Seen from Climax Street in Beltzhoover. Old Pa Pitt will disclose that there were bunches of utility cables in the way, but to make an idealized view of the building rather than the utility grid, he took them out. If there are blackouts in your idealized Beltzhoover, you know why.
We have many more pictures of St. George’s in another article.
This was called Perry’s Hall when it was built in 1898, according to a historic marker on the side. A retail store occupied the ground floor; the second floor was used for lodge meetings—a common arrangement in lodge buildings. Thus the rather grand side entrance, which would lead directly to the stairs up to the meeting hall.
By the 1920s, we see on the plat maps that the building was in use as an International Socialist Lyceum—which makes a much grabbier headline than “Perry’s Hall,” don’t you think?
We notice, incidentally, that the small frame buildings next door are marked as belonging to “F. Fabian.” We wonder whether that is a misunderstanding, and the property really belonged to the American Fabian Society, or whether it is one of those amusing coincidences in which history abounds but which would be too implausible for a novelist to invent.
In more recent times, the building was the site of the lamented James Street Tavern, a venue for traditional jazz, for many years. It has just been splendidly restored, and the owner is offering it for lease. So there is no reason it could not be an International Socialist Lyceum again. All it needs is a socialist with enough money.
Built in 1888 to house the priests from the adjacent St. Mary’s Church, this is now the Priory Hotel.
The last time we looked at this church, it was undergoing some renovation. Here it is with a fresh coat of paint. It was perhaps a shame to cover up the original blond bricks, but in a transitional neighborhood like Uptown, paint is certainly the easiest way to keep a building looking sharp and fresh. The painting was done with care to leave the stone trim unpainted, and the church looks very good.
This church was also known as Second German Lutheran, and to English-speaking neighbors it was known as the Dutch Lutheran Church. It now belongs to an Anglican ministry called Shepherd’s Heart.
A grand apartment house that would have been grander before it lost its cornice in front. Another “Emich Apartments,” taller and grander, stood where Allegheny General Hospital is today; both were named for developer W. A. Emich. This one was built on the site of the old Second Ward School in the city of Allegheny.
Carson Street on the South Side is reputed to be one of the best-preserved Victorian streetscapes in America. Liberty Avenue in Bloomfield may not come quite up to that standard, but it is probably second in Pittsburgh. The commercial district was built up in the 1880s and 1890s. Like Carson Street, it preserves many Victorian commercial buildings, along with a peppering of later styles. These pictures are all of the northeast side, because the sun was behind the southwest side.
A good example of the most basic form of Pittsburgh Rundbogenstil, the German hybrid of classical and Romanesque architecture that old Pa Pitt mentions every chance he gets because he likes to say “Rundbogenstil.” In the 1800s, before it became the most Italian of our Italian neighborhoods, Bloomfield was mostly German.
A Second Empire building from the 1880s.
This building dates from the 1890s. It probably had a date and inscription in that crest at the top of the façade, but later owners obliterated the evidence.
We saw this 1924 building before at dusk; here it is in bright sunlight. The bright light gives us a chance to appreciate the decorative details with a long lens.
Bartberger & East were the architects of this Masonic Hall, which sat derelict and in danger of demolition for many years. (The Bartberger of the partnership was Charles M. Barberger, the younger of the two Charles Bartbergers.)1 Now it is beautifully restored as a center of literary culture, which teaches us not to lose hope.
The building was put up in 1893, as you can tell by reading the super-secret Masonic code in terra cotta on the front: “A. L. 5893.” “A. L.” stands for anno lucis, “in the year of light,” a Masonic dating system that takes the creation of the world as its starting point. At the risk of suffering the fate of William Morgan, old Pa Pitt will reveal the secret calculation that converts A. L. dates to our Gregorian calendar: subtract 4000.
Like most lodge buildings of the time, this one had the main assembly hall upstairs, leaving rentable storefronts on the ground floor. The side entrance on Reddour Street, which led up to the main hall, is festooned with carvings by Achille Giammartini.
These pictures were taken in 1999 with a Lubitel twin-lens-reflex camera, and old Pa Pitt just happened to run across them a while ago. Very little has changed, and we could probably pass these off as current pictures without remark. The main building is one of the relatively few remaining substantial works of Joseph Stillburg, who for a while was one of the major architectural forces in Pittsburgh. His buildings occupied prominent locations, and most of them were therefore replaced later by even bigger buildings.
In the late 1800s, frame churches with acres of shingles, like this one, went up all over the Pittsburgh area. Few have survived; most of them were later replaced by larger and more substantial buildings. Even fewer have survived with their shingles and wood siding intact. Although the congregation dissolved in 2022, this building has been taken over by a catering company that has kept it in original shape.
Three different buildings, three different styles: polyphony makes harmony in the streetscape.
