Father Pitt

Tag: Rowhouses

  • Terrace on King Avenue in Highland Park

    1147–1155 King Avenue

    The late Franklin Toker believed that these houses were probably designed by Frederick Scheibler. He was following the original scholars of Frederick Scheibler, Shear and Schmertz, who brought poor old Scheibler out of obscurity in his old age in time to see himself hailed as a prophet of modern architecture.

    Father Pitt hates to contradict Dr. Toker, whose encyclopedic knowledge of Pittsburgh architecture was probably unmatched; but Toker has been wrong before. Martin Aurand, whose biography of Scheibler will probably remain the definitive one for generations to come, lists these houses under the “misattributions.”

    Old Pa Pitt himself is of the Aurand opinion, and in fact Father Pitt has probable grounds for attributing these houses—without, however, claiming complete certainty—to Benno Janssen. His reason is that there is a very similar terrace in Oakland (368–376 McKee Place) that is almost certainly by Janssen & Abbott. Father Pitt hopes to have pictures of those houses soon; meanwhile, you can take his word for it—or look them up on Google Street View—that it would be odd if one of these terraces were by Janssen & Abbott and the other by Scheibler.

    1147–1155 King Avenue
    1153 and 1155 King Avenue
    1149 King Avenue

    These houses are yet another clever answer to the question of how to design a terrace of relatively inexpensive houses so that they are architecturally attractive and distinctive—so that, in other words, they make potential tenants think they’re getting something special. Compare them, for example, to the row just next door to the left, which was built on a lower budget to a much more ordinary design.

    1123–1145 King Avenue
    Terrace on King Avenue

    Which design makes you feel special?

    1147–1155 King Avenue
    Fujifilm FinePix HS10.
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  • Dinwiddie Street: A Resurrection

    Houses on Dinwiddie Street

    In 1889, William Smith Fraser, one of our top architects in those days, supervised a whole long block of fifty elegant stone-fronted houses lining both sides of Dinwiddie Street.1

    A majority of the houses disappeared over the years; the street came to look like a battle zone, three-quarters abandoned.

    But the wheel turned again. About fifteen years ago, Rothschild Doyno Collaborative designed infill housing and refurbished the Fraser houses. The new houses were built at the same scale and setback as the old, and with some of the same massing; the old houses were refurbished with inexpensive materials that matched the new houses.

    Dinwiddie Street

    It’s still not a rich neighborhood. But it’s a beautiful and welcoming streetscape again, and it’s an inspiring example of how an interrupted streetscape can be made whole. The new houses are definitely of our century, but they belong on the street. Without duplicating the Fraser designs, they make themselves at home in the neighborhood.

    Houses on Dinwiddie Street

    In this picture, the houses with stone bays in front are some of the original Fraser houses. Their more colorful neighbors are the “infill” houses.

    Fraser houses

    A pair of the original Fraser houses.

    Looking down the row on Dinwiddie Street
    Houses on Dinwiddie Street
    Dinwiddie Street
    Fujifilm FinePix HS10.
    1. Source: Philadelphia Real Estate Record and Builders’ Guide, May 29, 1889, p. 246. “The contract for the fifty modern dwellings, previously reported, to be erected on Dinwiddie street by Mr. Lockhart, has been given to Henry Shenck. W. S. Fraser, Seventh street and Penn avenue is the architect. These dwellings will be of brick, with stone fronts, bay windows and porches, and all modern conveniences.” ↩︎
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  • The Thomas Row, South Side

    52–42 South Tenth Street

    It is a little hard to date these houses on South 10th Street from old plat maps, and any South Side historians who have good information are earnestly invited to enlighten us. The two on the right end are separate from the rest and slightly larger. A row of houses appears on this land in 1872, belonging to someone named Thomas. In 1882, however, all but the two houses on the right are gone; the rest of the land is vacant. By 1890 the row is full again, still belonging to the Thomas family, except for the last house on the left, which belongs to someone named Todt.

    One of the smaller houses

    Father Pitt’s best guess, then, is that the two houses on the right date from the Civil War era. The rest of the houses might have burned in about 1880, and were rebuilt in what was still the usual vernacular style for small rowhouses. But this is only a wild guess, and more information would be welcome. It is, after all, possible that the 1882 map was wrong, and the houses never went away.

    Perspective view of the row
    Canon PowerShot SX150 IS; Samsung Galaxy A15 5G.
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  • Brightridge Street Rows, Perry South

    Houses on Brightridge Street

    This short block in the North Charles Street Valley has suffered some attrition of houses, but the remaining houses have been restored beautifully and give us a good idea of how the street looked. They were built in about 1887. The Pittsburgh History and Landmarks Foundation attributes the design to William A. Stone, who would be governor of Pennsylvania ten years later; but Father Pitt suspects Stone may have been the developer rather than the architect.

    Houses on Brightridge Street

    The houses on the northwest side of the street are tiny but create an impression of prosperity.

    842 Brightridge Street
    Houses on Brightridge Street

    The houses on the southeast side of the street are slightly less tiny; they are a little wider, and their mansard roofs give them a full third floor.

  • Two Victorian Rows on Craig Street

    207–213 South Craig Street

    Two rows of houses that have adapted to the trendy business atmosphere of South Craig Street. The row above has been adapted with minimal external modifications.

    Breezeway

    Since old Pa Pitt is a connoisseur of breezeways, he could not neglect this exceptionally fine example.

    207–213 South Craig Street
    311–315 South Craig Street
    Canon PowerShot SX150 IS.

    This row has been altered a bit more, though some care was taken to preserve its distinctive outlines.

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  • Arch Street, North Side

    Arch Street

    Arch Street, which is now included in the Mexican War Streets despite not bearing the name of a battle or a general, is a typical North Side combination of dense rowhouses, small apartment buildings, and backstreet stores. Here are just a few sights within one block of the street.

    1225 Arch Street

    An exceptionally elaborate Queen Anne house whose owner has used bright but well-chosen colors to emphasize the wealth of detail on the front.

    1300 and 1228

    Two modest houses from before the Civil War; the brick house at left is dated 1842.

    1301 Arch Street

    A small apartment building with a well-balanced classical front.

    1301
    Front door

    Some fine woodwork surrounds a front door.

    1320

    The colorful dormer steals the show, but enlarge the picture to appreciate the terra-cotta grotesques on the cornice.

    1322

    This little building looks as though it dates from the 1920s. Although it is quite different in style from its neighbors, it fits harmoniously by sharing the same setback and similar height.

    1327

    A backstreet grocery that is currently functioning as a backstreet grocery—an unusual phenomenon in city neighborhoods these days. The apartment building above it has some interesting and attractive brickwork.

    1327
    Sony Alpha 3000.
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  • A Walk on North Avenue in Manchester

    1337 and 1339 West North Avenue

    A few weeks ago old Pa Pitt took a wintry walk on North Avenue (which used to be Fayette Street back when it did not run all the way through to North Avenue on the rest of the North Side). He took piles of pictures, and although he published four articles so far from that walk (one, two, three, four), there’s still quite a collection backed up waiting to be published. Thus this very long article, which is a smorgasbord of Victorian domestic architecture with a few other eras thrown in. Above, a pair of Italianate houses. They both preserve the tall windows typical of the high Italianate style; the one on the right still has (or has restored) its two-over-two panes.

    1334
    Many more pictures…

  • Sciota Street, Bloomfield

    Houses on Sciota Street in the Bloomfield neighborhood of Pittsburgh
    Canon PowerShot SX150 IS.

    A typical backstreet Bloomfield row of frame houses, showing almost every treatment working-class Pittsburghers can think of to apply to the exterior of an old house.

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  • Stony Romanesque in the Mexican War Streets

    208 West North Avenue

    This stone-fronted Romanesque house on North Avenue is decorated with intricate carvings, and Father Pitt would guess that they were probably by Achille Giammartini, who was responsible for most of the best Romanesque decoration in Pittsburgh, and who also decorated the Masonic Hall just up the street.

    Romanesque capital
    Romanesque capital
    Romanesque capital
    Carved ornament and volute
    Kodak EasyShare Z981.
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  • More Houses on North Avenue in the Mexican War Streets

    North Avenue at Palo Alto Street

    A couple of blocks of North Avenue, where we can see some fine Italianate houses of the Civil War era, interspersed with some towering Queen Anne mansions. We start at the corner of Palo Alto Street, where a Queen Anne house makes the most of a tiny lot by going up to a fourth floor.

    400 West North Avenue
    404 and 402

    These two houses share splendid porches, probably added later, since the porches match even though the houses do not. The owners of the houses have coordinated their efforts, so that the porches match.

    410–406

    Three more modest houses, though their full third floors give them a generous allotment of bedrooms.

    418 and 412

    A pair of houses that were both the peak of elegance in different eras. The Italianate one on the right goes for a simpler dignity; the Queen Anne on the left pulls out all the stops to make the most picturesque composition possible. Note the relative heights, by the way: high ceilings were a feature of the Italianate style in better houses, so that the house at left adds one more floor in exactly the same vertical height.

    Seventeen years ago, Father Pitt published a picture of the front door of the house on the right. The picture was taken on 120 film with a folding Agfa Isolette.

    412
    418
    502 and 500

    Two simple and attractive Italianate houses, one of which has grown a partial fourth floor.

    508 and 506

    Here is an interesting document of how the neighborhood has changed. The house at left was originally an Italianate residence; the corner store may have been original or may have been added later. The projecting commercial building next to it, which probably dates from about 1920, was added when the house was taken over by the United States Casket Company, later the Melia Casket Company, which still inhabited the building until about twelve years ago. Both buildings have had a thorough renovation since the casket-makers moved out.

    508
    516–512
    512 and 514

    Two different interpretations of Italianate, one of which has sprouted an inartistic dormer to give it a fourth floor.

    514 and 512
    516

    Finally, a center-hall house in a kind of late Greek Revival style; it occupies a double lot.

    516
    Sony Alpha 3000; Kodak EasyShare Z981.
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