Until the 1890s, a Welsh Methodist chapel stood here; but by the early 1900s it had been replaced by this building for the Eichbaum Lithography and Printing Company, a direct descendant of early printer Zadok Cramer’s Franklin Head Bookstore. The architecture is basic industrial Romanesque, enlivened by a more elaborate stone arch for the entrance to the upstairs offices.
A very firehousey-looking firehouse, still in use by city emergency services. According to a city architectural survey, this was built in about 1900 and designed by city architect William Y. Brady. The details are unusual; the style is more or less classical, but instead of Doric or Ionic pilasters, we get unexpected obelisks in relief.
It is interesting to compare this engine house to the one up the street. That one is also attributed to Brady by the city architectural survey, but Father Pitt, on good evidence, attributes it to Charles Bickel. The styles are quite different. It is possible that Brady supervised some alterations to the Bickel firehouse, and that record confused the surveyors.
Good, even lighting on a cloudy day gives us a good perspective view of this building, considered a minor classic of the modernist genre. It was put up in 1956; the architects were Dowler & Dowler. The senior partner, Press C. Dowler, had an extraordinarily long and prosperous career; he worked in every style from late-Victorian Romanesque to pure modernism like this. While other architects languished in the Depression, Press C. Dowler got consistent work from the telephone company, in addition to designing large school projects for the City of Pittsburgh and other municipalities; he continued doing work for schools and Bell well after the Second World War. The other Dowler was his son William.
We also have a full elevation of the Stanwix Street front.
Thomas Pringle, architect of some of our prominent churches, designed this nine-storey Deco Gothic building for the Salvation Army almost as if it were a skyscraper church, complete with his usual corner tower. Today it is a hotel.
The Boulevard of the Allies side of one of the side-by-side Hartje Brothers buildings. Charles Bickel designed this building and the matching one behind it on Wood Street. This was the later of the two, both built in 1902 for the Hartje Brothers Paper Manufacturing Company. Mr. Bickel was extraordinarily prolific, but old Pa Pitt thinks he deserved his success. For an interesting comparison, look at the Reymer Brothers candy factory and the Concordia Club, and see how Charles Bickel created different effects from the same basic shapes.
Edward B. Lee designed this clubhouse for the Americus Republican Club in a lush Georgian style. It was built in 1918, and it spans the whole (very short) block from the Boulevard of the Allies to Third Avenue. Since the club moved out, this has been known as the Pitt Building.
Old Pa Pitt thinks the off-center pediment is an interesting choice for neo-Georgian architecture. It would not have occurred to him if he had been the architect, but the expected symmetry would probably have made a duller façade.
Update: A correspondent points out that Second Avenue was widened into a boulevard in 1921, and it was done by trimming, moving, or demolishing buildings on the north side of the street. One large building was moved back forty feet. Forty feet would be just enough to account for the asymmetry of this façade. E. B. Lee would have been available to supervise the alterations, but the building’s current form would represent the best he could do under adverse circumstances, not his original grand vision for the Americus Club.
Another update: The conclusion that part of the building was demolished was correct. “Construction Notes,” Pittsburg Press, October 26, 1920, p. 9: “Preliminary estimates are being received for removing buildings in Second ave. and part of the Americus club building, for the avenue’s widening, the portion taken to be replaced by an addition in the rear.” Thus the Smithfield Street façade was originally symmetrical.
Given an improbably narrow L-shaped lot to work with, Charles Bickel1 did not despair. Instead, he had fun drawing two quite different but obviously related fronts for the same firehouse. Above, the Boulevard of the Allies front; below, the Smithfield Street front.
The style is rich Renaissance with more than a hint of Art Nouveau. Bickel was probably the most prolific architect Pittsburgh ever had, but he did not fill the city with identical boxes. He dabbled in a surprising range of styles.
It never hurts to put your client’s coat of arms on the front of the building—in this case, the arms of the City of Pittsburgh.
The side of the building is exposed now along the Boulevard of the Allies, showing that it was not very deep, in addition to being very narrow. By 1923, according to old maps, the building was in private hands; the city had built a pair of engine houses half a block away that were probably more suitable for the new horseless fire engines.
Addendum: A city architectural survey dates this firehouse to about 1900 and attributes it to William Y. Brady. Brady was architect of Engine Company No. 1 down the street, which is in a much heavier style; Father Pitt’s evidence is all in favor of attributing this one to Mr. Bickel.
Designed by John Chislett, our second resident professional architect (Benjamin Latrobe was our first), the Burke Building opened in 1836. It just missed the Great Fire nine years later, and it was substantial enough to remain valuable through the many booms that followed, so that it has survived to be the oldest building downtown outside Fort Pitt. That seems astonishing when we recollect that there had been a city here for 78 years before this building was put up, but flood and fire wiped away much of what came before, and prosperity destroyed the rest.
We are lucky to have the Burke Building. It is a particularly elegant example of Greek Revival design, and it manages to create a very rich appearance with minimal ornament. Young architects would do well to imitate it.
The Brookline Connection site has a page on the Burke Building with some interesting historical pictures.
This sketch was a winner in the Pittsburgh Architectural Club’s Summer Prize Sketch Competition. The artist was Arsene Rousseau (misspelled in the caption), who later became a successful architect in Youngstown.
The sketch shows the situation of the Blockhouse as attractively as the artist can manage consistent with honesty. It had been restored to its past and present condition by the Daughters of the American Revolution, who maintained a little patch of green in the decaying warehouse and slum district of the Point. We see just a little of the Point Bridge in the background.
For comparison’s sake, here is how the Blockhouse looked in 1887, before the ladies of the DAR got their hands on it:
