This little country church is now surrounded by suburbs, though there are still farms nearby. The date stone on the front of the building tells us it was built in 1868.
-
Trinity German Evangelical Lutheran Church, Franklin Park
-
St. Martin’s Rectory, West End
Our great ecclesiastical architect John T. Comès designed a fine church for St. Martin’s parish in the West End, but the church was demolished long ago. The rectory, however, remains, and it is a remarkable piece of work itself. We might call it Romanesque, or Art Nouveau, or Arts-and-Crafts, or perhaps even Rundbogenstil. Father Pitt is tempted, however, to call it Pre-Raphaelite. It reminds him of Pre-Raphaelite paintings; we can imagine it as a backdrop for figures by Burne-Jones.
The rich colors and deliberately handmade look of these ornamental tiles add considerably to the effect of the façade.
-
Two Hotels in Sharpsburg
Sharpsburg has a paucity of street names and has to double up on many of them. At the western end of the borough, Main Street splits into two Main Streets. On South Main Street we find two similar hotels from the 1890s, both in the kind of German classical-Romanesque hybrid style that old Pa Pitt has learned to call Rundbogenstil. “Hotel” meant “neighborhood bar with rooms for rent”; such hotels popped up in neighborhoods everywhere in our area, because it was much easier to get a liquor license for a hotel than for a bar.
First, the Lafayette Hotel (probably not its original name), which not only still has a lively and beloved bar on the ground floor, but even still has rooms for rent.
The date stone: built in 1896.
This probably tells us the initial of the original name of the hotel.
An oval stained-glass window.
A block away, we have the Sharpsburger Hotel, now apartments.
Built in 1893.
A bit of Romanesque carved foliage and a street sign that probably dates from the 1890s. Old Pa Pitt is collecting old street signs on the sides of buildings, by the way, which was the usual place for them in the 1800s. Both these hotels retain their corner signs.
-
Minersville Public School, Upper Hill
Ulysses L. Peoples was the architect of this school, which opened in 1902 and even then was something unique.
The building itself is a tasteful but not extraordinary example of Romanesque style with Renaissance overtones—something we might call Rundbogenstil, because we like to say the word “Rundbogenstil.” It is a little bedraggled-looking now, because it closed in 2005. The more modern addition (by the time it was added this was known as the Madison Elementary School) has been adapted for the Pittsburgh Playwrights Theatre Company, but nobody seems to know what to do with the original section.
A fine piece of work for a small school, like many another Romanesque school in Pittsburgh. But the carved decorations around the entrances are like nothing else in the city, or possibly on earth.
It seems as though the architect and the artist had conceived the curious notion that children should find school delightful, and that the entrance should convey the message that here is a place where we are going to have fun.
The side and rear of the building. The rear, facing an alley, is done in less expensive brick.
The later addition, from 1929, is by Pringle & Robling in quite a different style, a lightly Deco form of modernism.
-
Backstreet Store in Sharpsburg
A Romanesque—perhaps even Rundbogenstil—commercial building in the back streets of Sharpsburg. It has lost its cornice, and the second floor has received incorrect “multipane” windows, but the storefront with inset entrance is almost perfectly preserved.
-
California Avenue Methodist Episcopal Church, Brighton Heights
We’ll have to wait for winter to get a good view of the whole front of this interesting church, which is obscured by a lush growth of mimosa trees. But we can appreciate some of the details now.
The architect was James N. Campbell. Old Pa Pitt knows of only two churches by Campbell still standing in Pittsburgh: this one and the old Seventh Presbyterian Church on Herron Avenue, Hill District. (There are probably others as yet unidentified.1) Both churches have similar styles, and both have similar histories. They both became African Methodist Episcopal churches: this one was Avery Memorial A. M. E. Zion Church for quite a while. They both were abandoned. This one may still have some hope: it looks as though someone has been trying to refurbish it, perhaps as a private home. But it also looks as though the renovations have stalled.
Since Father Pitt considers this an endangered building, he has collected some pictures of the more interesting details to preserve them for posterity in case the worst should come to pass.
- Update: Father Pitt has since identified two other churches by Campbell still standing and in good shape: Carnegie United Methodist Church and the First Presbyterian Church of Ingram, now the Ingram Masonic Hall. They both show strong similarities in style to this one. ↩︎
-
Fifth Ward Manual Training School, Manchester
Now part of the Conroy Early Childhood Center, this old school hovers between classical and Romanesque styles, which means that perhaps the best term for it is Rundbogenstil, the word old Pa Pitt most likes to pronounce in public.
Since it has been made an annex of a larger building, it no longer requires its main entrance, which leads to this architectural dissonance:
Addendum: The particularly fine inscription and relief work were done by Achille Giammartini, who lived a few doors down on Page Street.
-
Woolslair Public School, Bloomfield/Lawrenceville
This fine Renaissance palace, built in 1897, was designed by Samuel T. McClaren. It sits on 40th Street at Liberty Avenue, where it is technically—according to city planning maps—in Bloomfield. Most Pittsburghers, however, would probably call this section of Bloomfield “Lawrenceville,” since it sticks like a thumb into lower Lawrenceville, and the Lawrenceville line runs along two edges of the school’s lot.
For some reason the style of this building is listed as “Romanesque revival” wherever we find it mentioned on line. Old Pa Pitt will leave it up to his readers: is this building, with its egg-and-dart decorations, false balconies, and Trajanesque inscriptions, anything other than a Victorian interpretation of a Renaissance interpretation of classical architecture? Now, if you had said “Rundbogenstil,” Father Pitt might have accepted it, because he likes to say the word “Rundbogenstil.”
-
Seventh Presbyterian Church, Hill
Almost certainly nothing can be done to save this grand old Romanesque church on Herron Avenue in what used to be called Minersville. It has been abandoned too long and decayed too far to be revived except by some miraculously heroic effort, and miracles like that seldom happen on the Hill, where even the New Granada Theater has been languishing abandoned for decades. But enough remains of this church that we can at least admire the architecture of it before it comes down. It was built in 1894 as the Seventh Presbyterian Church (some online sources say First Presbyterian of Minersville, but it appears that the smaller frame building that formerly occupied this site was already called Seventh Presbyterian by 1890). By 1923 it was known as the Herron Avenue Presbyterian Church. It would later be bought by the John Wesley African Methodist Episcopal Church, which was founded in 1836, but by the 2000s that congregation apparently could no longer maintain the building. Water from mine runoff was a constant problem, according to the church’s long-out-of-date Wikipedia article.
There are pictures of the vandalized interior various places on line if you look for them. Father Pitt follows his usual policy of not trespassing, so he brings you only a few pictures of the exterior, which is an interesting kind of Romanesque verging on Rundbogenstil—a word old Pa Pitt uses at every opportunity, because he likes to say it.
Addendum: According to a city survey of historic buildings (spreadsheet), the architect was James N. Campbell.
An iron ornament at the pinnacle of the main tower.
-
Birmingham Turnverein (Lithuanian Hall)
This building is an epitome of the history of the South Side. The first wave of immigrants after the original English and Scotch-Irish settlers was the Germans. There was a Turnhalle, a German athletic club, on this site by 1872, and probably well before; it was across the street from a German Evangelical church. That original Birmingham Turnverein was a frame building, but this splendid brick structure was put up some time a little before 1910. (If you enlarge the picture, you can see a pair of “BTV” monograms on the façade near the entrance.) Then came the influx of East Europeans, and many of the Germans moved out. This became a Lithuanian Hall; the German church across the street was demolished and replaced with a Ruthenian Catholic church. In the twenty-first century, we have all become antisocial, and clubs and churches have died; the building has been turned into apartments, as many similar buildings have been.
