Looming behind Duquesne University on the Bluff.
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U. S. Steel Tower
Fujifilm FinePix HS10. -
Mellon Hall, Duquesne University
Composite of four photographs from the Fujifilm FinePix HS10. Built in 1968, this is the only design in Pittsburgh by Ludwig Mies van der Rohe; it was one of his last works. (The IBM Building at Allegheny Center was designed by Mies’ firm after Mies died.) This is a composite of four long-telephoto photographs taken from the back streets of the South Side across the Monongahela River. At full magnification, atmospheric distortion makes the straight lines slightly wavy.
We also have some closer pictures of Mellon Hall.
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Niches on the College of Fine Arts Building, Carnegie Mellon University
Henry Hornbostel designed the front of the Fine Arts Building with niches that display all styles of architectural decoration, and more practically give students a place to sit between classes. The niches have continued to accumulate sculpture in styles from all over the world. The whimsical figures in the Gothic niche may have been done by Achille Giammartini.
In the classical niche, the three orders of Greek architecture: Corinthian, Doric, Ionic, demonstrated with correct proportions.
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Old Main, Duquesne University
Fujifilm FinePix HS10. Built in 1885 from a design by William Kauffman, this was an astonishingly lofty building when it went up—our first skyscraper college. Its position up on the bluff gave it spectacular views, at least when the smoke from the city below was not too dense, from the cupola that used to stand at the peak of the roof.
We also have a picture of the building as it was built, along with a modern picture from the same angle.
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College of Fine Arts, Carnegie Mellon University
The front of the College of Fine Arts in sunset light. Above, the word CREARE (“to create”) inscribed above the entrance by decorative sculptor Achille Giammartini.
Reason.
Design.
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Carnegie Mellon University
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Stairway in Baker Hall, Carnegie Mellon University
Stairways can be good opportunities for architects to show off, and here is a stairway designed by Henry Hornbostel that defies imitation.
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Some Details of Margaret Morrison Carnegie Hall, Carnegie Mellon University
Of all the buildings on the Carnegie Mellon campus, Margaret Morrison Carnegie Hall (named for Andrew Carnegie’s mother) probably makes the most jaw-dropping first impression. It was originally built in 1907 as a separate but related school, the Margaret Morrison Carnegie School for Women, where women would learn the skills women were fitted to learn. When it was discovered that women were fitted to learn everything, the school dissolved into the larger university.
Henry Hornbostel’s design makes its opening statement with a grand and stripey rotunda that is impressive and welcoming at the same time.
The polychrome ornament found throughout the campus is laid on lavishly here.
One of the sconces in the rotunda.
A side porch with some unusually intricate decoration that nevertheless does not look at all fussy.
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Nordenberg Hall, University of Pittsburgh
Mark A. Nordenberg Hall, built in 2011, is a perfect example of what old Pa Pitt calls the neoneoclasssical style: it uses the shapes and symmetry of classical architecture without the embarrassing ornamentation. In this building, some of the effect of that missing classical ornamentation is simulated by a pleasing variation in the materials. The architects were the St. Louis firm of Mackey Mitchell Architects, with our own MCF Architecture (the successors to Edward Stotz) coming along for the ride.
This building replaced the 1926 University Place Office Building by Edward B. Lee, a much smaller building that, in its sparse detailing, almost anticipated the neoneoclassical style.
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Clapp Hall, University of Pittsburgh
In 1956, twenty years after Charles Z. Klauder’s Cathedral of Learning opened, Clapp Hall opened its doors. It was designed by Trautwein & Howard, the successors to Mr. Klauder, but it was no longer possible to make an academic building in the ornate Gothic style that had been Klauder’s specialty. Instead, the architects gave us a restrained late-Art-Deco modernist Gothic that fits well with Klauder’s buildings but doesn’t embarrass postwar sensibilities too badly. The entrance is at an angle to the rest of the building so that the Cathedral of Learning is perfectly framed in the doorway as you walk out.
Below, three views of the Fifth Avenue side:
The Tennyson Avenue side has a similar face:
