Category: Squirrel Hill

  • The Morrowfield, Squirrel Hill

    “Morrowfield” in terra cotta

    The Morrowfield is that big building that looms ahead as you approach the Squirrel Hill Tunnel on the Parkway from downtown Pittsburgh. It was built in 1924 as part of a huge development promoted by developer Thomas Watkins as “a city set on a hill,” and most of the buildings—including this one—were designed by the architect J. E. Dwyer, originally from Ellicott City, who built himself a house right next to the site and spent years supervising construction projects.

    The Morrowfield

    In this map from “A City That Is Set on a Hill,” Building Age, December, 1923, p. 36, the big rectangle marked “148 FAMILY APARTMENT” would become the Morrowfield.

    Dwyer’s elevation of the Morrowfield

    The same article printed the architect’s elevation of the new apartment building, spread across two pages. We have taken some pains to restore it to legibility.

    The Morrowfield under construction
    “Utilizing the Street Grade in Hillside Apartments,” Building Age, October, 1924.

    The building went up at a breakneck pace, with crews doing everything all at once. It was finished in less than a year. Below, “Steel work in the early stages showing the brick filler walls being laid before the concrete work was begun, to rush the job along.”

    The Morrowfield under construction

    By the time the October, 1924, issue of Building Age came out (from which the pictures of the construction above were taken), the whole project was complete, and this photograph of the building from a distance was taken in time to make it into the magazine.

    Entrance
    Entrance with marquee

    The entrance is liberally decorated with polychrome terra cotta.

    Terra Cotta
    Terra cotta at the entrance
    Detail of the entrance
    Morrowfield Avenue side

    The building of this project was watched nationally, because it was unusual to place such a large building on such a difficult lot. The architect’s elevation shows the slope of Murray Avenue along the front; here we can see that Morrowfield Avenue, on the right-hand side (in terms of the elevation), slopes upward even more dramatically. Then the street behind, Alderson Street, slopes upward again, so that the ground-floor entrances on Alderson Street are three floors up from the main entrance on Murray Avenue.

    Alderson Street side

    From that same article in Building Age:

    The Morrowfield Apartments presents an interesting study in the effective utilization of exceptional grades. The front elevation faces a western street that is 30 feet lower than the street level in the rear, and a grade running north and south affects the building lengthwise as well as in depth.

    The consequence is that the apartment is partly seven and partly eight stories high in front, and only five stories in the rear. What is really the fourth story when seen from the south elevation, is the first when seen from the rear, and the occupants of the fourth story front are therefore enabled to reach their apartments without the use of stairs or elevator by simply coming in the other street.

    Entrance on the Alderson Street side
    Alderson Street side
    Fujifilm FinePix HS10.
  • Rafferty Rows, Squirrel Hill

    Rafferty row on Beeler Street

    We saw these houses last fall on a dim and rainy evening, and at that time we explained what little we knew about their history. Here are the ones on Beeler Street in bright sunshine.

    Rowhouses on Beeler Street
    Rowhouses
    Rafferty row on Beeler Street
    Olympus E-20N.

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  • C. P. Hitchens Apartment Building on Wilkins Avenue, Squirrel Hill

    5521 Wilkins Avenue

    Old maps show that this apartment house was built after 1910 and before 1923, and that the owner was C. P. Hitchens. C. P. Hitchens was a Pittsburgh architect, so it’s probable that he designed the building. It’s an attractive design with elements of everything from Romanesque (the recessed arched entrance) to Prairie Style, all harmonized so that nothing seems out of place.

    Entrance
    Brickwork over the entrance
    Perspective view
    Olympus E-20N.

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  • Atherstone

    Gateway to Atherstone

    This is a strangely elaborate gateway for a postwar modernist apartment building. But anyone who knows the history of Fifth Avenue can guess that the gateway indicates where a grand mansion once stood on the Shadyside Millionaires’ Row. (Although city planning maps make Fifth Avenue the boundary between Shadyside and Squirrel Hill, traditionally both sides of the street were counted as “Shadyside.”)

    Inscription reading “Atherstone”

    Atherstone was the mansion, or “castle” as locals would have said, of hardware and steel magnate John Bindley.

    From the Bulletin Index, December 8, 1939.

    It was built in 1890, greatly expanded during the First World War (when these pillars were built), abandoned in 1929, and torn down in 1938.

    Pillar in the Gothic manner

    When the demolition began, the Bulletin Index, Pittsburgh’s high-toned society magazine, ran an article about the house that we reproduce below. The magazine had been infected by Timestyle with its horror of conjunctions and its quirky capitalization, but we trust our readers to interpret it without too much difficulty. The article gives us a picture of Depression-era Fifth Avenue at its lowest point, before the postwar housing boom filled many of the vacant estates with modern apartment buildings.

    Gateway to Atherstone

    Atherstone

    Forty years ago young Theodore Dreiser used to spend his evenings reading Balzac in the Allegheny Public Library, his Sunday afternoons walking out Fifth Avenue and back again. It was then one of the wealthiest, swankiest, most famous streets in the world. Dreiser gaped at the great mansions, marvelled years later in his autobiography that “even the lamp posts were better than in other parts of the city.” One of the most magnificent of the castles he gaped at was “Atherstone” (see cut).

    Atherstone was a work of art, a baronial symbol of the great-spending paleo-industrial age of which William Randolph Hearst is the sole remaining big figure. Pittsburgher John Bindley, having grown rich with his Grant Street hardware store, richer as co-founder of the Pittsburgh Steel Co., built his four-story gargoyled castle (in 1890) in the grand manner, with crenellated turrets and 80 windows with leaded panes, named it after his ancestral home place in England. A widower with only two of his six children living, he travelled through Europe every year with his niece Elmina, brought back paintings, furniture, hand-carved panelling, marble mantel-pieces in the fashion of one who feels it a class privilege and duty to patronize the arts. Fixtures he had made to order in Manhattan to match the furniture he bought, for the Chippendale dining room, the Japanese room that was his favorite. During the prosperous war years Steelman Bindley spent $200,000 to remodel, add a wing to his castle. In an enlarged residence of 24 rooms, six baths, he installed an electric elevator, new copper drains, plumbing and kitchen equipment, added cupboard space that virtually equalled the room volume of an ordinary house, put two carved stone pillars at the driveway entrance, two huge solid oak doors at the entrance of the hand-carved oak panelled hall.

    Four years later, at the age of 75, Steelman Bindley died. Atherstone and contents were left to Son Edward Houston Bindley, who died in 1929, to Daughter Adelaide Bindley Davidson, who closed up the castle, put most of the furniture (including the Japanese room) into one end of the Hoeveler warehouse, moved to California. Installed above the spacious six-room coachhouse in the rear was Niece Elmina McMillin, her four servants.

    Many a great mansion Theodore Dreiser looked upon forty years ago now stands boarded up and weed-choked, many another has been torn down to leave great toothless gaps in swank Fifth Avenue. Fortnight ago came word that John Bindley’s Atherstone, scene of many and lavish entertainments, was to be given into the hands of home-wrecking Austin Givens, Inc. (who eleven years ago tore down John Bindley’s hardware store to make way for the Gulf Building). Last week the curious and buying public poked and peered through the cold bare rooms of Atherstone, being auctioned bit by bit. This week Wrecker Givens began to tear down, cart away.

    The Bulletin Index, December 8, 1938, p. 33.

    Pillar
    Sony Alpha 3000; Nikon COOLPIX P100.

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  • Laughlin Hall, Chatham University

    Laughlin Hall at Chatham University
    Canon PowerShot SX150 IS.

    Built in 1931, Laughlin Hall was designed by E. P. Mellon, an architect of conservative but refined taste who prospered through his connection to the Mellon family. (E. P. stood for Edward Purcell, but he seems to have been known by his initials.) The Mellons were big patrons of the Pennsylvania College for Women, Chatham’s predecessor, and Uncle Andy himself had his house nearby.


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  • Wendover Street Apartments, Squirrel Hill

    Gable end

    The distinctive Flemish gables of these apartments catch our attention as we come down Beacon Street. They were probably designed by Perry & Thomas, a Chicago firm responsible for a number of apartment buildings in Shadyside and Squirrel Hill. Although some ill-advised changes have been made, for the most part the unusual details—Flemish Renaissance filtered through an Art Nouveau lens—have been preserved.

    Wendover Street apartments
    2010–2000 Wendover Street
    2010 Wendover Street
    2010 Wendover Street
    2006 Wendover Street
    Entrance to 2006
    Entrance to 2010
    Wendover Street apartments
    Windows
    Wendover Street apartments
    Sony Alpha 3000; Canon PowerShot SX150 IS.

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  • Magnolias on Kamin Street, Squirrel Hill

  • Peoples-Pittsburgh Trust Co., Squirrel Hill

    Peoples-Pittsburgh Trust Co.

    You could count on architect Press C. Dowler for the bankiest-looking banks. The correct Ionic front of this one looks almost exactly the way he drew it, as we can see from the architect’s rendering that was published in the Press on February 8, 1931.

    Press C. Dowler’s rendering of the Peoples-Pittsburgh Trust Co.

    It seems to old Pa Pitt that the mark of a Dowler bank is correct classical detail combined with a lack of fussiness. There is never too much detail. But he takes the details seriously. In other buildings he was already adopting Art Deco and modernist styles, but a bank needed to look traditional and timeless—especially in the Depression. For other Dowler bank designs, see the Coraopolis Savings and Trust Company and the Braddock National Bank.


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  • Apartment and Commercial Block on Murray Avenue, Squirrel Hill

    1914 Murray Avenue

    A commercial building and apartment block in the eclectic style popular in the 1920s: it carries a whiff of Spanish Mission, but also a bit of Renaissance. Liberal use of terra cotta enlivens the façade.

    Crest
    Apartment entrance

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  • House by Alexander Sharove in Squirrel Hill

    Stanley Hohenstein House

    Alexander Sharove is best remembered today for the synagogues he designed, but like most architects he took on a variety of jobs, including this house built in 1937 for Stanley Hohenstein in the less expensive end of Murdoch Farms. Here Sharove juggles an eclectic assortment of styles from Jacobean to Georgian to Moderne.

    1230 Murdoch Road
    1230 Murdoch Road

    The arch with rays was a popular motif in the 1930s. Sharove’s version of it uses thin strips of terra cotta for the rays.

    Stanley Hohenstein House
    1230 Murdoch Road
    Sony Alpha 3000, Canon PowerShot SX150 IS.

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