
Another small celebration of the varieties of woodwork to be found on South Side houses.










Uptown is a neighborhood in transition, and it still is not entirely clear what it will become. Will these rowhouses become valuable properties worth restoring? Or will they be knocked down for skyscraper apartments? Or will the development mania grind to a halt before it reaches this block? These two houses are in pretty good shape and worth preserving for their nearly intact fronts. Both have some fine woodwork. The one on the left has had some unfortunate renovation done to the dormer, but otherwise nothing bad has happened to it. It has newer windows, but in the right size and shape, and if you painted those aluminum frames they would be indistinguishable from the originals. The one on the right is even more perfectly intact. Note its proper Pittsburgh stair railing: in Pittsburgh, railings are a plumber’s art.

The elaborately carved reredos does its part to focus attention on the altar before it. The four wooden figures are Peter and John on the left, Paul and James the Greater on the right. The carving was done by the Irving & Casson—A. H. Davenport Co. of Boston

This well-preserved house from 1870 or 1876 (according to different sources) has kept its splendid Victorian ornamental woodwork. Architectural historians would call this an I-house, a standard variety of vernacular house very common in this part of Pennsylvania. Its form is very simple: two floors, each a central hall with a room on the left and a room on the right. Often, as on this house, more rooms are added on the back. For many years this house was used as the parsonage for the Methodist church next door.


Old Pa Pitt is not quite sure how to classify this house. It is a sort of Jacobean or Tudor Gothic, but with very Victorian woodwork on the gables. We shall call it “Jacobean with gingerbread.”
Addendum: This is the Remsen V. Messler house; the architects were Peabody & Stearns, who designed several other Tudorish mansions around here, as well as the Liberty Market (now Motor Square Garden) and the Horne’s department store.

In a Victorian rowhouse, the parlor window—the ground-floor window facing the street—was an opportunity for the homeowners to display their taste and, even more important, their ability to pay skilled craftsmen to decorate their houses with woodwork and stained or leaded glass. Above, even the masonry is incised with decorative patterns.
