Thomas Scott designed this palatial waterworks, which stands in a little enclave of the city of Pittsburgh on the north shore of the Allegheny just outside Aspinwall. As he did with the Mission Pumping Station on the South Side Slopes, he decorated this one with elaborate grotesque heads and other classical effusions.
The restoration of the Garden Theater, built in 1914 from a design by Thomas Scott, is nearly complete. The storefronts on North Avenue will be filled again for the first time in decades. Old Pa Pitt will try to get back when the rubbish bin is gone from the front, but these pictures give a good impression of how carefully the external appearance has been maintained and refreshed.
We also have pictures of the Garden Theater in the daylight.
Originally called the McCance Block after its owner, this came to be known as the Triangle Building for obvious reasons. As Father Pitt has mentioned before, it fills what may be one of the smallest downtown city blocks in the country, so that every side of a relatively small building faces the street.
Andrew Peebles was probably the architect—but old Pa Pitt has not sorted that out completely yet, because he has also heard of Thomas Scott as the architect. His current hypothesis is that the building rose in two stages: the first four floors by Peebles, and the top two floors, which are simpler and built with brick of a very slightly different shade, by Scott some years later. The building has recently been refurbished for (you guessed it) luxury apartments.
Thomas Scott designed this terrace of four houses, built in 1912,1 and they are kept in remarkably fine shape. The updates have been handled with taste and an understanding of the original style, so that today there is hardly a finer Beaux-Arts terrace of cheap little rowhouses in the city. We have talked before about the challenge of making inexpensive housing seem attractive; it was a challenge that Scott met and conquered.
The doors of the two end units are framed in scrupulously proper Doric fashion.
The two inner units have these unique sawed-off arches over their front doors.
When the thriving borough of Wilkinsburg needed a magnificent new high school to accommodate its mushrooming population, the borough government decided to get the best building possible by inviting an all-star cast of architects to a competition. From the Pittsburg Press, July 8, 1908, p. 17:
Plans for a high school building to cost over $200,000 will be received by the school board of Wilkinsburg. The architects in the competition are Thomas H. Scott, M. G. Wilkins Company, DeBobula & Hazeltine, Milligan & Miller, S. E. Schrieber and E. J. Carlise. M. F. Henning is chairman of the building committee. The competing architects will be given about a month to submit plans.
The winner was Thomas H. Scott, whose name was among the few correctly spelled in the article. He beat some big names, including Wilkinsburg’s own Milligan & Miller, E. J. Carlisle (who already had many schools to his credit), the W. G. Wilkins Company (specialists in large industrial buildings and warehouses, including the one that is now the Andy Warhol Museum), the wildly eccentric and self-aggrandizing genius Titus de Bobula (with an otherwise unknown partner), and probably Frederick Scheibler, if we are correct in guessing that “F. G. Scheibler” was misheard over the telephone as “S. E. Schrieber.” Scott, of course, was a big name himself, and the borough could have had no reason to regret its choice.
The school, which is an interconnected complex of buildings that also included the junior high school, is no longer in use as a school: Wilkinsburg students go to Westinghouse in Pittsburgh from the seventh grade on. But the building is well maintained.
Something interesting must lurk behind this wall along Howe Street.
As we step closer we notice the Pittsburgh History and Landmarks Foundation plaque, and we begin to get a view of the cottage beyond the wall.
The sheltering wall seems to be there less to conceal the house than to delight us with the revelation. This is the Nora McMullen Mellon house, built in 1911 from a design by Thomas Scott. The unusual (for Pittsburgh) choice of stucco with brick trim makes this English cottage stand out on the street, and the current owners keep it as pretty as an architect’s rendering.
This small but grand pumping station, or some sort of utility building, sits by the reservoirs behind the Waterworks shopping center. Thomas Scott was the architect of most buildings for the Pittsburgh water system in the era when this one was built, and this is certainly in his style, so we attribute it to him with some confidence. The windows that would have flooded the building with light have been blocked in, possibly for security reasons, but more likely because no one could see the point of maintaining glass windows when plywood covers the holes just as well.
On city planning maps, the waterworks, the Waterworks shopping center, and St. Margaret’s Hospital are in the Lincoln-Lemington-Belmar neighborhood, which is otherwise on the other side of the Allegheny—one of those neighborhood-boundary absurdities that no real Pittsburgher would recognize. Pittsburghers would say they are at Aspinwall, although they belong to the city and not the borough of Aspinwall.
Behind the encroaching jungle of vines and utility cables we can just make out a pair of classical dolphins—always the emblem of a water-related building—and a cartouche with the city arms.
Built in 1914, the Garden was designed by Thomas Scott, who was responsible for a large number of buildings on the North Side and lived within walking distance of this one. Its last years as a theater were a bit disreputable, but it was spared the drastic exterior changes most other theaters suffered. It is now on its way to a new life as an apartment building; and, while we wish it might have been made a reputable theater again, at least the splendid terra-cotta front will be preserved.
Two houses on Walnut Street in the Tudor Revival style, as we would say today, or the English style, as they were probably called when they were built. They share some notable similarities, which would make it not surprising if they were drawn by the same architect. The sunset light makes the already cozy Tudor style look even warmer and cozier.
Addendum: A city architectural survey attributes the one above to the architect Thomas Scott; we are probably justified in attributing its neighbor to Scott as well.
