Here is how the Land Trust Company building (later the Commercial National Bank) looked in 1905:
And here is how it looks today:
Much better, isn’t it?
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How to Improve a Design by Alden & Harlow
From Palmer’s Pictorial Pittsburgh. 
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Rosary March
Yesterday’s Rosary March comes up Sixth Avenue. It’s not a very good picture, but old Pa Pitt was not expecting this colorful procession, and did what he could in the seconds he had to record the event from the window of a moving vehicle.
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Point Fountain
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Fifth Avenue Place
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Downtown from the North Shore
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The Liberty Theater As It Was Built
Update: Once in a while old Pa Pitt has a chance to boast about his architectural instincts, and here is one of those occasions. In the original article, he wrote that he suspected Edward B Lee of having designed the remodeling of the theater into an office building. He was right. Source: The American Contractor, December 15, 1923: “Store & Office Bldg. (remod. from theater): $150,000. 5 sty. & bas. H. tile. Liberty av. & Strawberry Alley. Archt. E. B. Lee, Chamber of Commerce bldg. Owner The Fidelity Title & Trust Co., Wilson A. Shaw, chrm. of bd., 343 Fourth av. Gen. contr. let to Cuthbert Bros., Bessemer bldg.”
The original text of Father Pitt’s article follows.
Edward B. Lee was the architect of the Liberty Theater—or Theatre, as theatrical people often insist on spelling it—when it was built in 1912. These pictures were published in The Brickbuilder in 1913, so they show the theater as it was when it was new. Either the theater failed or the owners decided it would be more profitable as an office building, because only eleven years later, in 1924,1 it was remodeled into the Baum Building, and it still stands today.
The shell and outlines are the same, but quite a bit was changed externally. Old Pa Pitt suspects that Lee was the architect of these changes, too, and they were accomplished so elegantly that we would never know the building had not been planned that way from the beginning.
These small drawings (orchestra, first balcony, second balcony) show the aggressive adaptations Mr. Lee had to make to the irregular shape of the lot—a common difficulty for buildings on the southeast side of Liberty Avenue, where the two grids of the irrationally rationalistic eighteenth-century street plan collide.
Detail over the entrance. These decorations disappeared when the building was converted to offices.
Corner detail. The cornice and pilasters survive, but the elaborate terra-cotta decoration between the pilasters vanished in 1924.
- In the original version of this article, Father Pitt had given the date as 1920, following a city architectural survey. The listing from the American Contractor proves that the date was actually no earlier than 1924. ↩︎
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Three Gateway Center from Forbes Avenue
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Equibank Building
Now known as Two PNC Plaza, this building held an interesting architectural record. It was designed by Natalie de Blois (or DeBlois; old Pa Pitt sees it spelled both ways, and he is not willing to pay a spirit medium to contact the architect) for the firm of Skidmore, Owings and Merrill, and when it opened in 1974 it was the largest building in the world ever designed by a woman. A block of Oliver Avenue was eliminated to make room for this skyscraper, but Oliver Avenue was never much of a street anyway.
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Top of the Gulf Tower
The Gulf Tower is one of those buildings of the style old Pa Pitt calls “Mausoleum-on-a-stick,” where a skyscraper ends in a top modeled after the Mausoleum at Halicarnassus. Trowbridge and Livingston, who designed the Gulf Tower (with Edward Mellon as local architect of record), were the originators of the style, as far as Father Pitt can determine: the Gulf Tower is a Moderne reimagining of their original Mausoleum-on-a-Stick, the Bankers Trust Company Building on Wall Street, New York.
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Decorations by Achille Giammartini on the German National Bank
The German National Bank—now the Granite Building—is one of the most ornately Romanesque constructions ever put up in a city that was wild for Romanesque. The architect was Charles Bickel, but much of the effect of the building comes from the lavish and infinitely varied stonecarving of Achille Giammartini, Pittsburgh’s favorite decorator of Romanesque buildings.
We have sixteen more pictures in this article, and this is only a beginning. Old Pa Pitt will have to return several more times with his long lens to document Giammartini’s work on this building.
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