A former bakery, now called “Birmingham Place,” between 23rd and 24th Streets on Carson Street. The adaptation was handled with good taste, preserving the attractive proportions of the building, including the huge windows that flood the place with natural light. According to the date at the top of the building, the main section was built in 1919; the section to the left was added after 1924, to judge by a Sanborn Fire Insurance map from that year on which the left wing does not appear.
Back in the days when busy middle-class city-dwellers expected to send their laundry out to be done and have it brought back to them pressed and folded, large laundries used to be more ubiquitous and bigger than they are now. Many of the old laundry buildings have been torn down or severely altered; this one, which is now part of the Duquesne University campus, has found another use as the university’s Public Safety Building without extensive exterior changes.
Charles Bickel was the architect of this factory and warehouse, which, like many industrial buildings of the time, takes its inspiration from the Marshall Field’s Wholesale Store by H. H. Richardson. Bickel, however, added his own sensibilities, and made it an impressive and distinctive building. It is on the National Register of Historic Places.
Frank & Seder was never our biggest department store, but it was a pretty big store. Like all the other department stores downtown, it needed a big warehouse to hold the merchandise until it was ready to delight downtown shoppers. This colossus on the Bluff was designed in 1923 by William E. Snaman,1 an architect who had already had a long and prosperous career and by this time in his life was specializing in large warehouses and other industrial buildings. The Boulevard of the Allies runs past on a course that is not perpendicular to the side streets, so that the front of the building is at an odd angle to the rest of the building.
Just a little later, Snaman was designing another warehouse on the North Side for Rosenbaum’s, another big downtown department store.2 This is a slightly blurred picture from the window of a car stopped in traffic on the approach to the West End Bridge, but it will have to do for now.
These pictures were taken in 1999 with a Lubitel twin-lens-reflex camera, and old Pa Pitt just happened to run across them a while ago. Very little has changed, and we could probably pass these off as current pictures without remark. The main building is one of the relatively few remaining substantial works of Joseph Stillburg, who for a while was one of the major architectural forces in Pittsburgh. His buildings occupied prominent locations, and most of them were therefore replaced later by even bigger buildings.
Now known as the Brass Building, this is a well-preserved example of high-class industrial architecture from the turn of the twentieth century.
By good luck, space was available when the building was converted for an addition to house elevators and stairwells.
This was a warehouse, with offices and showrooms, built in 1907 for a company that sold a wide variety of products, from ball-bearing grinders to home appliances. (Note, by the way, that its owners were among the many stubborn Pittsburghers who kept the H at the end of the city’s name through the dark days when it was officially banned.) Its 1913 catalogue is more than two thousand pages, and the title page shows us why so much effort went into making this industrial building attractive: because it had to look good in the engraving.
This picture—which is probably the architects’ rendering, since the same picture shows up in other sources even before the building was completed—shows the building before it was expanded. The architects were the William G. Wilkins Co., designers of numerous warehouses and industrial buildings in Pittsburgh, including the Frick & Lindsey Co. warehouse, now the Andy Warhol Museum. The addition to the left of the building was built in 1919 or 1920; the same architects supervised it, so it matches the rest very neatly. William Glyde Wilkins was an engineer; to do the architecting in his firm, he had the very capable Joseph F. Kuntz, who loved terra-cotta decoration.
One important line the company sold was the Gainaday brand of home appliances. In the early part of the twentieth century, middle-class families were learning to live without servants. It meant the housewife had to do the work previously done by maids and housekeepers. But this was the mechanical age: a machine could take the place of a servant. It was so efficient, in fact, that you could gain a day over the course of your week of housewifely duties.
The building was promoted as a “model warehouse,” a shining example of what could be done with this sort of building, and Pittsburgh’s Standard Sanitary Manufacturing Company, the biggest name in toilets (which later merged with American Radiator to form American-Standard), took out a full-page ad in a journal of the toilet trade to boast that the plumbing fixtures were all Standard brand.
The magazine Rock Products for November 22, 1907, gave a detailed description of the building as it was going up, with—once again—the same illustration.
The immense building now being erected by the Pittsburg Gage and Supply Company at Thirtieth Street and Liberty Avenue, Pittsburg, Pa., is constructed of steel, brick and concrete fireproofing, equipped with automatic sprinklers throughout, and when completed will be the largest, most modern and thoroughly equipped supply house in the world.
For the concrete work Lehigh Portland cement was used throughout. The W. G. Wilkins Company, Westinghouse Building, were the architects, and the George Hogg Company the contractors.
The first floor will be used as a general salesroom; the second floor will be taken up by the offices and shipping departments of the company. All the other floors and the basement will be used as storage space for their mammoth stock. A notable feature of the main building is the central_tower rising more than forty feet above the roof. In this tower will be located water tanks holding 65,000 gallons, which will be used for the house supply and the automatic sprinkler system.
In connection with the building there is being erected a six-story fireproof building, in which will be manufactured the Pittsburg steam specialties. It will also contain a thoroughly modern brass foundry and pipe shop. Electric cranes are to be used throughout, and all machinery, elevators, etc., will be electric-motor-driven.
A joint siding of the Pennsylvania, Baltimore and Ohio and Pittsburg Junction railroads will afford excellent shipping facilities. Adjoining this siding they are constructing a large iron, steel and pipe warehouse, in which will be carried the largest stock in Pittsburg, if not in the Central States. Adjoining this building there is a vacant frontage of almost 100 feet, which will be used for storage and switching purposes.
The present stores and warehouses of the Pittsburg Gage and Supply Company are located at 309-321 Water Street, and its manufacturing plant at Thirty-first Street. The officers are: W. L. Rodgers, president; J. Lee Rodgers, secretary; R. F. Ramsey, treasurer; A. F. Maxwell, assistant treasurer; M. R. Porter, sales manager, and H. E. Haller, superintendent.
The Pittsburgh Meter Company building was put up at some time between 1910 and 1923, right beside the Brushton railroad yard, with a siding to serve the factory. It has been beautifully restored as the Sarah B. Campbell Enterprise Center, and it is filled with artists’ studios. One of the wonders of the big city is that we can find many buildings this size filled with artists’ studios; it reminds us why the word “civilization” means life in cities.
In the days when this building went up, it was usual for companies like this to make their main factory buildings as attractive as possible. The building itself was one of the chief advertisements for the firm, and an engraving of the building—sometimes exaggerated if the building was not as impressive as the company would like—appeared in advertisements and brochures as a guarantee that this was a solid and respectable business. Thus the entrance and the corners of this building are decorated with up-to-the-minute Art Nouveau geometric patterns in terra cotta.
This tidy little building in the back streets of the near South Side was built as the office for the Pittsburgh Foundry plant. The style brings a bit of Arts-and-Crafts to the usual industrial Romanesque. Note the patterned bricks.
The best preserved of the old factories on the South Side, this was acquired, soon after the large corner building was built, by the United States Glass Co. It now belongs to the Salvation Army, which has kept the exterior beautifully.
