This grand mansion was built in about 1890 for railroad magnate Harry Darlington. It occupies a tiny lot, so it is one room wide—but four storeys tall and half a block deep.
The building is decorated with numerous terra-cotta tiles with fine scrolly foliage.
A carriage house in the back has matching stony foundations.
This pair of houses is obscured by trees all through the leafy months, but in the winter we can appreciate the simple but tasteful Italianate details.
The difference in bricks suggests that the third floor was added later, but still early enough that the Italianate details were matched exactly.
An early work of Longfellow, Alden & Harlow in Pittsburgh, this house was given the Carol J. Peterson treatment, so that it has its own little book of its history. Old Pa Pitt will not repeat everything the late Ms. Peterson found out about it, but this is the outline: Joseph O. Horne, son of the department-store baron, married Elizabeth Jones, daughter of the steel baron B. F. Jones, and her father had Longfellow, Alden & Harlow design this cozy little Romanesque house for the young couple. It was one of the many houses restored in the late twentieth century by serial restorationist Joedda Sampson, and now it looks pretty much the way the architects drew it, minus some erosion and a century of soot.
The decoration on the dormer is a bit eroded, but that probably makes it more picturesque than it was when the house was new.
This house has an unusual history, which we take from Carol Peterson’s detailed research at the Allegheny West site. It was built in the early 1860s as a typical modest Pittsburgh rowhouse. In 1918, new owners decided they wanted something less embarrassingly old-fashioned, so they hired the most modern and up-to-date architects—Kiehnel & Elliott—to remodel the house in the most modern and up-to-date style—Spanish Mission. The result is something that would have been right at home in Florida, where Kiehnel and Elliott were beginning a flourishing practice that would persuade them to move to Miami in 1922. It would also have matched the neighborhood aesthetic in many of the new Pittsburgh streetcar suburbs like Carrick or Beechview. It seems a little out of place on Lincoln Avenue in Allegheny West.
Like many of the houses in Allegheny West, this grand Second Empire house had a detailed history prepared by the late Carol Peterson, so old Pa Pitt will tell you only that it was built in 1880 for Gideon and Mary Hoffstot, and for the rest we can let Ms. Peterson take over.
The Kinder Building is a little Beaux-Arts masterpiece at the corner of Western Avenue and Galveston Avenue. At night its carefully balanced classical entrance takes on a pleasing air of mystery.
The Modern Cafe is a little outcropping of late Art Deco in Allegheny West that looks as though it belongs in a hardboiled detective movie or an Edward Hopper painting.
Now Calvary United Methodist Church, this church is known for its stained glass by the Tiffany Studios. It was built in 1892–1895; the architects were Vrydaugh & Shepherd and T. B. Wolfe. The exterior is a feast of elaborate and often playful Gothic detail.
Now Chalfant Hall of the Community College of Allegheny County, and currently getting a thorough renovation. The house was built in about 1900; no one seems to know who the architect was. Henry Chalfant was a successful lawyer whose father was a successful lawyer as well.
The children of Allegheny millionaires could walk around the corner to this school, where they would presumably be prepared to go on to college and become better educated than their merely rich parents, or perhaps just become wastrel thugs like Harry Thaw. It is now a training center for the city police, most of whom are not children of Allegheny millionaires.
Old Pa Pitt does not know the original purpose of the low industrial-looking building to the left of the school in this picture. It seems to date from between 1910 and 1923, to judge by our old maps, and it belonged to the school. Can anyone enlighten us?
Addendum: The architect was Thomas H. Scott, who would later design the Machesney Building (Benedum-Trees Building) and the Garden Theatre, among other works.
