
A relic from the days when this part of Squirrel Hill was a wealthy exurb full of houses like this. Enlarge the picture and note the fine cornice woodwork along the roofline.
Many styles of buildings have been put up on the campus since Henry Hornbostel laid out the original plan for Carnegie Tech, but it’s remarkable how much the original Hornbostel plan has been respected. The campus is still built around these broad open green spaces, with the various buildings kept within matching heights and setbacks, even when they are in wildly different styles.
Built to be an inspiring showcase of the world’s best traditions in art, the College of Fine Arts building was positioned at the top of the Mall, as if the arts might be of some importance even in a technical school.
Niches along the front of the building pay tribute to various architectural and sculptural traditions.
From the beginning, the campus of Carnegie Tech was designed by Palmer and Hornbostel as a warren of interconnected buildings surrounding pleasant green spaces. The older buildings, like Baker Hall, celebrate the engineering and architecture they were designed to teach. Old Pa Pitt particularly loves this stairwell window, which expresses the idea of stairs with a clarity that modernist architects of a later generation would not have been able to match.
Hamerschlag Hall, the centerpiece and symbol of Carnegie Mellon University, was named for the first president of the Carnegie Technical Schools, Arthur Hamerschlag. This was one of the original Carnegie Tech buildings designed by Palmer and Hornbostel, whose campus design has been followed surprisingly faithfully by succeeding generations of architects. It is perfectly positioned for a view down the Mall that captures the Cathedral of Learning, centerpiece and symbol of Pitt, looming in the background.
A window by Louis Comfort Tiffany, donated to the Pennsylvania Female College (now Chatham) in 1888. The figure is taken from Michelangelo’s Sistine Chapel ceiling: the Erythraean Sibyl, “here transformed into a symbol for women’s education,” as a plaque nearby says. This was an early work of Tiffany’s, believed to be his earliest in the Pittsburgh area. It was put away in about 1930 and sat in storage for seventy years, because who needed a window by Tiffany? In 2000 it was finally brought out of storage—old Pa Pitt imagines a janitor starting the ball rolling by saying, “Hey, can we get this thing out of the way?”—and restored for a place in the science building.
Note that Shakespeare’s name appears twice in the pantheon of great figures every young lady should know. No one else gets that honor, and—though Shakespeare certainly is worth twice as much as any of the others to an English-speaking college student—one wonders who specified the duplication, or even whether it was intentional.
Another of the millionaires’ mansions that have become part of Chatham University. Built in 1911 or 1912 for steel executive James C. Rea, the Julia and James Rea House is now a student dormitory. Students tell us the rooms are “quirky” in a good way, with high ceilings and odd protrusions, because the house was divided with minimal disruption to the original architecture.
A very short video on the Chatham Undergraduate Housing page shows us some of the interior.