
It seems to old Pa Pitt that Charles W. Bier was a true original among our architects. He was not our greatest artist, but he developed a distinct style that was altogether his own. We may enroll him in our little club of early modernists, but he came at modernism in his own unique way. He combined regional Victorian variants of Gothic ornament with his own angular interpretation of the Art Nouveau that was wafting over from Germany and Austria. This church, whose cornerstone was laid in 1914, is one of his most characteristic works—and you could buy it right now, in good shape, with a fresh Pittsburgh History & Landmarks Foundation plaque on the front.


Whenever you see a very broad and shallow arch with strong vertical lines above it, you should suspect Charles Bier.






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