Now the Vintage Church. This church on Bailey Avenue is a fine example of what happens when streamlined Art Deco meets Tudor Gothic.
Addendum: The church was built in 1927 or shortly after; the architect was George M. Rowland. Source: The Charette, July, 1927: 310. “Architect: Geo. M. Rowland, Bakewell Building. Title: Mt. Washington U. P. Church and Parsonage. Location: Bailey Avenue. List of Bidders: Golden & Crick; Lash & Bailey; Edw. Wehr; Ross K. Sefton; Rose & Fisher; J. F. Haldeman; A. & S. Wilson Company. Bids close June 22. Brick and stone trimming; wood construction interior; steel stairs. Plumbing, Heating and Electric reserved, also equipment, leaded glass, hardware and landscape.”
When this small but rich Gothic church opened in 1929, it was intended to be temporary. A much grander church would be built next to it, and this would become the Sunday-school wing. But decades passed and the new church had not yet been built. Meanwhile Gothic architecture had become extinct. Finally it was decided to keep the original building as the sanctuary and add a new Sunday school and auditorium in a 1960s modern style with pointed arches to recall its Gothic neighbor.
Addendum: The architect of the 1929 building, and probably of the never-built church, was O. M. Topp. Source: The Charette, Vol. 7, No. 1 (January 1927): “173. Architect: O. M. Topp, Jenkins Arcade, Pittsburgh, Pa. Title: St. Mark’s Lutheran Church. Location: Brookline Boulevard and Glenarm Avenue. Preliminary stage. Approximate size: One story and basement. Stone exterior, ordinary construction. Cubage 200,000 feet.”
This tiny church is marked “PRES. CH.” on our 1923 map, but no other name is given. It now belongs to the Congregation of Yahshua, which keeps it in good shape. Old Pa Pitt is especially taken with the bright purple paint, which sets apart what is otherwise a tasteful but ordinary little Gothic church. Like many churches in Pittsburgh, it has its social hall and so forth in a basement that is also a ground floor depending on where you enter it.
This building was dedicated in 1915, but its congregation was organized in 1831—and really dates from before that, since local members had been meeting before the Presbytery recognized them as a church. This was a country church that was engulfed by city in the early 1900s; in its old country churchyard are the graves of a number of early settlers and the third mayor of Pittsburgh.
Addendum: The architect of the church was George Schwan. From the Construction Record for October 11, 1913: “Architect George Schwan, Peoples Bank building, is working on plans for the proposed church building, for the Concord Presbyterian Congregation, Carrick. The building will be one-story, either brick or stone, and cover an area of 72×90 feet. Cost $35,000.”
In an out-of-the-way corner of Beechview is this particularly fine school by Press Dowler. The original part of the school was built in 1908 in the borough of West Liberty, because the line between the boroughs of Beechview and West Liberty ran right across the street grid of the developed section of Beechview. “Beechwood” was the name of the original community that became the borough of Beechview, and the company that developed the land on both sides of the border was the Beechwood Improvement Co. In 1909 the two boroughs were both annexed by Pittsburgh, and by 1922 the school was bursting at the seams. Press C. Dowler was hired to design an expansion that more than tripled the size of the school, and he came through with a magnificently ornamented building in the Tudor Gothic style that was all the rage for schools in the 1920s. It is now on the National Register of Historic Places for its architectural merit.
The name and date inscribed over one of the entrances.
The south section is the original 1908 school, but Mr. Dowler completely rebuilt the façade to match his plan for the expanded school, so that today the whole building appears to have been put up at once.
Mr. Dowler did not stint on terra-cotta decoration.
The lamp of learning.
These urns flank the entrances; old Pa Pitt suspects they were designed by the architect himself.
As a bonus for his loyal readers, old Pa Pitt includes a typically Pittsburghish cacophony of utility cables.
A simple Gothic design that leaves huge openings for stained glass. The parsonage is a typical Pittsburgh foursquare house, but attached directly to the left side of the church.
Note the usual Pittsburgh adaptations to steep slopes.
The congregation these days has a taste for delightfully direct and confrontational signs like PREPARE TO MEET THY GOD or BE SURE YOUR SIN WILL FIND YOU OUT. Old Pa Pitt approves. Those signs make religion sound lively and exciting, the way it should be.
We have seen this view more than once before, but it is one of the best views of the building, and it is worth seeing in different lights. Here the patterns of light and shade from the drifting clouds made an especially pleasing picture.
