Category: Manchester

  • Sun Through Japanese Maple

  • A Bit of Good News from Abdell Street, Manchester

    Row of houses on Abdell Street

    A year ago we published this picture of a row of houses in Manchester, with the second from the left under sentence of condemnation after a fire. At the time we were not sure whether it would be worth enough to restore. But it has been restored, and the whole row is looking neat and attractive again:

    Row of houses restored

    You would hardly know anything had happened except for a bit of soot on the bricks, which is hardly news in Pittsburgh, and the fact that the trim has been painted black.

    1012 Abdell Street
  • The Grand Lady of Sheffield Street, Manchester

    1100 Sheffield Street

    Update: This house has a whole history written by the late Carol J. Peterson (PDF), so old Pa Pitt has more information now. The house was built between 1872 and 1877; it was built as a double house, and divided into six apartments by 1910. The article as originally written follows.


    Father Pitt does not know the whole history of this building. It was probably built in the 1870s, though a change of outlines on the map between 1882 and 1890 may indicate that it was enlarged then. It appears as a double house on the old maps, though always under single ownership, so perhaps the single entrance is newer, from the time it was converted to apartments. It is certainly a grand example of the Italianate manner.

    Perspective view
    Konica-Minolta DiMAGE Z6.
  • A Stony Row on Liverpool Street, Manchester

    Row at Liverpool and Fulton Streets
    Kodak EasyShare Z1285.

    This row of stone-fronted houses is a good example of late-Victorian eclecticism. The heavy rustic stone and elaborate foliage decorations say “Romanesque,” but the porch columns have “modern Ionic” capitals typical of the Renaissance. And it all works together just fine, though it might give an architectural pedant hives.

    Modern Ionic capital
    Nikon COOLPIX P100.
    Foliage

    The stonecarving was probably done by Achille Giammartini, who lived a few blocks away on Page Street.

    Achille Giammartini advertising his services

    Hiding in the shadows is a whimsical grotesque face that may remind us of somebody we know.

    Grotesque foliage face
    Row of stone houses
    Front door

    Note the old address, 185, carved in stone beside the door to what is now 1305 Liverpool Street. The addresses in Manchester changed at about the time Allegheny was taken into Pittsburgh.

    1301–1309 Liverpool Street, Manchester
  • Chimney Pots in Manchester

  • Clarence and Mary Pettit House, Manchester

    Pettit House

    This house has a more detailed history at the Manchester Historic Society’s site (PDF), so old Pa Pitt will only mention the highlights. It was built for Clarence and Mary Dravo Pettit in 1891 from a design by Thomas Scott, whose public buildings would mostly be done in a Beaux Arts classical style; here, however, he has jumped on the Richardsonian Romanesque bandwagon, since the style became practically a mania in Pittsburgh after the county courthouse was built in the 1880s.

    Arch
    Capital

    It is likely that the decorative stonecarving was done by Achille Giammartini, whose own house was a short stroll from this one.

    Dormer
    Turret

    If your turret has a decorative foliage frieze, you might as well gild it. And don’t forget the finial at the peak.

    Perspective view of the house
  • Union Methodist Episcopal Church, Manchester

    Manhattan Street face of the Union Methodist Episcopal Church

    Barr & Moser were big names in the architecture of the up-and-coming city of Pittsburgh in the middle 1800s. This church, which opened in 1867, is one of their few surviving works. It is in some ways a typical Pittsburgh neighborhood church, with the sanctuary upstairs. But the three arches at the top of the Manhattan Street face of the building are anything but typical. Some replacement brick in the large center arch suggests that some decorative element decayed and was filled in, but even as the building stands now we can see how modern it must have looked in the time just after the Civil War.

    This picture took six separate photographs to render, but the result is the front of the church almost as the architects drew it.

    From the corner of Manhattan and Pennsylvania
    Cornerstone: New Zion Baptist Church

    The church has belonged to at least three different congregations. It was the Union Methodist Episcopal Church through the early 1900s; by 1923 it belonged to St. Paul’s Evangelical Lutheran Church; then in 1961—as this replacement cornerstone records—it was bought by the New Zion Baptist Church. The building does not appear to be in use right now, but we hope it can be maintained.

    Pennsylvania Avenue side of the church
    Union Methodist Episcopal Church
    Canon PowerShot SX150 IS.
  • Fifth Ward Manual Training School, Manchester

    Fifth Ward Manual Training School

    Now part of the Conroy Early Childhood Center, this old school hovers between classical and Romanesque styles, which means that perhaps the best term for it is Rundbogenstil, the word old Pa Pitt most likes to pronounce in public.

    Since it has been made an annex of a larger building, it no longer requires its main entrance, which leads to this architectural dissonance:

    Main entrance

    Addendum: The particularly fine inscription and relief work were done by Achille Giammartini, who lived a few doors down on Page Street.

  • Italianate Mansion in Manchester

    Italianate mansion

    A splendid Italianate house, splendidly restored, complete with tower to keep an eye on one’s neighbors, as one had to do in the Italian Renaissance.

    Front door

    The current owners’ attention to detail includes proper fabric awnings for the porch.

  • Victorian Gothic in Manchester

    Victorian Gothic house

    A beautifully kept vernacular-Gothic house in Manchester. Enlarge the picture to appreciate the details, including the many shapes of roof slates and the more than usually elaborate woodwork along the porch roof.