This is a huge composite picture, so don’t click on it unless you have the megabytes to spare. This elegant apartment building on Craig Street had a typically Pittsburgh problem to solve. The lot is irregularly shaped and (of course) not level. The architect’s answer was a façade that is varied enough to mask the fact that it does not quite line up with the street. At first glance, the front seems symmetrical; the second and third glances will reveal the curious staggering of the wall.
The splendid terra-cotta facing of the Maul Building is covered with ornaments that may have been standard catalogue items, but nevertheless show considerable artistic talent.
One of Henry Hornbostel’s most impressive works, Rodef Shalom, built in 1906, is notable for its colored terra-cotta decorations, which—according to the interpretive sign on the temple grounds—were among the earliest uses of polychrome terra cotta in the United States.
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Two ornaments from the terra-cotta façade of the old Thompson’s Restaurant building on Market Street just off the Diamond.
This terra-cotta head of a helmeted allegorical figure (the flowing hair suggests femininity, but the armor suggests “don’t mess with me”) is really a first-rate piece of work, which makes it all the more surprising to find it built into the gable of a rowhouse on the South Side. It is the sort of ornament you add to tell your neighbors, “I am slightly more prosperous than you, because I can afford to have this built into my gable.”
—Old Pa Pitt suspects that this is meant to be a head of Minerva, a Roman goddess you don’t mess with.
The other decorative details on this house are also fine, though more in a vernacular Victorian Romanesque style. This ornament is in the arch above the middle second-floor window.
The Kaufmann’s building at Fifth and Smithfield was designed by Benno Janssen, who gave it a facing of ornate terra-cotta tiles. Compare these decorations to the similar ones on Janssen’s earlier Buhl Building farther down Fifth Avenue.
This beautiful (and odd-shaped) building at what used to be the intersection of Liberty and Oliver is now “coworking” offices, which is the trendy term for “offices with free beer.”
The last block of Oliver Avenue was absorbed into PNC Plaza, but this building remains to outline the old odd-angled intersection.
The Buhl Building on Fifth Avenue, one of Benno Janssen’s earlier works, is covered with terra-cotta reliefs in Wedgwood colors.
