Father Pitt featured one picture of this church a couple of months ago, but he returned to get a few better pictures, including the composite one above, which took some effort. We repeat the information from the earlier article:
Now Madonna of Jerusalem Church of Christ the King Parish, which also includes the St. Joseph Church that once lived in this building but handed it over to Madonna of Jerusalem in 1960. This building was finished in 1874, but it was built around an earlier school from 1869. It is a typical nineteenth-century Pittsburgh Gothic church, with the buttresses and crenellations we expect from the style.
Fort Pitt was the biggest beer brand in Pennsylvania in 1952. Then there was a big brewery strike, which affected the big three in Pittsburgh—Fort Pitt, Duquesne, and Iron City. When the strike ended, Fort Pitt rushed to be the first back on the market by shipping the past-its-prime beer that had been sitting around in its warehouse. Drinkers could tell. People with functioning olfactory senses in the vicinity of the drinkers could tell. The famous slogan “Fort Pitt—That’s It” was passed around with a slurred sibilant, and the brand declined precipitously.
Pittsburghers of an older generation still have this slogan on their lips, using it to mean “I’m done with this.”
As you can see, the brewery still stands in Sharpsburg. Much of it has been turned into apartments; one of the buildings now houses the Hitchhiker Brewing Co.
The office is a fine example of late Art Deco.
The Blockhouse was an obvious choice for an emblem.
Detroit architect Peter Dederichs gave us this gorgeous Renaissance basilica, which is crammed into an absurdly tiny space at the foot of the bluff in Sharpsburg. The exterior hasn’t changed in any significant way since the building went up in 1916, as we can see in a cover story in Stone magazine from February of 1919. In that story we learn that the stone was Dark Hollow Gray Bedford limestone from Indiana, and it has stood up perfectly to more than a century of Pittsburgh atmosphere.
The foundation of the congregation.
The building of the church.
Capitals of the Corinthian order.
The apse, and an especially lush growth of utility cables.
A Romanesque—perhaps even Rundbogenstil—commercial building in the back streets of Sharpsburg. It has lost its cornice, and the second floor has received incorrect “multipane” windows, but the storefront with inset entrance is almost perfectly preserved.
As Father Pitt has remarked before, telephone exchanges were designed to be ornaments to their neighborhoods, and the Renaissance-palace style was one of the most popular forms for them. This one is on Main Street in Sharpsburg, and it preserves its Renaissance dignity under the ownership of the successor to the Bell System.
This blank wall on the western end of the building shows two different colors of bricks, suggesting that the building was originally one storey, with the second storey added later. That would explain the cornice at the first-floor level.
Now Madonna of Jerusalem Church of Christ the King Parish, which also includes the St. Joseph Church that once lived in this building but handed it over to Madonna of Jerusalem in 1960. This building was finished in 1874, but it was built around an earlier school from 1869. It is a typical nineteenth-century Pittsburgh Gothic church, with the buttresses and crenellations we expect from the style.
Sharpsburg had three Lutheran churches within three blocks. One was English (that one is still going), and two were German, and the two German ones have a curiously intertwined history. Father Pitt will try to piece it together, but anyone from Sharpsburg who can correct his reconstruction is earnestly requested to do so.
The First German Evangelical Lutheran Church (above), which looks like a building from the 1870s or so, was founded by German-speaking immigrants in 1863: Sharpsburg had a large German community in the 1800s. (Old Pa Pitt apologizes, by the way, for the more than usually lush growth of utility cables in these pictures: Sharpsburg is like that.)
The tower originally had a steeple, now vanished, as steeples often do.
The pastor or council of First German alienated a number of members by “enforcement of rules pertaining to association with fraternal organizations.” In 1888, the discontented members left to form their own congregation, St. John’s. They ended up building a fine Romanesque church just a block away from the church they had left.
This has the look of a we’ll-show-them building: it probably dates from the early 1890s, and it was in the most fashionable style the congregation could afford. The tower is quite tall, and originally supported a tall steeple that was hit by lightning and removed in 1930.
The entrance arch is designed to be impressive.
St. John’s had a troubled history. “In the 1930s the Evangelical Church merged with the Reformed Church, and when the recommended type service of the joint church was adopted by St. John’s, we lost members who opposed the change in services.” A church founded by members who walked out of another church may perhaps expect some of them to keep up the old tradition. In the 1936 flood, the church was badly damaged; it suffered a fire in 1956, a month after expensive redecorations. By the time the church closed, it was a member of the United Churches of Christ.
The original First German is also gone now; it closed about fifteen years ago. Now that the congregations are gone, the buildings can be friendly; they both belong to the Sharpsburg Family Worship Center, an Assemblies of God congregation.
Built in 1872, this was the church where H. J. Heinz taught Sunday school. It is an exceptionally well preserved example of the vernacular Gothic churches of the period. The various additions give it an intriguing complexity, including an octagonal protrusion that reminds us of a medieval baptistery.
Here is a flourishing web of utility cables with a Gothic church behind them. The view above is old Pa Pitt’s best attempt at duplicating an old postcard view:
Not much has changed. The roof (originally slate-shingled) has lost the Gothic ornamentation at the top; exterior steps have been removed; the stonework at the top of the tower has been simplified, possibly after some decay or a lightning strike; and the corner entrance has been turned into a window.
This church was built in 1905 in a heavy, stony, romantic Gothic that was already somewhat out of fashion. It gives the impression of being equal parts church and castle. It now belongs to the Northern Area Multi-Services Center, a social-services organization that, to judge by its name, offers more than one service.
This house is under sentence of condemnation. There is nothing really special about it, except that it is probably about 150 years old and a good representative of the Gothic I-house. The I-house is a vernacular style of house common in Pennsylvania and much of the Midwest, with a center hall and two rooms on either side. When the simple plan is complicated by a peaked central gable, as in this house, it is it is described as a Gothic I-house. Often the I-house is extended by additions that give it an L shape—and sometimes more than one addition accumulates over the years, as we see with this one, where the smaller addition in the foreground was probably added around the 1920s, to judge by the 3-over-1 window on the second floor.
Note the pointed vernacular-Gothic windows in the attic.
