West End Park is far off the beaten track, and few people outside its own neighborhood (which is technically Elliott, though it belongs at least as much to the West End) ever visit, or even know it exists. But it has one of our best war memorials by one of our best sculptors and one of our best architects.
The sculptor was Frank Vittor, who was already developing the streamlined style that would make him one of Pittsburgh’s two favorite sculptors (the other being Giuseppe Moretti). The architect was William Perry, whose most famous work is St. Bernard’s in Mount Lebanon, a church more magnificent than many cathedrals. Their collaboration produced a striking monument, simple but rich. Unfortunately some restoration has left it with two radically different colors of stone and concrete, which is not how it was meant to look, as we see in this picture from twenty-two years ago:
That picture shows us that the memorial has also lost some sort of bronze ornament on the bottom half of the shaft: we can see the shadow of what seems to have been a shield with double-headed axe set in a bronze band. (Addendum: The book Discovering Pittsburgh’s Sculpture, by Vernon Gay and Marilyn Evert, shows the ornament in place, with a bronze band all the way around the base. That book was published in 1983.)
One response to “World War I Memorial, West End Park”
[…] unmistakable Frank Vittor eagle; compare it to the eagle on the West End World War I memorial and the one on the portal to the Boulevard of the Allies. City records confirm that Frank Vittor […]