Father Pitt

Tag: Liberty Avenue

The Liberty Theater As It Was Built
Update: Once in a while old Pa Pitt has a chance to boast about his architectural instincts, and here is one of those occasions. In the original article, he wrote that he suspected Edward B Lee of having designed the remodeling of the theater into an office building. He was right. Source: The American Contractor, December 15, 1923: “Store & Office Bldg. (remod. from theater): $150,000. 5 sty. & bas. H. tile. Liberty av. & Strawberry Alley. Archt. E. B. Lee, Chamber of Commerce bldg. Owner The Fidelity Title & Trust Co., Wilson A. Shaw, chrm. of bd., 343 Fourth av. Gen. contr. let to Cuthbert Bros., Bessemer bldg.”

The original text of Father Pitt’s article follows.

Edward B. Lee was the architect of the Liberty Theater—or Theatre, as theatrical people often insist on spelling it—when it was built in 1912. These pictures were published in The Brickbuilder in 1913, so they show the theater as it was when it was new. Either the theater failed or the owners decided it would be more profitable as an office building, because only eleven years later, in 1924,¹ it was remodeled into the Baum Building, and it still stands today.

The shell and outlines are the same, but quite a bit was changed externally. Old Pa Pitt suspects that Lee was the architect of these changes, too, and they were accomplished so elegantly that we would never know the building had not been planned that way from the beginning.

These small drawings (orchestra, first balcony, second balcony) show the aggressive adaptations Mr. Lee had to make to the irregular shape of the lot—a common difficulty for buildings on the southeast side of Liberty Avenue, where the two grids of the irrationally rationalistic eighteenth-century street plan collide.

Detail over the entrance. These decorations disappeared when the building was converted to offices.

Corner detail. The cornice and pilasters survive, but the elaborate terra-cotta decoration between the pilasters vanished in 1924.
1. In the original version of this article, Father Pitt had given the date as 1920, following a city architectural survey. The listing from the American Contractor proves that the date was actually no earlier than 1924. ↩︎
August 27, 2023
Equibank Building

Now known as Two PNC Plaza, this building held an interesting architectural record. It was designed by Natalie de Blois (or DeBlois; old Pa Pitt sees it spelled both ways, and he is not willing to pay a spirit medium to contact the architect) for the firm of Skidmore, Owings and Merrill, and when it opened in 1974 it was the largest building in the world ever designed by a woman. A block of Oliver Avenue was eliminated to make room for this skyscraper, but Oliver Avenue was never much of a street anyway.

August 5, 2023
Kirkpatrick Building

This pleasing Victorian Romanesque commercial building was probably pushing the limits of height for its era: it was built in 1884, just before the dawn of the skyscraper age. Skyscrapers had not yet posed the problem of how to treat floor after floor in the upward rise of a building; the solution, even in the most ornate Beaux-Arts skyscrapers, turned out to be to treat the middle floors as identical repetitions (compare the later Renshaw Building to the left). That has not been done here. There are eight floors, and each of them different in some way.

February 27, 2023
801 Liberty Avenue

This meticulously restored storefront probably had workshops of some sort on the second and third floors: look how the windows are arranged to maximize the penetration of natural light as far back into the building as possible. In fact the current tenants on the second floor apparently find it too penetrating, to judge by the effort they have put into blocking it. In our age of ubiquitous electrical illumination, we forget what a problem lighting was in the old days. Gas lighting was dimmer than electric, and it produced much more heat even than incandescent lighting, which was a serious disadvantage in the summer. Thus free sunlight—or, in Pittsburgh, attenuated smog light—was zealously hoarded.

February 22, 2023
One Oliver Plaza

This is not Father Pitt’s favorite building downtown, but it was one of the last works of a distinguished modern architect: William Lescaze, who died in 1969, the year after One Oliver Plaza was built. The building has had several names since then; it now goes by the name K&L Gates Center. Old Pa Pitt’s friend Dr. Boli has remarked that the names at the tops of the skyscrapers are a good index of who is most ruthlessly exploiting the masses at the moment. K&L Gates is a gigantic law firm.

January 5, 2023
Maginn Building

The Maginn Building was put up in 1891, just three years after H. H. Richardson’s Allegheny County Courthouse opened. Even before the courthouse was finished, it had already created a mania for the “Richardsonian Romanesque” style in Pittsburgh, and the versatile Charles Bickel was happy to come through for any client who wanted an impressively Romanesque building.

December 9, 2022
Hoffstot Building

This building was put up in 1886, and in 1892 a sixth floor was added. It appears that the pediment was from the original construction, moved up one level in 1892; the ornamental scrolls on the fifth floor would have accented the pediment very nicely.

As we often see in Victorian commercial buildings, what might appear to eyes trained on modernism as a cacophonous racket of detail turns out to be carefully organized, more a fugue than a racket. There are some interesting little outbreaks of randomness, however. Here are some of the delightful details you can pick out if you stand across the street from the building.

December 4, 2022
6th and Penn Garage

Connoisseurs of brutalism in architecture regard this as a remarkably fine example of the style. (Father Pitt could not find the architect with a short search, and he was not willing to do a long one.) “Brutalism” is the modernist school that makes its aesthetic statements through exposed raw concrete. The “raw” part is very important here: the architectural world blew a collective gasket when, in Washington, D.C., the Metro authorities responded to the increasing grubbiness of 1970s Brutalist subway stations by painting over the grime, which was blasphemy. Old Pa Pitt is not a great lover of brutalism (except for the Metro stations in Washington, which are like modernist cathedrals), but he can appreciate the care that went into making the most of concrete as a material in this building—the curved surfaces, the geometric forms, the play of light and shadow. It is also notable that, instead of killing the whole block, the builder put storefronts on the ground floor, so that some life could remain on the streets below the garage.

November 19, 2022
Meyer Jonasson & Co. Building

Now called just 606 Liberty Avenue, this was once a high-class department store. The odd-shaped building was designed by MacClure & Spahr, who gave us many distinguished buildings downtown. The odd shape was forced on this one by the oblique angle of the intersection of Liberty and Oliver Avenues. That last block of Oliver Avenue was later filled in to make PNC Plaza, but this building memorializes the intersection that used to be.

The front on both streets is covered—perhaps the appropriate word is festooned—with terra-cotta decorations. The style is a kind of fantasy Jacobean Renaissance, with wide arches coming to a very shallow not-quite point. Old James I only wished he could have buildings like this in his realm.

The arches reflected in Two PNC Plaza next door.

November 16, 2022
905 Liberty Avenue

This exceptionally attractive industrial building is now—we really don’t have to say this, but we will anyway—loft apartments.

September 19, 2022