
This building on the Diamond has lost its cornice, but the rest of it is intact, and the details are worth a closer look.

Until a few years ago, this building was the home of Weldin’s, the venerable stationer that had been selling pens, ink, and paper since well before the Civil War. Weldin’s itself is no more—the business moved to the Gulf Tower for a few years, and then vanished in the early months of the COVID pandemic. But the extraordinarily rich Italian Renaissance front of this building remains as a highlight of an extraordinarily rich row of small commercial buildings on Wood Street.
Italian Renaissance architecture filtered through an Art Deco lens makes an extraordinarily rich little building on Brownsville Road. The storefronts have been modernized; they would almost certainly not have had doors that open right into pedestrians’ faces when this building was put up in 1928. But the overall impression the building makes is still dignified, with a touch of Venetian fantasy that reminds us of a Pandro S. Berman production.
A simplified Italian Renaissance style, with the ornamentation kept to the minimum. Note the variant spelling of the name on the nameplate over the entrance: when this apartment block was put up, the spelling of Centre Avenue had not been standardized to the British spelling preferred by real-estate developers.
Another of Benno Janssen’s imposing clubs. We have seen this building from the front before; this corner view gives us an impression of the scale of the whole structure. It is now Bellefield Hall of the University of Pittsburgh.
One of the many Italian Renaissance palaces in the monumental district of Oakland, this one—unlike many of the others—still serves its original purpose. It was designed by Ingham & Boyd and opened in 1938. Because of the street layout, the building is a large trapezoid with a courtyard garden. It is worth the time to pause and examine the details.