
The back side of the People’s Savings Bank building is merely functional, except for this curious stairwell, whose bronze cap seems to have flown in from another and much more fantastical world.
This is classicism walking the knife edge between Art Deco on the one side and modernism on the other. The architect was George H. Schwan, a Pittsburgher whose only other major commission in town that old Pa Pitt knows about is the Twentieth Century Club in Oakland. [Update: The Twentieth Century Club is usually attributed to Benno Janssen. Schwan may also have designed the Natatorium Building in Oakland, or the renovations that made it into a movie theater.] Schwan did not starve, however: he was a much-employed designer of attractive smaller houses, and his most famous commission was designing practically all the original buildings in the model Akron suburb of Goodyear Heights.
Addendum: Father Pitt knows of more works by Schwan than he did when he wrote this article. See the Great Big List of Buildings and Architects for old Pa Pitt’s latest research.
Cast-iron building fronts were made in Pittsburgh for cities everywhere, but according to the architectural historian Franklin Toker they were actually less popular in Pittsburgh than elsewhere. Here, however, are three splendid identical examples. They were carefully restored in 2013, using fiberglass to duplicate missing pieces of the iron.
John Massey Rhind, the famous sculptor who did the four representatives of the Noble Quartet outside the Carnegie and the Robert Burns statue outside Phipps Conservatory, contributed decorative reliefs to the 1901 People’s Savings Bank tower on Fourth Avenue. This one is over the Wood Street entrance.