
Built in 1888 to house the priests from the adjacent St. Mary’s Church, this is now the Priory Hotel.



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Built in 1888 to house the priests from the adjacent St. Mary’s Church, this is now the Priory Hotel.
The last time we looked at this church, it was undergoing some renovation. Here it is with a fresh coat of paint. It was perhaps a shame to cover up the original blond bricks, but in a transitional neighborhood like Uptown, paint is certainly the easiest way to keep a building looking sharp and fresh. The painting was done with care to leave the stone trim unpainted, and the church looks very good.
This church was also known as Second German Lutheran, and to English-speaking neighbors it was known as the Dutch Lutheran Church. It now belongs to an Anglican ministry called Shepherd’s Heart.
A grand apartment house that would have been grander before it lost its cornice in front. Another “Emich Apartments,” taller and grander, stood where Allegheny General Hospital is today; both were named for developer W. A. Emich. This one was built on the site of the old Second Ward School in the city of Allegheny.
Carson Street on the South Side is reputed to be one of the best-preserved Victorian streetscapes in America. Liberty Avenue in Bloomfield may not come quite up to that standard, but it is probably second in Pittsburgh. The commercial district was built up in the 1880s and 1890s. Like Carson Street, it preserves many Victorian commercial buildings, along with a peppering of later styles. These pictures are all of the northeast side, because the sun was behind the southwest side.
A good example of the most basic form of Pittsburgh Rundbogenstil, the German hybrid of classical and Romanesque architecture that old Pa Pitt mentions every chance he gets because he likes to say “Rundbogenstil.” In the 1800s, before it became the most Italian of our Italian neighborhoods, Bloomfield was mostly German.
A Second Empire building from the 1880s.
This building dates from the 1890s. It probably had a date and inscription in that crest at the top of the façade, but later owners obliterated the evidence.
We saw this 1924 building before at dusk; here it is in bright sunlight. The bright light gives us a chance to appreciate the decorative details with a long lens.
These pictures were taken in 1999 with a Lubitel twin-lens-reflex camera, and old Pa Pitt just happened to run across them a while ago. Very little has changed, and we could probably pass these off as current pictures without remark. The main building is one of the relatively few remaining substantial works of Joseph Stillburg, who for a while was one of the major architectural forces in Pittsburgh. His buildings occupied prominent locations, and most of them were therefore replaced later by even bigger buildings.
In the late 1800s, frame churches with acres of shingles, like this one, went up all over the Pittsburgh area. Few have survived; most of them were later replaced by larger and more substantial buildings. Even fewer have survived with their shingles and wood siding intact. Although the congregation dissolved in 2022, this building has been taken over by a catering company that has kept it in original shape.
Three different buildings, three different styles: polyphony makes harmony in the streetscape.
This building was put up between 1903 and 1910, and that is all old Pa Pitt knows about it. The extra-tall third floor looks like a lodge meeting hall, but it does not appear on maps as a lodge. The ground floor was a bank for many years. The building is going through a thorough renovation now, including new windows all around, fortunately the right size for the window openings.
Pearl Street is not quite perpendicular to Liberty Avenue, so this building has the common Pittsburgh problem of an obtuse angle to solve. You might not notice the solution unless you look closely.
Frederick Sauer designed St. Stanislaus Kostka, which was built in 1891. The church presides dramatically over the broad plaza of Smallman Street. It used to look out on a sea of railroad tracks, but its view improved considerably when the Pennsylvania Railroad built its colossal Produce Terminal.
It is probable that the rectory, done in a matching style, was also designed by Sauer. The glass blocks are not an improvement, but they have kept the building standing and in use.