Tag: Romanesque Architecture

  • King School of Rhetoric, Knoxville

    King School of Rhetoric

    This building has been much altered and diminished. There was originally more building behind it, and the façade has been drastically remodeled. The front entrance is now a pair of windows, and the original grand arches have been bricked in, with small and mismatched windows. The city’s Hilltop architectural inventory (PDF) classed this as a building with low architectural integrity. But it is very interesting for two reasons. First, the front gives us a good lesson in urban archaeology: enough is left so that we can try to imagine how the original building looked. Second, the fact that there was such a thing as a prominent school of rhetoric in Knoxville is itself an interesting window into times past. The briefest exposure to any of our politicians today will be enough to convince us that a school of rhetoric would be welcome in these parts.

    Addendum: The building was originally the First Methodist Protestant Church of Knoxville. When the church moved a block away, Mr. King bought the building and had it completely remodeled by Knoxville’s own favorite architect, E. V. Denick. A newspaper account in the Pittsburgh Post, March 5, 1911, described the school and the renovations:


    WILL BUILD FOR SCHOOL.

    Byron W. King’s Institution to Be Housed in Own Home in Knoxville.

    A school of oratory is to be erected in Knoxville. Byron W. King, well known as a teacher of elocution and kindred Subjects, has purchased the property of the Knoxville Methodist Protestant Church, Zara street and Virginia avenue, and will have it remodeled to suit his purposes.

    Plans for the remodeling have been made by Architect Edwin V. Denick, and work will begin at once on the transformation. When completed the building will be a three-story brick that will have all of the appointments necessary for Mr. King’s purposes.

    A large auditorium and classrooms will be placed on the first floor. On the upper floors will be dormitories and other accessories that have been figured on by Mr. King. In the basement will be a large dining hall, a kitchen and the heating apparatus.

    With the remodeling of the old structure and the brightening up of both its exterior and interior, together with the Y. M. C. A. building across the street, the corner will be a lively one and will put on quite a metropolitan air.

    The new church of the Knoxville Methodist Protestant congregation is at Georgia avenue and Zara street. King’s School of Oratory and Dramatic Culture is now in Sixth street, Pittsburgh.

  • Mount Oliver Public School

    The old Mount Oliver Public School and its annex have been beautifully restored for non-academic uses. Mount Oliver residents now get their schooling from Pittsburgh.

    The Annex is almost a duplicate of the original school, except for the tower section.

    Addendum: The Annex is the work of the local Mount Oliver architect Albert C. Storch.1 Since it is a near-duplicate of the original building, we provisionally credit that one to Storch as well.

    1. The Construction Record, September 20, 1913: “Contractors Davidson & Klein, Mt. Oliver, have started foundations for a two-story brick grade school annex, to be erected on Carmon street, Mt . Oliver, for the Board of Education. Plans by Architect Albert Storch, Bausman street, Mt. Oliver. Cost $30,000.” “Carmon street” is a misprint for “Carbon Street,” the former name of Hays Avenue. This was a very sloppily edited magazine. ↩︎
  • St. Michael’s Convent and Orphan Asylum, South Side Slopes

    St. Michael’s Convent and Orphan Asylum

    The line between painted and unpainted on this long building is an artifact of its history. For most of its life this building was divided in two parts: the painted part was the convent, and the unpainted part the orphan asylum. More recently it has been a Franciscan retreat center known as the Burning Bush House of Prayer, whose somewhat archaic site tells us that the building was put up “in three stages, from 1887 to 1889.”

    Oblique view
  • Dritte Deutsche Evangelische Lutherische Zions Kirche, Lawrenceville

    Here is an example of something you never see old Pa Pitt do. The usual jungle of utility cables infested this picture, and Father Pitt took them out. It’s not a perfect job, but it looks good from this distance. Having demonstrated that he is capable of doing it, Father Pitt may never do it again, but it does give us a good look at the front of an interesting old church.

    Zion Evangelical Lutheran Church is the oldest open church in Lawrenceville: that is to say, it is the one that has been worshiping in the same building continuously for the longest time. This building was finished in 1874, and it has not changed much since then. In style it is a typical small Pittsburgh church of the time, with a shallow-pitched roof, the walls divided in sections by simple pilasters, and crenellations under the roofline. This is the Romanesque variant of that style. It could be made Gothic by swapping the rounded arches for pointed arches; it could be made classical by adding a few classical decorative elements.

    The inscription reads “3.te Deutsche ev. Lutherische Zions Kirche” (“Third German Evangelical Lutheran Zion’s Church”). Someone has traced the date “1823” in white on the date stone in the gable. Father Pitt believes it is a mistake, although he would be happy to be corrected by anyone who knows better. The records indicate that the congregation was founded in 1868; the building opened in March of 1874, so the date 1873 would be plausible. Perhaps layers of paint made the date indistinct, and a painter misread the 7.

    Here is the church with the utility cables. Father Pitt had the energy to remove them from one picture, but after that he had to lie down for a while. Since, however, these pictures are all licensed with a public-domain-equivalent CC0 license, nothing stops any motivated readers from adopting the photograph and spending the afternoon eliminating the cables—and that utility pole while they’re at it.

  • St. Josaphat Church, South Side Slopes

    St. Josaphat

    John T. Comès, one of our best ecclesiastical architects, accepted the challenge of an almost impossible site and came up with this distinctive design for a Polish parish. It was built between 1909 and 1916.

    According to the South Side Slopes site, “The church closed permanently after a section of ceiling collapsed about the casket of the last caretaker during his funeral mass.” This is the sort of detail a novelist would invent and then throw out as too implausible for a sophisticated audience.

    Tower
    Tower
    Entrance
    Relief
    Romanesque ornament
    Dome
    Rear
  • Two Sides of Charles Bickel

    Charles Bickel was one of our most prolific architects of medium-sized commercial buildings. He was versatile and adaptable, as we see here in two buildings of very similar dimensions and very different styles, built within two years of each other. Above, the Maginn Building, from 1897, in a very Richardsonian Romanesque idiom; it is currently being converted into—who would have guessed?—luxury loft apartments. Below, from 1895, the United Presbyterian Board of Publications Building, in a pure Beaux-Arts classical style.

  • St. George’s Church, Allentown

    St. George’s

    One of our endangered landmarks: it has been closed as a church for six years now, and no one seems to know what else to do with it. A community group wants to preserve it as a community resource, but it takes money to keep up a magnificent church. Allentown seems to be metamorphosing into a trendy neighborhood, but not very quickly into an expensive neighborhood—which is a good thing for the residents, but a bad thing for the prospect of making anything profitable out of this building.

    Allentown was a German neighborhood, and this church was designed by a German architect (Herman J. Lang) for a German congregation. The church was finished in 1912. It has its own Wikipedia article, which identifies it as an example of “the German Romanesque architectural style, an American derivative of the Rundbogenstil style.” Father Pitt approves of that description, because he likes to say the word “Rundbogenstil.” We have pillaged most of the rest of our information from that article.

    From the rear
    Side view
    Entrance
    Carving
    Tower
  • St. Michael’s Church and Rectory, South Side Slopes

    St. Michael‘s Church

    St. Michael’s is one of our earliest grand Romanesque churches, finished in 1861. It was designed for a German congregation by the German-born Charles F. Bartberger, who gave us a number of other distinguished ecclesiastical buildings. (He is often confused with Charles M. Bartberger, his son, who gave us a number of distinguished schools.) It was one of the first churches around here to be made into condominium apartments, so it is now preserved as the Angel’s Arms.

    Tower

    It was a rainy day today, and if you enlarge the picture you can pick out the falling raindrops.

    Door

    Note the date over this side door.

    Rectory from the front

    The rectory, which is attached to the eastern end of the church, was built in 1890 and designed by another distinguished German Pittsburgh architect: Frederick Sauer, who gave us many fine churches and the whimsical Sauer Buildings in Aspinwall. Here he has created a very German Romanesque building that harmonizes well with the older church.

    Rectory from the east
    Dome

    A very German corner dome.

    Foliage

    Exceptionally fine carved foliage at the entrance to the rectory.

  • Arched Window in the B. M. Kramer & Co. Building

    Arched window

    The double arch inside a single arch, with a circle to fill in the gap, is characteristic of the style of classically influenced Romanesque the Germans called Rundbogenstil, the round-arch style. It may not be exclusive to the Rundbogenstil, but Father Pitt likes to say the word “Rundbogenstil.” The B. M. Kramer and Co. building on the South Side, built as a beer warehouse, is one of the masterpieces of industrial architecture in Pittsburgh.

  • Thaw Mansion, Allegheny West

    Thaw mansion

    Architecturally this house is a bit of a mess, but a pleasing mess. It was built in three different stages, the first in 1870 and the last in 1900.

    Thaw mansion

    The Thaw family was a bit of a mess, too. William Thaw was a railroad baron who made all the money in the world and had ten surviving children by two wives. Of those children, the one everybody remembers was Harry Thaw, who murdered Stanford White in front of as many witnesses as could possibly be crammed into one nightclub. It was the climax of a career of difficult situations, and in every one of them Harry’s mother used the mighty power of money to extract him from his difficulties. (Harry used money to light cigars with.) You can read about his murder of White and the legal adventures that followed in Harry Thaw’s Wikipedia article; for our purposes it is sufficient to say that the family money saved his hide again, and Clarence Darrow provided him with a nifty new defense called “temporary insanity.” Many who knew Harry Thaw would question the temporariness of the insanity.

    Thaw mansion

    This was not the Thaws’ biggest house. Their favorite architect, Theophilus P. Chandler Jr., designed a house for them in Squirrel Hill named Lyndhurst; that one was demolished in the 1940s.

    From the side