About this church old Pa Pitt knows only what you see in these pictures. The sign has not changed since 2021, but the grounds are still mowed and the building is in good shape. Its most prominent feature is its tower with eye-catchingly prickly battlements.
This grand Gothic complex was one of two Presbyterian churches that stood on opposite corners of the same intersection. The other one was the First United Presbyterian (old Pa Pitt will probably never tire of that joke, which the Presbyterians hand to him on a silver platter). Eventually the United Presbyterian congregation united with this one, which is now known as the Presbyterian Church of Coraopolis, though it seems to have used the name Coraopolis Presbyterian relatively recently, when it picked the domain name for its Web site.
The current lavish building was put up in 1929, as we learn from a postcard on the church’s history page, at a cost of $315,000 including furnishings.
This is a fine building in a good neighborhood, and you could buy it right now and move in. You might have to spend another million or so fixing it up, but the structure is sound and the interior of the sanctuary, from what we can see on that real-estate site, is intact in the most important details. It does need work, but the best parts of the interior are still there. If you are a congregation looking for a sanctuary, you can put your teenage members to work. That’s why you have youth groups, after all.
The church was built in 1915; the architect was Thomas Hannah, a big deal in Pittsburgh architecture. Comparing the church today to an old postcard, we can see that nothing has changed on the outside.
Well, one thing has changed. The church accumulated decades of industrial grime, turning it into one of our splendid black-stone churches, and the blackness, though fading, has not been cleaned off. Father Pitt hopes the church will pass into the hands of someone who appreciates it in its current sooty grandeur.
The other thing that is different is the long-gone building behind the church in the postcard. It was almost certainly the older sanctuary, probably kept standing as a social hall. It has been gone for years now.
The style of the church is what we might call Picksburgh Perpendicular, the common adaptation of Perpendicular Gothic to the more squarish auditorium-like form of Protestant churches that emphasized preaching over liturgy. Old Pa Pitt will admit that he does not like the stubby secondary tower on the left. It is probably very useful in providing space for a stairwell, but the two towers are too widely separated, as if they are not on speaking terms. The emphatic corner tower is the star of the show, and the other tower seems to be making an ineffectual attempt to upstage it. In spite of that quibble, though, this is a beautiful building that deserves appreciative owners.
This is a Catholic school with more than the usual touch of whimsy. Old Pa Pitt does not yet know the architect, but whoever it was decided to make a school that would strike its pupils as something out of a fairy tale. [Update: We have found that the architects were the well-known Link, Weber & Bowers, “Link” being A. F. Link and “Weber” being Edward Weber.1] It is sadly vacant and decaying right now, although at least the grounds are kept. The cornerstone tells us that the building was begun in 1928:
Since old Pa Pitt considers this school endangered, he has many pictures to show you, so the rest will be behind a “read more” link to avoid cluttering the front page for a week.
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We have seen this especially fine church before, but since old Pa Pitt was out walking on Potomac Avenue in early-evening light, he decided that we could see it again. It is now the Dormont campus of the nondenominational North Way Christian Community, which fortunately has the money to keep up the exterior.
The parsonage is just the sort of elegant and respectable dwelling you need for your Presbyterian minister. With a broad English Gothic arch at the entrance to link it to the church, it makes a good transition between the monumental church and the prosperous merchant-class houses on Espy Avenue.
Addendum: Father Pitt tentatively attributes the church to Chauncey W. Hodgdon. Mr. Hodgdon was hired to supervise alterations in 1914, and it was considered unethical for another architect to alter or add to a building within a few years of its construction unless the original one refused, or was unavailable, or was rejected by the client.
The tower of East Liberty Presbyterian dominates the neighborhood in a way few buildings do in any urban setting.
Detroit architect Peter Dederichs gave us this gorgeous Renaissance basilica, which is crammed into an absurdly tiny space at the foot of the bluff in Sharpsburg. The exterior hasn’t changed in any significant way since the building went up in 1916, as we can see in a cover story in Stone magazine from February of 1919. In that story we learn that the stone was Dark Hollow Gray Bedford limestone from Indiana, and it has stood up perfectly to more than a century of Pittsburgh atmosphere.
The foundation of the congregation.
The building of the church.
Capitals of the Corinthian order.
The apse, and an especially lush growth of utility cables.
Looking toward the church on Penn Street.
Built in 1911, this church served the Methodists until 1995. It is now home to the Lamb of God Church. This is a dated design for 1911; it would be interesting to know who the architect was, or whether the design was picked out of a book of stock patterns published ten or fifteen years before.
Here, by the way, is an example of how one develops an instinct for church architecture. Father Pitt did not know what congregation originally built this church, and how would one easily find out without some research? (One might have done the research, but it is always better to spare oneself trouble if one can.) The answer is by guess. “It looks Methodist,” Father Pitt thought to himself; and, with that clue, finding the information was easy.
