Father Pitt

Tag: Interiors

  • A Dim Religious Light

    Interior of Heinz Chapel

    But let my due feet never fail
    To walk the studious cloister’s pale,
    And love the high embowed roof,
    With antique pillars massy proof,
    And storied windows richly dight,
    Casting a dim religious light.
    There let the pealing organ blow,
    To the full-voic’d quire below,
    In service high, and anthems clear,
    As may with sweetness, through mine ear,
    Dissolve me into ecstasies,
    And bring all Heav’n before mine eyes.

    ——Milton, Il Penseroso.

    It is difficult to convey in a photograph the impression we get from entering a glorious Gothic church like Heinz Chapel. In general photographs are too light, either because the photographers laudably attempted to capture the many artistic details of the Gothic interior, or because they used automatic exposure and let their cameras do the thinking. Old Pa Pitt has tried very hard in these pictures to give some impression of the relative lighting as we enter the chapel from the bright light outside. Most of the light is dim, but a pool of light shines in the distance, drawing us toward the altar.

    Toward the altar
    Toward the rear

    No matter how bright it may be outside, turning to leave the church is walking away from the light.

  • Elevator in the Grand Staircase, Carnegie Institute

    Elevator doors

    One of the exceptionally elegant elevators in the Grand Staircase of the Carnegie Museums in Oakland.

    Elevator interior

  • Grand Staircase in the Carnegie

  • Lobby of the Arrott Building

    The small but richly gorgeous lobby of the Arrott Building as it appeared in 2013, before the current renovations.

  • Letterbox

    A brass letterbox, meticulously polished, in the lobby of the Frick Building. Many buildings downtown have letterboxes like these, with mail chutes coming down from the upper floors.

  • Lobby of the Frick Building

    Everything in the Frick Building is gleaming white marble, with just enough accents to keep the interior from becoming entirely invisible. Above, the staircase at the Grant Street entrance. Below, the revolving doors and clock at the Grant Street entrance.

    The lobby is shaped like a T, with a hall from the Grant Street entrance ending at the long hall from Forbes Avenue to Fifth Avenue, seen here from the Forbes Avenue entrance.

    Even Henry Frick himself is gleaming white marble, rendered by the well-known sculptor Malvina Hoffman in 1923.

  • Grand Staircase in the Carnegie

    The Grand Staircase is the heart of the old Carnegie Institute building, and no expense was spared in making it lavishly artistic. The murals are by John White Alexander, a Pittsburgh native who was in his day almost as well regarded as John Singer Sargent.