Much of the detail on this fine old house is well preserved, including the half-octagon dormer, the oval art-glass window, the wraparound porch (partly enclosed by an improvised screen), and one of the finest displays of aluminum awning old Pa Pitt has ever seen.
In the 1920s and 1930s, designers of houses often made them into fairy-tale cottages, in which every detail was carefully managed to evoke picturesque fantasies of old England or France. But this was also the time when built-in garages were becoming a requirement for suburban homes. If the garage door is on the front, it often spoils the fantasy. But this house in Mission Hills, Mount Lebanon, shows us that there is an alternative: make the garage part of the fantasy.
Not only is the garage entrance a big stone arch that suggests an immemorially ancient cellar under the house, but it is also decorated with the terra-cotta rays that were a fashionable adornment of the fairy-tale style.
Mission Hills is a neighborhood where every house is an individual work of art. It has a special charm in the snow. Here is a short stroll on Orchard Drive, taking in a wide variety of styles.
An assortment of styles from a block and a half of North Avenue facing the Commons in old Allegheny. These houses are now included in the Mexican War Streets Historic District. First, a tall and narrow Queen Anne house built in the 1880s.
This Queen Anne has a larger lot and thus more room to spread out and grow picturesque projections.
These three houses probably go back to the Civil War era; they are typical of the larger sort of houses that grew all over Pittsburgh from the beginning until the middle 1800s, when more elaborate styles came into fashion.
It is not easy to guess the age of these little houses. Old Pa Pitt’s best speculation, judging from old maps, is that they also go back to the Civil War era, but had their fronts modernized at some time around 1900. The one on the left may have had its front replaced more than once before it finally ended up with this Craftsman-style stucco treatment.
Finally, another house from the 1880s, this one with particularly elaborate woodwork.
This house looks quite traditional on the outside, but inside it used the most up-to-date construction methods for 1928. Instead of the ordinary timber framing, it was built on a steel frame like a skyscraper. It was such an innovation that Carnegie Tech architecture students made a field trip to inspect the construction.
When a technological institute of the standing of Carnegie Tech expresses interest in a construction project to the point of sending a class to inspect the work, then it may be regarded as a certainty that the project is basically sound and worthy.
Forty Tech students, part of whom are shown above, headed by Prof. T. D. Mylrea, assistant to the head of the building construction department of the Institute, last week made a tour of inspection of the new type, steel framed, fire proof home being built in Mission Hills, Mt. Lebanon, for W. H. Shaffer, Jr.
This home, designed by Lyon and Taylor, New York architects, is such a departure from past methods of construction that a number of builders’ and architects’ magazines have published exhaustive articles concerning it. It is primarily a product of Pittsburgh, the National Steel Fabric Co., Steel Frame House Co. and Jones & Laughlin Steel Corp. having collaborated with L. Brandt, Pittsburgh housing engineer, in working out the details of construction.
The front of this house in Mission Hills has changed very little since it was new. It was sold in 1930, probably when it was newly built, and the Sun-Telly printed its picture.
Forgive the blurry microfilm reproduction of what was already a photograph reproduced in halftone on cheap newsprint; it is enough to show us that, except for the filled-in side porch, not much is different in front, although the tiny sapling in the newspaper picture is a major tree now. There appears to be an addition in the back, where it does not alter the impression the house makes from the street.
The Second Empire style is a good fit for high-class rowhouses, because it was created specifically to stuff the most usable volume into the least taxable building. Supposedly it came about because houses in France of Napoleon III’s time were taxed by the area of the rooms, but attics were not counted in the calculation. All the space above the roofline was dismissed as attic by the law; therefore, if the roof could bulge out to make an attic the same size as the other floors, you got an extra floor tax-free. Americans adopted the style because they liked the way it looked and the way it solved the practical problems of space.
This row of seven houses drops a few feet after the first three. Manchester is a flat neighborhood, but only by Pittsburgh standards. Old maps show that the row was built between 1872 and 1882.
A very clever detective might deduce that these pictures were taken on two different visits.
Manchester is known for its splendid brick Victorian houses, but there are blocks of more modest houses as well—often older than the big brick ones. Here is a row of neat little frame houses, some of which appear—from both old maps and the style of the houses—to date back to the Civil War era.
Queen Anne is an expansive style, with turrets and bays and oriels and all kinds of picturesque projections this way and that. When Queen Anne is compressed to the dimensions of a rowhouse, it takes on some of the vocabulary of the Second Empire style, in particular the full third floor under a mansard roof, but adds the irregularity we expect from Queen Anne, with its asymmetry and, of course, its turrets. These two houses on North Avenue are splendidly preserved examples of the collision of the two styles.
