
This little Romanesque church on Arlington Avenue was converted to residential use with almost no alteration of the exterior.




This little Romanesque church on Arlington Avenue was converted to residential use with almost no alteration of the exterior.




Designed by Allison & Allison, this stony Romanesque church was renamed Riverview Presbyterian in 1977, when, we suppose, no one remembered Watson anymore. After sitting vacant for a while, it now has a nondenominational congregation called Pittsburgh Higher Ground, and we wish them long life and prosperity in this beautiful building.



Old Pa Pitt thinks writers on architecture tend to throw the name “Richardsonian” in front of the term “Romanesque” far too thoughtlessly, but there is no question about this church. It is very Richardsonian, right down to the little triangular dormers on the roof. Compare them to the ones on Richardson’s famous Emmanuel Episcopal Church in Allegheny West:

This is the architectural equivalent of a direct quotation.


Frederick Sauer designed St. Stanislaus Kostka, which was built in 1891. The church presides dramatically over the broad plaza of Smallman Street. It used to look out on a sea of railroad tracks, but its view improved considerably when the Pennsylvania Railroad built its colossal Produce Terminal.



It is probable that the rectory, done in a matching style, was also designed by Sauer. The glass blocks are not an improvement, but they have kept the building standing and in use.


Alpha Terrace, a set of unusually fine Victorian rowhouses designed by James T. Steen1 in an eclectic Romanesque with bits of Second Empire and Gothic thrown in, is a historic district of its own. The houses are on both sides of Beatty Street in East Liberty. The row on the northwest side of the street went up in about 1885.


The houses on the southeast side of the street are a few years newer, probably from about 1894, and they incorporate more of the Queen Anne style, with shingles and ornate woodwork.




The rest of our pictures are from the sunny side of the street, for very practical photographic reasons. We’ll return when the light is better for the houses on the southeast side.




Separate ownership is not always kind to terraces like this, but the aluminum siding on the roof is about the worst alteration Alpha Terrace has suffered.











Designed by Shepley, Rutan & Coolidge, probably the one firm with the best claim to the title of successors of H. H. Richardson, this station sat derelict for years. After a fundraising campaign, it is being restored as the Coach Fred Milanovich Center for Community Connection. We last saw it in July, and since then a good bit has been accomplished. Workers were busy today when old Pa Pitt came by.




The old freight depot is altered but still standing.

Father Pitt thinks this is the most picturesquely sited church in Allegheny County. On a day of rapidly changing lighting, he captured it in multiple moods.
The cemetery is stuffed with Revolutionary War veterans, and several of them will be appearing over at Pittsburgh Cemeteries.










The Wood Street end of the Granite Building in a composite photograph that gets a little fuzzy toward the top, but otherwise gives us a good notion of the design of the Romanesque extravaganza. It was built in 1889 as the German National Bank; the architects were Bickel & Brennan—the Bickel being Charles Bickel, who would go one to become Pittsburgh’s most prolific architect of commercial buildings.
We also have pictures of some of Achille Giammartini’s carvings on the building, and of the German National Bank ghost signs still visible on the side that faces Liberty Avenue.

This article has been rewritten from its original version, which said that Father Pitt knew nothing about the church. After that, information trickled in.
This church was built in 1916 or so; the architect was Chauncey W. Hodgdon.1 The congregation informed the Presbytery that it would close the church in 2022, according to a Pittsburgh Presbytery newsletter [PDF], but the grounds are still mowed and the building is in good shape. Its most prominent feature is its tower with eye-catchingly prickly battlements.



William P. Hutchins was the architect of this church, built in 1924. It takes its inspiration from ancient Roman basilicas, with a light overlay of Art Nouveau. Most architectural historians would probably just say “Romanesque” and leave it at that, but it is a more interesting building when we recognize its ancient sources.





