
Warwick House, Squirrel Hill

Warwick House was built in 1910 for Howard Heinz, son of the ketchup king H. J. Heinz. The architects were Vrydaugh & Wolfe, who designed several other millionaires’ mansions around here, as well as a number of fine churches. The house now belongs to the Catholic Diocese of Pittsburgh, and it is rented to Opus Dei for a dollar a year, under the condition that the tenants undertake the maintenance, which is enormous.

Once a year the residents throw a big open house, which gave us a chance to get a few pictures. We would have got more, but we were having too much fun.

A French door in the back leading out into the garden.

The rear of the ballroom, an addition built in about 1929. It is now a chapel.

An arbor with some splendid ironwork runs along the back of the garden.

From an earlier visit, we also have several pictures of the interior of Warwick House.

Cameras: Kodak EasyShare Z1285; Fujifilm FinePix HS10. Most of the pictures are HDR stacks of three photographs at different exposures.

August 11, 2024
Chapel, Office, and Gatehouse at the Homewood Cemetery

Albert Spahr of MacClure & Spahr designed the chapel, the administration building, and the gatehouse for the Homewood Cemetery in a Perpendicular Gothic style. (Mr. MacClure had already died, but his name remained at the head of the firm.) The effect is to make us think of our ideal image of an English village.

The doors have impressive iron hinges and pulls.

Here is an extraordinarily rare thing: a tower clock that is keeping accurate time.

The administration building.

The gatehouse appears to have been expanded by a third on the right; the seam is only just visible in the front, but much more obvious in the rear.

Cameras: Sony Alpha 3000 with 7Artisans f/1.4 35mm lens; Canon PowerShot SX150 IS.

August 10, 2024
Chandelier in the Manor Theatre, Squirrel Hill

Though the Manor has long been subdivided into four small theaters, part of the original ceiling remains in the lobby, and this chandelier, according to staff at the theater, is an exact replica of the original.

August 3, 2024
Mellon Bank, Squirrel Hill

One of several round banks Mellon Bank built in the modernist era. It is still a bank, now belonging to Citizens Bank, Mellon’s successor in retail banking.

Canon PowerShot A540.

We also have a less abstract picture of the whole building.

July 30, 2024
Arts-and-Crafts Terrace in Squirrel Hill

Old Pa Pitt enjoys pointing out the many ways architects and builders have answered the terrace question. “This method of building three or six houses under one roof shows a handsome return on the money invested,” said an article about a terrace of houses in Brighton Heights, but the investment pays off only if tenants are willing to move in. The later Aluminum City Terrace development in New Kensington, designed in a starkly modern style by Walter Gropius and Marcel Breuer, had a hard time attracting tenants in spite of cheap rents and an acute housing shortage, because locals thought it looked yucky.

The terrace question, then, is this: How can we build economical housing that is nevertheless attractive enough to seem desirable to tenants?

This terrace obviously had a higher budget than many, so it answered the question with fine design, elaborate decoration, and good materials. The materials were good enough that they have survived intact more than a century: these houses on Denniston Street, twenty-four of them in four rows of six each, were put up before 1923, but they still have their tile roofs and other decorative elements.

Probably because of the steep hill they occupy, these houses have unusually generous front yards—generous enough for a whole container vegetable garden, for instance.

Sony Alpha 3000.

July 8, 2024
Fountain in Richard B. Mellon’s Garden

Courtesy of the New England Granite Works, a picture of the fountain in the Mellons’ Walled Garden shows us a little of what the garden, now part of Mellon Park, looked like when the Mellons lived there. The sculpture on the fountain is the work of Edmond Amateis, and the fountain has been beautifully restored for the delight of visitors to the park.

June 23, 2024
Niches on the College of Fine Arts Building, Carnegie Mellon University

Henry Hornbostel designed the front of the Fine Arts Building with niches that display all styles of architectural decoration, and more practically give students a place to sit between classes. The niches have continued to accumulate sculpture in styles from all over the world. The whimsical figures in the Gothic niche may have been done by Achille Giammartini.

In the classical niche, the three orders of Greek architecture: Corinthian, Doric, Ionic, demonstrated with correct proportions.

June 13, 2024