The blockish Tower Two-Sixty looms over the little human-sized buildings on the Diamond.
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Tower Two-Sixty
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Craftsman-Modernist Apartment Building, Mount Lebanon
Well, this one didn’t quite work.
Old Pa Pitt has mentioned how he enjoys seeing the experiments builders try with small apartment buildings. Here we see a builder who seems to have absorbed some of the ideas of modernism and added some Craftsman-style details: the three-over-one windows, the decorative brickwork, the wood-framed entrance. But the details seem applied at random, and a modernist architect would have been more regular in the geometry. Note the lack of rhythm or alignment in the windows, which throws off the whole façade. The second and third floors have windows in groups of 2, 1, 3, 2; the first floor has groups of 2, 1, 2, 1, and they do not line up at all with the windows above them. The entrance does not line up vertically or horizontally with anything else in the building; its awkward corner placement seems to leave some of the trim hanging off the edge.
Someone will probably come along and tell Father Pitt that this building is by a famous modernist architect, and old Pa Pitt will only say that the architect was having a bad day.
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Allegheny Center
The curious urban clutter of Allegheny Center, a grand plan to build a completely new urban center for the North Side that, like most such plans from the 1960s, had at best only partial success. It destroyed almost the entire core of the old city of Allegheny, replacing it with modernist blocks and apartment warehouses. The clock tower at middle left marks the old Allegheny branch of the Carnegie Library, which stands at the end of a row of buildings preserved amidst the destruction. In the foreground, some of the millionaires’ mansions of Allegheny West.
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Torath Chaim Congregation, East Liberty
Some work has been going on at this abandoned synagogue, so perhaps it will find a new purpose. The abstract menorah (it once had electric light bulbs for candles) and irregular horizontal stone date it to the middle twentieth century. But although you wouldn’t know it from the front, this is really a luxurious early-1900s private house with a modernist façade grafted on.
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United Steelworkers Building from the Boulevard of the Allies
Architects Curtis and Davis enlivened what would have been a simple square box with a distinctive diamond-grid facing that continues down into the pillars at ground level.
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Minnetonka Building, Shadyside
Most pedestrians on Walnut Street pass this building without noticing it; at best they may glance at the rounded corners, but otherwise it strikes them as just another modernist building. It is in fact one of the very earliest outbreaks of modernism in Pittsburgh: it was designed by Frederick Scheibler and opened in 1908. It must have been startlingly modern indeed surrounded by Edwardian Shadyside.
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St. John the Baptist Byzantine Catholic Church, South Side
It is impossible to get a picture of the front of this church without ugly and intrusive utility cables, and old Pa Pitt is not quite obsessive enough to edit out the cables.
This is a Ruthenian church. Back in 1900, the congregation split from the other St. John the Baptist Byzantine congregation a few blocks away at 7th and Carson Streets so as not to have to put up with those Ukrainians. You will search a map of Europe in vain for the nation of Ruthenia, but the Ruthenians or Rusyns in America have an ethnic pride perhaps all the stronger for never having had a nation of their own. The present building was dedicated in 1958, and the modernist-influenced Byzantine style bears a strong family resemblance to the style of St. George Antiochian Orthodox Cathedral in Oakland.
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Litchfield Towers, Oakland
Two of the three cylindrical skyscraper dormitories poetically named A, B, and C by the University of Pittsburgh, but popularly known as Ajax, Bab-O, and Comet.
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Reflections in 650 Washington Road
Clouds reflected in the windows of a modernist office building (built in 1965) in uptown Mount Lebanon.
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418 First Avenue
Update: The massive survey of historic buildings adopted by the city in 1994 tentatively identifies this building as a work of Titus de Bobula. That would certainly explain its eccentric style: Pittsburgh never had another architect like him. It would also date the building between 1903 and 1910. If we read the map correctly, it first appears on the map layer dated 1903–1906 at the Pittsburgh Historic Maps site, so this might have been one of de Bobula’s early commissions here. Our original remarks appear below.
It has not been possible to find any information about the age or architect of this curious building in the limited time old Pa Pitt was willing to devote to the task. The researchers who compiled information for the Firstside Historic District also threw up their hands. It is a mostly utilitarian small warehouse, but with angular decorations that suggest a prickly version of Art Deco. Right now you can buy it if you like, and then you might find more clues to its origin among the debris of the decades.
