Dedicated in 1873, this church for an Irish parish was designed by James Sylvester Devlin, about whom old Pa Pitt knows only that he designed this church. It has closed as a parish, and when Pittsburgh Catholics leave a church they take everything distinctive and valuable with them, so that, for example, all the stained glass is gone. But the building is still in good shape.
Built in 1920 in an angular modern-Gothic style, this church served its original congregation until 2013, the year of the great collapse of Dormont mainline churches, when the Presbyterians, the Methodists, and the Baptists all threw in the towel. The building became a Buddhist temple for a while (the Buddhists gave it the current paint scheme), but it seems not to be active right now. It is, however, kept up well.
Thanks to the Gazette Times of September 13, 1920, we have a picture of Bishop McConnell of the M. E. Church laying laying “a copy of the Gazette Times containing announcement of the corner stone laying, coins of the present day, a list of trustees and a list of members of the Dormont and Banksville churches, recently combined” in the cornerstone.
This cornerstone is a top contender for the coveted title of Most Awkward Word Break on a Stone Inscription Outside a Country Graveyard.
It seems that another capsule was laid in 2009, four years before the church dissolved.
None of the news stories we found mentioned an architect, but we hope to find a name eventually.
Andrew Peebles was the architect of St. Peter’s, which was dedicated in 1874. In 1876, it became the cathedral of the new Roman Catholic Diocese of Allegheny, carved out of the Diocese of Pittsburgh, which was left with all the debt while the new Diocese of Allegheny took all the rich churches. That went about as well as you might expect, and in 1877 the Diocese of Allegheny was suppressed and its territory reabsorbed by Pittsburgh. But a church never quite gets over being a cathedral.
In 1886, a fire ravaged the building and left nothing but the walls standing. Fortunately Peebles’ original plans were saved, and so the restoration, which took a year and a half, was done to the original design.
The rectory was built with a stone front to match the church, but the rest of the house is brick.
On the corner of North Avenue and Middle Street stands this small but imposing German Lutheran church, built in 1877. Father Pitt is fairly sure the Lutherans have gone, though the church site (last updated in 2010) is still on line. The Urban Impact ministry remains.
“St. Matthew’s German Evangelical Lutheran Church, built 1877.”
Connoisseurs of such things will note that this is a church with the sanctuary upstairs.
The hefty tower was added in a burst of prosperity about 25 years after the church was built.
Meanwhile, just across narrow Middle Street was a different kind of Lutheran church. And although old Pa Pitt gave this article a humorous headline, he is fairly sure there was no battle. Pittsburgh learned the virtue of tolerance: those other Lutherans across the street may be completely wrong about everything that is most important in life, but they’re our neighbors, and we wave to them when we see them on the street.
St. Mark’s was built in 1892. After its Lutheran congregation left, it was a Church of God in Christ until a few years ago. It has recently been expensively refurbished and painted black (it used to be painted brick red). Old Pa Pitt has not heard who was responsible for the refurbishing, but all the stained glass was removed, which is often the sign of a Pentecostal congregation moving in.
Except for the loss of the glass, the church is in very good shape externally, and it is a fine example of Pittsburgh Rundbogenstil—the round-arched German style that mixes classical and Romanesque elements.
We have seen pictures of the outside of this church before—here, for example, is a picture from May of 2021:
The other day the current inhabitants, the Union Project, were kind enough to turn old Pa Pitt loose in the sanctuary to take as many pictures as he wanted.
The architect was John L. Beatty, who designed the building in about 1900. A newspaper picture from 1905 (taken from microfilm, so the quality is poor) shows the exterior looking more or less the way it does now.
Pittsburg Press, April 29, 1905.
After a disastrous fire, much was rebuilt in 1915, again under Beatty’s supervision.1 Another fire in 1933 would necessitate rebuilding part of the tower.
The church was built for the Second United Presbyterian congregation, which had moved out to the eastern suburbs from its former location downtown at Sixth Avenue and Cherry Way (now William Penn Place)—exactly one block from the First United Presbyterian Church, which moved to Oakland at about the same time. Later it became the East End Baptist Church, and then was renamed the Union Baptist Church. When that congregation folded, the church was bought by a Mennonite group that founded the Union Project. It is now a community center for pottery, because “everyone should have access to clay.” The sanctuary—which has been preserved mostly unaltered, except for the removal of pews and other furnishings—is available for large events.
The sanctuary is roughly square, which is typical of many non-liturgical Protestant churches in Pittsburgh at the turn of the twentieth century. Above, looking up at the center of the ceiling.
The stained glass was restored as part of a remarkable community effort in which people in the neighborhood learned the art of stained-glass restoration themselves. It would have cost more than a million dollars to have the work done professionally, but volunteers learned priceless skills, and the glass is beautiful.
The vestibule includes some of the original furniture from the church, and some smaller stained-glass windows.
Source: The Construction Record, January 16, 1915: “The Second United Presbyterian Congregation has selected Architect J. L. Beatty, 146 Sixth street, to prepare plans for repairing the church on Stanton and Negley avenues.” ↩︎
John T. Comès, perhaps Pittsburgh’s greatest contribution to ecclesiastical architecture, designed this school in 1909.1 As often happened in growing parishes, it was meant to serve as the church as well until a bigger sanctuary could be built (which finally happened in 1939). The upper floor was added in 1912, and wings (invisible from the front) were added after Comès died by the Kauzor Brothers, one of whom had briefly been Comès’ partner. Today the school has been turned into retirement apartments without much change to the exterior.
Edward J. Hergenroeder, who worked with Benno Janssen on the school for Annunciation Parish, was the architect of this convent, built in 1928. The style is a sort of modernized Gothic, though the crenellations in the peak at the end of the building look back to the middle 1800s. The building is now home to Angels’ Place, so it is well kept.
