Frederick Sauer designed St. Stanislaus Kostka, which was built in 1891. The church presides dramatically over the broad plaza of Smallman Street. It used to look out on a sea of railroad tracks, but its view improved considerably when the Pennsylvania Railroad built its colossal Produce Terminal.
It is probable that the rectory, done in a matching style, was also designed by Sauer. The glass blocks are not an improvement, but they have kept the building standing and in use.
This beautiful Romanesque church was built ad majorem Dei gloriam (“to the greater glory of God”) in 1891. The architect was Frederick Sauer, who gave us many distinguished churches, as well as comfortable houses, practical commercial buildings, and the whimsical Sauer Buildings built with his own hands in his back yard. This is the mother church for Polish Catholics in Pittsburgh, and it has one of the most spectacular sites for a church in the city, sitting at the end of the long broad plaza of Smallman Street along the Pennsylvania Railroad produce terminal.
The rectory is also a remarkable building, and still manages to convey much of its original impression in spite of the unfortunate glass-block infestation.
Frederick Sauer was the architect who designed some of our distinguished churches—St. Stanislaus Kostka, St. Mary of the Mount, and St. Stephen’s in Hazelwood, to name three. They are all excellent designs within the conventions of late-Victorian style. The same can be said for the houses and commercial buildings Sauer built.
But in his old age, Sauer settled down on his big hillside property above the town of Aspinwall and started tinkering. Eventually, with his own hands, he built a group of whimsies that are not quite like anything else in the world. None of his clients ever got anything like these: Sauer was a reliable provider of the expected in architecture. But left to himself, he built a landscape from a fairy tale.
This is one of the houses he built, and the hand-crafted chimney above is emblematic of Sauer’s fairy-tale approach to building. The current owner was kind enough to spend a few minutes passing on the latest gossip on the Sauer Buildings. Most were held as rental properties, but they have now been sold off individually, and the new owners are for the most part reversing decades of neglect.
What do St. Stanislaus Kostka, St. Mary of the Mount, St. Stephen’s in Hazelwood, a chicken coop turned into an apartment building in Aspinwall, and an empty restaurant on the South Side have in common? The buildings were all designed by Frederick Sauer, who was a genius at ecclesiastical architecture but had to make most of his living designing houses and small commercial buildings for the middle classes. This building was put up in about 1911,1 and we can’t say that it’s a work of towering genius. But Sauer does manage to filter the expected Pittsburghish details through an angular modernism that gives the building a distinctive style. This is how a good architect makes a good living: by taking small jobs as well as big ones, and doing good work for all his clients.
From the Construction Record, September 24, 1910: “Architect F. C. Sauer, 804 Penn avenue is taking bids on constructing a three-story brick store and office building on Nineteenth and Carson streets Southside, for Henry F. Hager, 144 Twenty-fourth street, Southside.” Hager is shown as the owner on a 1923 map. ↩︎
The Baroque style is unusual, but St. Stephen’s is a Frederick Sauer church through and through, starting with that yellow Kittanning brick he favored. We’ll have to wait till the leaves drop to get a view of the front, but since the building is slowly crumbling, it’s good to get the details as soon as we can.
Update: An Iranian correspondent who does not seem to be a spammer has left a remark that Google Translate renders as “We have a similar example in Iran from Sar Setun.” Although it would not have occurred to him before, Father Pitt now notices how much this ornate entrance porch resembles certain examples of Islamic architecture.
Two buildings very similar in size and shape and remarkably dissimilar in decoration. The one on the left has attractive but very ordinary classical details. The one on the right is festooned with terra-cotta tiles in an almost shocking green.
Addendum: This latter building was designed by Frederick Sauer, who signed it in a shield to the right of the right-hand display window.