Tag: Romanesque Architecture

  • The Corner of Carson and 24th, South Side

    Building at Carson and 24th, South Side

    For most of the history of the South Side, this corner at 24th and Carson was the gateway to the long Carson Street retail district. Further out there were a few shops and (especially) bars, but the looming mass of the steel mill dominated the streetscape. Now, of course, the SouthSide Works (spelled with internal capital, which is not old Pa Pitt’s fault) development that replaced the mill has extended the retail district by several more blocks, but this building still marks an obvious break between the new and the old.

    The rounded corner is distinctive and emphasizes the building’s function as a gateway. The proper inset entrance not only makes the storefront look characteristically Victorian, but also still fulfills its purpose of not hitting pedestrians in the face with a swinging door—a purpose we have unaccountably forgotten in our modern storefronts. One would think a few lawsuits by pedestrians with broken noses would establish a design precedent, but apparently that has not happened.

    Storefronts on Carson Street
  • St. Rosalia Church, Greenfield

    St. Rosalia Church

    Designed by A. F. Link, this Romanesque church was begun in 1923 and opened in 1925. The style is transitional: it uses traditional Romanesque elements, but it is already veering toward the Art Deco modernist interpretation of those elements that would become common in the 1930s through the 1950s.

    Cross

    The cross at the top of the (liturgical) west front sets the modernist tone for the decorations.

    West Front of St. Rosalia
    Entrance
    Capital

    These abstract capitals continue the streamlined modernist theme, as do the three lunettes (Mary, Jesus, Joseph) on the west front:

    Lunette with Mary
    Lunette with Jesus
    Lunette with Joseph
    Rose window

    Though it is a complex design, the rose window echoes the streamlining of the capitals and other details.

    Oblique view of the church

    In contrast to the Deco streamlining of the front, the side of the church, with its crenellations and complex brickwork, could almost pass for a middle-1800s church by Charles F. Bartberger. Yet the styles fit together; there is no dissonance between the different views of the church.

    For those who are interested, here is a Pittsburgh Catholic article published March 27, 1924, that identifies many of the contractors and artists who worked on the church.

    Imposing New Church of Saint Rosalia Is a Token of Parish Progress and Triumph of Architects and Builders
  • Assumption School, Bellevue

    Assumption School, Bellevue

    Although we don’t find it listed among his works, Father Pitt suspects that this school may have been designed by John T. Comès. The polychrome brickwork and crenellations remind us of some of his more famous churches, and the fact that the parish hired his disciple Leo McMullen to design the main church after Comès was dead may be suggestive. If anyone at the parish knows who designed this building, Father Pitt would greatly appreciate a comment.

    Obviously the parish was getting ready for a festival when old Pa Pitt stopped by a few weeks ago.

    Front of Assumption School
  • All Saints’ Church, Etna

    All Saints’ Church, Etna, Pennsylvania

    John T. Comès was probably Pittsburgh’s most prolific architect of Catholic churches—a record made all the more remarkable by the fact that he died at the age of 49. His favorite style was Romanesque, and in the out-of-the-way back streets of Etna we find this masterpiece, built in 1914, that shows him at the peak of his creative power. It has all of Comès’ quirks. Unlike many other American architects who worked in the Romanesque style, he enthusiastically embraced the almost gaudy polychrome stripes and patterns typical of medieval Romanesque masterpieces. The bells in their cutout arches also seem like a thoroughly Comès detail.

    Front of the church

    With the light from the wrong angle, this composite picture of the front was about the best old Pa Pitt could do.

    Here is a map showing the location of the church.

  • Bellevue Christian Church

    Bellevue Christian Church

    Here is a little Arts-and-Crafts Romanesque church that had money at the wrong time. The modern addition (probably 1960s or early 1970s) is not sympathetic to the church behind it. The elaborate modernist window in the front probably replaced an earlier decorative window; perhaps the church had a fire. If a member of the congregation has any information, old Pa Pitt would be grateful for it.

    Bellevue Christian Church

  • Minersville Public School, Upper Hill

    Monkeys on the Minersville Public School, Pittsburgh

    Ulysses L. Peoples was the architect of this school, which opened in 1902 and even then was something unique.

    The building itself is a tasteful but not extraordinary example of Romanesque style with Renaissance overtones—something we might call Rundbogenstil, because we like to say the word “Rundbogenstil.” It is a little bedraggled-looking now, because it closed in 2005. The more modern addition (by the time it was added this was known as the Madison Elementary School) has been adapted for the Pittsburgh Playwrights Theatre Company, but nobody seems to know what to do with the original section.

    Minersvill Public School

    A fine piece of work for a small school, like many another Romanesque school in Pittsburgh. But the carved decorations around the entrances are like nothing else in the city, or possibly on earth.

    Alligators, rams, lions

    It seems as though the architect and the artist had conceived the curious notion that children should find school delightful, and that the entrance should convey the message that here is a place where we are going to have fun.

    Monkey capital
    Front entrance
    Front entrance
    Cherub?
    Rams’ heads
    Monkey capital
    Monkeys
    Monkeys
    Friezes
    Side entrance
    Rampant
    Battling lions
    Battling lions
    Lions and rams
    Cherubs, dolphins, and salamanders
    Side and rear

    The side and rear of the building. The rear, facing an alley, is done in less expensive brick.

    Front
    Later addition

    The later addition, from 1929, is by Pringle & Robling in quite a different style, a lightly Deco form of modernism.

    A map showing the location of the building.

  • Adam and Eve on the Church of the Assumption, Bellevue

    Adam

    To enter the Church of the Assumption, you pass through an arch held up by Adam and Eve just after the Fall.

    Eve

    See the whole collection of the Church of the Assumption.

  • Brackets on the Church of the Assumption, Bellevue

    Grotesque brackets

    The grotesque brackets along the sides of the Church of the Assumption run in a repeating series that seems to illustrate various stages of carving.

    Bracket
    Bracket
    Bracket
    Bracket

    See the whole collection of the Church of the Assumption.

  • Church of the Assumption, Bellevue

    Church of the Assumption, Bellevue, Pennsylvania

    Leo McMullen, a disciple of the great John T. Comès, put his own unique Art Deco spin on traditional Romanesque architecture to give us a remarkably successful melding of medieval and modern sensibilities. McMullen was a native of Bellevue, and it looks as though he decided to put his hometown on the map by giving it a church that would be the envy of any city in the world. He succeeded.

    Father Pitt took so many pictures of this glorious church that he is forced to split them up into multiple articles. And even with dozens of pictures, he has hardly begun to catalogue the artistic treasures to be found here. If you appreciate architecture, stained glass, painting, and sculpture, you owe yourself a visit to the Church of the Assumption.

    Cornerstone: 1930
    Tower
    Tower

    Many more pictures to come.

    See the whole collection of the Church of the Assumption.

  • Backstreet Store in Sharpsburg

    Storefront in Sharpsburg

    A Romanesque—perhaps even Rundbogenstil—commercial building in the back streets of Sharpsburg. It has lost its cornice, and the second floor has received incorrect “multipane” windows, but the storefront with inset entrance is almost perfectly preserved.

    Oblique view