
We are not sure who designed this church, and perhaps a parishioner can enlighten us. Our problem is too many architects: James D. Van Trump attributed it to R. N. Verbrowski, but in the Charette for December, 1949, we read: “ ‘You never know what the Russians are doing,’ is Thomas Pringle’s report on his St. Gregory Russian Orthodox Greek Catholic Church for Homestead. Of brick with stone trim and one-story, the church will include a chapel, will cost approximately $75,000 and, with the help of God in donations, may be undertaken next Spring.” The mystery would evaporate if we assumed that the design was Verbrowski’s, and Pringle was the local architect of record responsible for supervising the building. At any rate, whoever was responsible for the design went deep into Russian tradition to pick out the elements, but arranged them in a very modern fashion.

The cornerstone preserves the memory of a traumatic event in Homestead’s history: perhaps as traumatic as the 1892 labor war that temporarily turned Homestead into an independent republic, and even as traumatic as the closing of the mills in the 1980s. In 1941, with the Second World War raging in Europe and the American government wisely preparing for the possibility of being sucked into the conflict, the Homestead mill was enormously expanded. Blocks and blocks of densely inhabited streets were bulldozed; splendid churches were razed; ethnic communities were scattered. Everything between Sixth Avenue and the river was just gone. Most of the churches rebuilt somewhere in upper Homestead; but several of them, like this one, could not build until after the war was over and the surviving male halves of their congregations returned.










































