The modernist ideal of towers in a park often runs up against the unwillingness of developers to put any resources into the park part. Gateway Center is a notable exception. The park has always been beautifully maintained, and it was planted with an eye on the long term, so that the saplings planted decades ago have grown into a forest of mature trees in the middle of the forest of towers.
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The Forest at Gateway Center
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Margaret Buckey, Pittsburgh Radio Star
“Margaret Buckey, well-known soprano, who is familiar to the fans who tune in on Station KQV, Pittsburgh, is shown above.” A large portrait from the front page of Radio Digest, November 1, 1924.
In the 1920s, when radio was young, the relatively few stations could be heard for long distances, depending on atmospheric conditions and, of course, the size of your aerial. The days before radio networks were a brief glorious age of distributed talent, when the chief entertainers of any city might be heard nationwide and develop a following. Radio networks changed all that: by distributing the same programs nationwide, they concentrated all the radio celebrities in New York, where their studios were.
Father Pitt does not know much about Margaret Buckey, except that she seems to have been a familiar voice on KQV in its very early days. Here is a program scheduled on KQV for December 27, 1922:
10:00 P. M. Program will be given by Miss Margaret Buckey, soprano and Ken Hudson, ukulele and steel guitarist, both of Pittsburgh, who will present a holiday program of the most popular sort. Miss Buckey excels in the songs being heard on Broadway and will sing several new ones and Mr. Hudson will play guitar accompaniment to some of them. The Hawaiian songs, native to his own country to also be a part of the program. Interspersed a number of new dance novelties will be broadcast. A program with a flavor of the holiday season. Ralph Skiles, guitarist will furnish some of the ensemble for both instrumental and vocal numbers. Program: Soprano Songs: “Three o’clock in the Morning,” with duet guitar accompaniment: “A Kiss in the Dark,” by Herbert; “A Little Street in Gay Paree,” from “The Spice of 1922;” “A Corner up in Heaven,” by Berlin, “Home, Sweet, Home,” with string accompaniment. Instrumental numbers: “Kalima” Waltz, for two guitars; “Hawaiian Hula Medley,” two guitars; Hawaiian Song, with ukulele. (selected); “Kanaha Kiki,” ukulele solo. —Radio Broadcasting News, December 23, 1922 (PDF).
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Alpha Terrace, East Liberty
Alpha Terrace, a set of unusually fine Victorian rowhouses designed by James T. Steen1 in an eclectic Romanesque with bits of Second Empire and Gothic thrown in, is a historic district of its own. The houses are on both sides of Beatty Street in East Liberty. The row on the northwest side of the street went up in about 1885.
The houses on the southeast side of the street are a few years newer, probably from about 1894, and they incorporate more of the Queen Anne style, with shingles and ornate woodwork.
The rest of our pictures are from the sunny side of the street, for very practical photographic reasons. We’ll return when the light is better for the houses on the southeast side.
Separate ownership is not always kind to terraces like this, but the aluminum siding on the roof is about the worst alteration Alpha Terrace has suffered.
- Old Pa Pitt is nearly certain of this attribution. The Wikipedia article, possibly following the Pittsburgh History and Landmarks Foundation, attributes the design to Murphy & Hamilton, but Father Pitt is fairly sure that Murphy & Hamilton were contractors, not architects; they probably built the terraces. Alpha Terrace is attributed to Steen in a Historic Resource Survey Form for another of his buildings that was demolished anyway (PDF). The style of Alpha Terrace is very similar to the style of Steen’s downtown YMCA (demolished long ago), which, though it was on a much grander scale, used the same prickly witch’s caps and squarish dormers; it was pictured in the American Architect and Building News for February 10, 1883.
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- Old Pa Pitt is nearly certain of this attribution. The Wikipedia article, possibly following the Pittsburgh History and Landmarks Foundation, attributes the design to Murphy & Hamilton, but Father Pitt is fairly sure that Murphy & Hamilton were contractors, not architects; they probably built the terraces. Alpha Terrace is attributed to Steen in a Historic Resource Survey Form for another of his buildings that was demolished anyway (PDF). The style of Alpha Terrace is very similar to the style of Steen’s downtown YMCA (demolished long ago), which, though it was on a much grander scale, used the same prickly witch’s caps and squarish dormers; it was pictured in the American Architect and Building News for February 10, 1883.
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G. C. Murphy Building
Part of the flamboyantly Art Deco G. C. Murphy building, which with this addition grew into “the world’s largest variety store,” as it still called itself in the 1990s before it shrank and the whole chain eventually collapsed under the ownership of Meshulam Riklis. The building was designed by Harold E. Crosby.
The terra-cotta decorations were originally brightly colored. In the photograph above, we have boosted the color to make the remaining colors evident.
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Top of the Pittsburgher
The Pittsburgher was built in 1929–1930 as a hotel; the architects were the H. L. Stevens Company of New York. For many years, converted to offices, it was known as the Lawyers Building. In 2015 it was bought by a company called King Penguin Opportunity Fund, which restored the original name and put it in lights at the top. This view was taken from Gateway Center with a very long lens.
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Allegheny Towers
Tasso Katselas designed this mixed-use building, an apartment tower on top of a parking garage. It opened in 1966. For a while it was known by its address as 625 Stanwix Tower. Now it has been refurbished and given a spiffy new coat of black, which makes a big difference in its appearance. Compare the picture old Pa Pitt took from across the Allegheny nine years ago:
Back then, Father Pitt was a bit harsh in his criticism: “There is no rhythm to the apartment section, not even a jazzy syncopation,” he wrote. But the new coat of black emphasizes the vertical lines and gives the building exactly the rhythm it was missing—which turns out to be a jazzy syncopation.
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Three Commercial Buildings in the Strip
Three of the modest commercial buildings typical of the Strip. The Penn Avenue business district grew up when the Strip was a clutter of miscellaneous industry and working-class housing; the same buildings, and others filled in on the same scale, turned into wholesale food businesses when food became the main focus of the neighborhood. In spite of the way the Strip has grown in the past two decades, Penn Avenue has changed remarkably little. Businesses come and go, but many of the old standby food dealers have been here for decades—two kinds of Sunseris, Stamoolis Brothers, Wholey’s, Sam Bok, Labad’s, and so on.
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Ohio Valley Trust Company, Coraopolis
As seen by a Kodak Pony 135 camera with Efke KB 25 film. The film expired years ago—or rather the printed expiration date was years ago, but the film lives on. Once this roll (which started at 30.5 meters) is gone, however, there is no more. The creaky old Efke factory in Croatia closed down in 2012 on account of “a fatal breakdown in machinery.” The current incarnation of ADOX picked up the formula for Efke’s ISO 100 film, but not this slower film. It’s a pity, because this film produced negatives with fine grain and a wide range of tones, and it was also cheap.
We also have pictures of the Ohio Valley Trust Company building in color.
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The Top of the Fulton Building
Some seldom-seen details at the top of the Fulton Building (now the Renaissance Hotel), including an oddly incongruous television aerial.
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Leaf Litter
Fallen golden leaves of Ozark Witch Hazel (Hamamelis vernalis), with plenty still on the bush.