
A typical FDR-era public building, put up in 1940 in the modernized hybrid of Art Deco and classical style that old Pa Pitt likes to call American Fascist.



The arms of the City of Pittsburgh.



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A typical FDR-era public building, put up in 1940 in the modernized hybrid of Art Deco and classical style that old Pa Pitt likes to call American Fascist.



The arms of the City of Pittsburgh.




We’ve seen this house in the spring; now here it is in the fall, when we can see more of it because there are fewer leaves.


The developer Oliver Tyrone, who had built a high-class shopping center called Manor Oak on Cochran Road, brought in the New York firm of William N. Breger & Associates to design a high-class high-rise office building for the rising land behind the shops.1 In his early career, Breger had worked for Walter Gropius, and by 1966 his International Style credentials were well established. This building brought some distinguished modernist design to the quiet suburban landscape of Scott Township, and it still stands out as one of the more notable modernist office buildings in Pittsburgh suburbia.


It seems Mr. Tyrone’s investment was a success: two years later he started construction on a much larger nine-floor office building farther up the hill. Breger’s firm was once again in charge of the design,2 but instead of just repeating Manor Oak One but bigger, the architect made a completely different design—very Miesian to old Pa Pitt’s eye, though like many buildings inspired by Mies it narrows the Miesian colonnaded porch to vestigial width.

A native Pittsburgh architect might have adapted the buildings to their sloping site. But instead, the ground was completely leveled for each building, and the buildings could just as easily have grown in a flat city like New York.


S. S. Kresge was never the presence in Pittsburgh that Murphy’s was, but all the five-and-dime stores had outlets downtown. Murphy’s, Kresge’s, McCrory’s, Woolworth’s—they were all similar operations, and all the founders knew each other. G. C. Murphy, in fact, had worked for S. S. Kresge and John G. McCrory before setting out on his own.
The S. S. Kresge Company is better known to younger people (meaning under the age of seventy or so) as the parent corporation of Kmart.

The whole front of the building is done in terra cotta, including this inscription.

The pediment, though it seems undersized for the building, is filled with rich decoration.

An attractive and well-maintained building that would have been even more attractive when that overhang had green or red tiles. The style seems to hover somewhere between Renaissance and Arts and Crafts.



After the originally tiled overhang and its showy wooden brackets, the most eye-catching feature is the balconies with their bulging iron railings.


The Eighteenth Ward includes all of Allentown, Beltzhoover, and Bon Air, as well as part of Mount Washington. These memorials stand at the corner of Warrington and Estella Avenues. Above: the people who served in World War I, with hundreds of names. Below, the ones who served in World War II, with even more names. The pictures are very big, so if you enlarge them most of the names should be readable.


We’ve seen this house before, and here it is from a different angle. It sits on the side of a steep hill, and the best way to take in the front of it is to stand far away—in this case, in the South Side Cemetery.

This elegantly proportioned corner-tower church is currently vacant. Doesn’t some artist need a distinctive studio? Think of what you could do with the auditorium and three floors of school next to it!

The tower has completely abstract non-figurative gargoyles—perhaps a compromise the Romanesque-minded architect made with an iconophobic congregation.

John L. Beatty, who designed a number of good Gothic churches in our area, was the architect of this grand church for the First United Presbyterian congregation of Crafton.1

The dates of the foundation of the congregation (1908) and the building of the current church (1927).




The congregation had money for two huge windows in the 1960s or 1970s.

