The lobby of the Koppers Building is one of our richest Art Deco interiors, and here it is decorated for Christmas.
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Art Deco Christmas in the Koppers Building
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Elevator Door in the Koppers Building
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Letterbox in the Koppers Building
The brass letterbox in the lobby of the Koppers Building (now called Koppers Tower, because every Building became a Tower while you weren’t looking) is a stylized model of the Koppers Building itself.
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Interior of First Baptist Church at Night
First Baptist Church, built in 1912, was designed by Bertram Goodhue, one of America’s greatest Gothic architects, and also the designer of the Cheltenham typeface, familiar today as the headline face of the New York Times. The Perpendicular Gothic interior includes one of the most visually beautiful sets of organ pipes in the city. At night everything takes on an added air of ancient mystery.
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Warwick House, Squirrel Hill
Warwick House was built in 1910 for Howard Heinz, son of the ketchup king H. J. Heinz. The architects were Vrydaugh and Wolfe, and the construction budget was $75,000. After the Heinzes it passed through the Hillmans, and now it belongs to the Catholic Diocese of Pittsburgh, from which it is rented by Opus Dei, the Catholic organization famed for its albino assassins. But the organization seldom sends the assassins out against anyone but renowned curators; the rest of us are quite safe. At an open house this summer, old Pa Pitt was graciously allowed to take a few pictures of the beautifully maintained Jacobean interior. Above, the window in the grand staircase.
This picture of the front is not the best; the light was from the wrong direction. It means we will have to return soon at a different time of day.
The front door.
The front hall; the door to the library is on the right, the grand staircase on the left.
A little bit of the decorative woodwork in the front hall.
The grand staircase.
Modern American houses forget about the ceiling, as if people never looked up. Warwick House does not make that mistake. This is the decorated ceiling in a side hall.
The former ballroom was converted into a chapel by the late Henry Menzies, an ecclesiastical architect whose specialty was refurbishing modernist churches of the 1960s and 1970s to make them suitable for liturgical worship. He liked to use a baldacchino to give proper emphasis to the altar. (The ballroom was added to the house later, probably in 1929 according to the current residents.)
The ceiling of the ballroom.
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Interior of Trinity Cathedral
Trinity Episcopal Cathedral was built in 1872 from a design by Gordon W. Lloyd, an English-born Canadian architect who was popular among Episcopalians. The view above is made up of three pictures to give us a broad view of the nave.
This is the third church for this congregation. The first was the “Round Church,” built at about the time the streets were laid out in their present plan in 1785. (It was actually an octagon—one of the first generation of odd-shaped buildings caused by the colliding grids along Liberty Avenue.) The second was a brick Gothic church built in 1824.
Note the divided pews, which are the original furniture from 1872. At the time this church was built, churches were generally funded by pew rents. Your family would rent a particular section, and that was where you sat every Sunday.
The number on the end of the pew identifies your section. When Father Pitt visited, the dean of the cathedral, the Very Reverend Aidan Smith, was kind enough to bring out a precious historical artifact: a pew chart of the previous church marked with the prices for each section. The closer to the front (and the more visible) the pew, the more it cost per annum. He explained that this cathedral stopped the practice of pew rents in the 1930s, after receiving a large legacy on the condition that pew rents would be stopped. (In addition to funding the church, they were a good, but arguably un-Christian, way of keeping out the undesirable poor.)
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Altar and Reredos in Heinz Chapel
The elaborately carved reredos does its part to focus attention on the altar before it. The four wooden figures are Peter and John on the left, Paul and James the Greater on the right. The carving was done by the Irving & Casson—A. H. Davenport Co. of Boston
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A Dim Religious Light
But let my due feet never fail
To walk the studious cloister’s pale,
And love the high embowed roof,
With antique pillars massy proof,
And storied windows richly dight,
Casting a dim religious light.
There let the pealing organ blow,
To the full-voic’d quire below,
In service high, and anthems clear,
As may with sweetness, through mine ear,
Dissolve me into ecstasies,
And bring all Heav’n before mine eyes.It is difficult to convey in a photograph the impression we get from entering a glorious Gothic church like Heinz Chapel. In general photographs are too light, either because the photographers laudably attempted to capture the many artistic details of the Gothic interior, or because they used automatic exposure and let their cameras do the thinking. Old Pa Pitt has tried very hard in these pictures to give some impression of the relative lighting as we enter the chapel from the bright light outside. Most of the light is dim, but a pool of light shines in the distance, drawing us toward the altar.
No matter how bright it may be outside, turning to leave the church is walking away from the light.
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Elevator in the Grand Staircase, Carnegie Institute
One of the exceptionally elegant elevators in the Grand Staircase of the Carnegie Museums in Oakland.
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Grand Staircase in the Carnegie
