Father Pitt

Category: Churches

  • First Ruthenian Church, South Side

    First Ruthenian Church

    This church was built as the First Ruthenian Church (a Presbyterian church for Ruthenian immigrants), and later became a Byzantine Rite church. Now, like many other things on the South Side, it’s a bar.

    Addendum: The architect was Chauncey W. Hodgdon, whose churches were usually in the Gothic style, but who adopted a mixture of classical and Byzantine for this very unusual congregation.1

    1. Source: “More Work for Builders Made by the Architects,” Pittsburgh Daily Post, September 15, 1912, p. 36: “Bids will close early in the week on the erection of a one-story brick and stone church building, to be built on the Southside for the Ruthenian Church, of the Presbytery of Pittsburgh. Architect C. W. Hodgdon prepared the plans for the structure, which will be 32×66 feet, costing $25,000.” ↩︎

  • Tower of Bellefield Presbyterian Church

    Tower of Bellefield Presbyterian Church and Bellefield Towers

    The church was pulled down to make way for an office block, but the tower was left to preside over its old corner.

  • First Trinity Church, Shadyside

    First Trinity Church

    A fine Gothic building with a prominent tower in the west front, this church sits right on the border between Shadyside and Oakland—it would be in Oakland if it were on the other side of the street. The view is marred by utility cables, which is true of most things in most American cities. Europeans put those things under the ground; Americans seldom even notice what an aesthetic blight they are, not to mention how often storms bring them down.

  • East End Baptist Church

    East End Baptist Church

    This was built for the Second United Presbyterian Church, but the Baptists moved in in 1933 (according to the History of the Churches of the Pittsburgh Baptist Association). It is now the Union Project, an arts center and events hall.

  • Old Church in the West End

    Now a sports bar, so it has been converted to a different religion.

    An update: This was St. George’s Episcopal Church, built some time in the 1890s or very early 1900s.

  • St. Bernard’s from Mt. Lebanon Cemetery

    A winter view of St. Bernard’s from Mt. Lebanon Cemetery, featuring a fine silhouette of a tree. Below, more church and less tree.

  • Mt. Lebanon United Presbyterian Church

    The west front of this church, with its outsized towers, was inspired by York Minster; it makes the church look a good bit bigger than it actually is. The hilltop location makes it a landmark visible from miles away. The congregation, a descendant of the early-settler congregation that established the St. Clair Cemetery across Scott Road, now belongs to the Evangelical Presbyterian Church, a young denomination founded in 1980.


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    Addendum: According to the September, 1931, issue of the Charette, the magazine of the Pittsburgh Architectural Club, the architects were “O. M. Topp and T. L. Beatty associated.”

  • St. Bernard’s, Mt. Lebanon

    St. Bernard’s Catholic Church, Mt. Lebanon

    Begun in 1942, this church is more elaborate than many cathedrals. The architect, William Perry, grew up in Dormont, and he seems to have realized that this was a chance to leave a magnificent legacy in his own back yard.


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  • St. Basil’s, Carrick

    St. Basil’s Church, Carrick, Pittsburgh

    Currently part of Holy Apostles parish, St. Basil’s occupies a splendid hilltop site from which its great rose window can be seen for miles. St. Basil himself presides over the façade, imprisoned in a cage that keeps the pigeons out and St. Basil in.


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  • St. Boniface in Black and White

    More of St. Boniface on East Street. These pictures were taken with a Samsung Digimax V4, which was quite a camera in its day. Though it fits (lumpily) in a pocket, it has a Schneider-Kreuznach Varioplan lens and allows manual control of everything. It is also the slowest camera old Pa Pitt has ever used, and he includes folding roll-film cameras in that calculation. It is especially slow if you set it to save in uncompressed TIFF format; then the time between shots is about 45 seconds, during which one could probably expose a whole roll of 620 film in a 6×9 roll-film camera.

    But Father Pitt has decided to make this limitation part of the artistic experience: he knows he will be taking one shot, and thus has a strong motivation to compose it carefully. He has also set the camera to black-and-white only, making it his dedicated monochrome camera. In effect he has turned it into a Leica Monochrom, but one with a 4-megapixel sensor instead of a 40-megapixel sensor. It is in fact nowhere near a Leica Monochrom, but it does take pretty good pictures. And Father Pitt paid about $8 for it instead of $8,000, so he believes his money was well spent.

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