Now Thackeray Hall of the University of Pittsburgh. The architect was Abram Garfield, son of our martyred president. This section on University Place is the older part of the building; a larger addition was built on Thackeray Avenue in 1925.
Mr. Garfield would not have approved of those asymmetrical doors on his rigorously symmetrical Renaissance palace. Is Pitt really so strapped for cash that these are the best the university can do?
Here we see how the older building connects to the carefully matched 1925 addition (on the left), with a new entrance at the seam between the buildings.
A particularly grand example of the Renaissance-palace school of telephone exchanges. Father Pitt believes that all our Renaissance-palace telephone exchanges were probably done by the same architect, and some day he hopes to find out who it was. (Update: It was probably James Windrim, a well-known Philadelphian who had the Bell Telephone franchise in Pennsylvania for many years. He designed the 1923 Bell Telephone Building downtown, and is known to have worked on other telephone exchanges in our area.)
This tenement house in Hazelwood was built in 1903, making it one of Titus de Bobula’s early commissions in Pittsburgh. It is very conventional for De Bobula, but it represented him in a Pittsburgh Press roundup of local architects in 1905 (“Able Architects the Authors of City’s Architectural Beauty,” April 29, 1905), where this picture was published (we regret that we have not been able to find a better copy than this ugly microfilm scan):
From what we can see in the indistinct old photograph, the building has not changed much at all, though Gertrude Street in front of it has been regraded.
The Gertrude Street face. It is likely that many of the first residents were Hungarian millworkers: that is a bit of De Bobula’s First Hungarian Reformed Church peeking out from behind the building.
Entrance on the south end of the building. The entrances originally had some sort of triangular pediment or small projecting roof; the Press photo is too indistinct to make out any details, but we can see the shadow of a triangle over the entrances at both ends.
This glorious Renaissance palace was built in 1910; the architect was Thomas Hannah, who also gave us the Keenan Building. It is now a hotel.
Addendum: Here is a picture of the building when it was freshly built, from the June 1914 issue of The Builder, which is devoted to works of Thomas Hannah. The long side faced open space in those days.
Detroit architect Peter Dederichs gave us this gorgeous Renaissance basilica, which is crammed into an absurdly tiny space at the foot of the bluff in Sharpsburg. The exterior hasn’t changed in any significant way since the building went up in 1916, as we can see in a cover story in Stone magazine from February of 1919. In that story we learn that the stone was Dark Hollow Gray Bedford limestone from Indiana, and it has stood up perfectly to more than a century of Pittsburgh atmosphere.
The foundation of the congregation.
The building of the church.
Capitals of the Corinthian order.
The apse, and an especially lush growth of utility cables.
These three attached units were originally named Howard, Delaware, and Norfolk, and you can still barely make out the ghosts of those names above the three entrances. They were built in 1901.
Two of the three units have had their balconies filled in, apparently to make closets, judging by the floor plans on the Mozart Management page for the Eaglemoor. The third is almost certainly what all three originally looked like.
Some paint is being touched up along the side.
Update: A correspondent with inside information mentions that the new paint job is meant to return the apartments to something like their original appearance. (We’ll have to come back soon to see the results.) The balconies did indeed turn into closets many years ago.
Mozart Management has two tours of this building on YouTube:
As Father Pitt has remarked before, telephone exchanges were designed to be ornaments to their neighborhoods, and the Renaissance-palace style was one of the most popular forms for them. This one is on Main Street in Sharpsburg, and it preserves its Renaissance dignity under the ownership of the successor to the Bell System.
This blank wall on the western end of the building shows two different colors of bricks, suggesting that the building was originally one storey, with the second storey added later. That would explain the cornice at the first-floor level.
When a new generation of architects feels utter contempt for the work of the previous generation, this is the result. Fortunately, the contempt extended to ignoring the details of the original building, which are therefore preserved, except for the loss of the cornice. Like several other previously abandoned buildings in the historic center of Homestead, this one has now found another use.
The school was named for Charles M. Schwab, who was superintendent of the Homestead Works and later the first president of United States Steel.
An imposing presence on the McKeesport skyline, the Masonic Temple has changed very little since it was built. It has lost its cornice, which is the most vulnerable part of a Beaux-Arts palace like this, but otherwise retains most of its decorations, as we can see by comparing it to this old postcard from the “PowerLibrary” collection.
Here are a few of those decorations close up:
Perhaps even more imposing from a block away.
We’ll be seeing much more of McKeesport in the days and weeks to come. It is a city for which old Pa Pitt harbors an unreasoning love—perhaps the only kind of love McKeesport can inspire at the moment. In its day, it was a metropolis in its own right, and it was filled with the work of distinguished architects; but no city in the area has suffered more, with the possible exception of Braddock. Yet, though much has vanished, so many beautiful buildings remain that it would be possible to set up a site like Father Pitt’s just for McKeesport.
Addendum: With a fair degree of certainty, thanks to a Press puff piece on local architects in 1905, we can identify the architect as Harry Summers Estep. “Recently, in a competition with more than a dozen other architects, he was awarded the prize for best perspective view submitted for the new Masonic temple to be built at McKeesport. The building will cost about $120,000 when completed and will be, for its size and purpose, one of the best buildings in the State.”
