A fine Gothic building with a prominent tower in the west front, this church sits right on the border between Shadyside and Oakland—it would be in Oakland if it were on the other side of the street. The view is marred by utility cables, which is true of most things in most American cities. Europeans put those things under the ground; Americans seldom even notice what an aesthetic blight they are, not to mention how often storms bring them down.
A Tudor Gothic apartment block in North Oakland whose details are worth pausing to appreciate.
This was built for the Second United Presbyterian Church, but the Baptists moved in in 1933 (according to the History of the Churches of the Pittsburgh Baptist Association). It is now the Union Project, an arts center and events hall.
Now a sports bar, so it has been converted to a different religion.
An update: This was St. George’s Episcopal Church, built some time in the 1890s or very early 1900s.
Built in 1907, this small skyscraper (originally the Jones & Laughlin Building) was just barely spared by the Boulevard of the Allies a decade and a half later. It was designed by the always-tasteful MacClure & Spahr in the restrained Gothic style popular in the early twentieth century.
This picture was taken in 1999 with a Smena 8M, a plastic Russian all-manual 35-millimeter camera that was cheaply made but surprisingly capable.
A winter view of St. Bernard’s from Mt. Lebanon Cemetery, featuring a fine silhouette of a tree. Below, more church and less tree.
The west front of this church, with its outsized towers, was inspired by York Minster; it makes the church look a good bit bigger than it actually is. The hilltop location makes it a landmark visible from miles away. The congregation, a descendant of the early-settler congregation that established the St. Clair Cemetery across Scott Road, now belongs to the Evangelical Presbyterian Church, a young denomination founded in 1980.
Addendum: According to the September, 1931, issue of the Charette, the magazine of the Pittsburgh Architectural Club, the architects were “O. M. Topp and T. L. Beatty associated.”
Begun in 1942, this church is more elaborate than many cathedrals. The architect, William Perry, grew up in Dormont, and he seems to have realized that this was a chance to leave a magnificent legacy in his own back yard.
