The Pittsburgher was built in 1929–1930 as a hotel; the architects were the H. L. Stevens Company of New York. For many years, converted to offices, it was known as the Lawyers Building. In 2015 it was bought by a company called King Penguin Opportunity Fund, which restored the original name and put it in lights at the top. This view was taken from Gateway Center with a very long lens.
Sometimes the false is truer than the true. It is not possible to get a good picture of One PNC Plaza from the ground. The only way to get in the whole building—well, almost the whole building—was to stitch together multiple pictures, which produced a hideously distorted perspective. To create a rendering that looks more like what we perceive (which is not the same as what we see) when we look at the building, old Pa Pitt resorted to complicated trickery for the picture above, making four vertical slices of the picture and adjusting each one of them separately. If you look at the ground level, you can see how everything else has been broken and distorted to make the building look more like itself.
Here is the base of the building without the radical distortions.
One PNC Plaza was designed by Welton Becket and Associates; it opened in 1972. Mr. Becket died at the beginning of 1969; but it is probable that he left drawings of this building on his drafting table, since it had been planned before 1968. The firm continued under his name long after his death; One Mellon Center, which opened in 1980, was also designed by Welton Becket and Associates.
It is a curious fact that One PNC Plaza replaced another skyscraper that was shorter by only four floors: the First National Bank Building, which was designed by Daniel Burnham and ranks at number 35 on Wikipedia’s “List of tallest voluntarily demolished buildings.” It is the tallest building destroyed in Pittsburgh so far.
Looming behind Duquesne University on the Bluff.
Gateway Towers was designed by Emery Roth & Sons. It was built in 1964, which tells us that it was the & Sons who were responsible for it, since Emery Roth died in 1948.
From a distance, this has never been one of old Pa Pitt’s favorite buildings to look at, although he is going to give it a fair chance by presenting multiple angles. Up close, however, it has a sharp classicism in its spare details that makes it much more attractive.
Good landscaping helps a lot, and all of Gateway Center has very good landscaping. The modernist ideal of towers in a park was never better implemented, and it is because the park part of the scheme was not neglected.
Designed by Daniel Burnham, this is the only skyscraper left in East Liberty; another one, designed by Frederick Osterling, was demolished decades ago when the neighborhood’s fortunes were sinking. Now the neighborhood is once again bustling, and the Highland Building, after years of abandonment, is beautifully restored.
The statue of Edward Bigelow by Giuseppe Moretti, with the Cathedral of Learning in the background.
This building was put up in two stages. It was built in 1902 as a seven-story building; two years later six more floors were added. Originally it had a cornice and a Renaissance-style parapet at the top, without which it looks a little unfinished.
From The Builder, April 1904. The architect, as we see in the caption, was James T. Steen, who had a thriving practice designing all sorts of buildings, including many prominent commercial blocks downtown. This was probably his largest project.
At first glance this looks like a postmodernist building from the 1980s, and your first instinct is half right. It was originally an early ten-storey skyscraper built for the Shields Rubber Company in 1903. In 1989, it got a heavy postmodern makeover, with an extra floor at the top.
These views are made possible by the demolition of the buildings along the east side of Market Street.
Cameras: Kodak EasyShare Z1285; Fujifilm FinePix Hs10.
