The Iroquois Building, which takes up a whole block of Forbes Avenue, was designed by Frederick Osterling, Pittsburgh’s most consistently flamboyant architect. Osterling designed in a variety of styles: he had his own ornate version of Richardsonian Romanesque, and his last large commission was the Flemish-Gothic Union Trust Building. Here, as in the Arrott Building downtown, he adapts Beaux-Arts classicism to his own flashier sensibilities. The building was finished in 1903.
This clock sits in front of the central light well—a typically ornate Osterling detail.
A naked brick front would never do for Osterling; it must be constantly varied in shape and texture. These grotesque reliefs help.
The Allegheny County Morgue (or Mortuary, when the coroner was feeling fancy) was designed by Frederick Osterling to match Richardson’s courthouse. It was originally built where the County Office Building stands now, and it was moved to make way for that building, inch by inch, while the coroner and staff continued to work inside the crawling building.
Frederick Osterling found a niche for a while making Richardsonian Romanesque buildings in a city that couldn’t get enough of Richardsonian Romanesque once it got a look at Richardson’s courthouse. Osterling attacked the style with more enthusiasm than most, and his works are certainly more than just Richardson knockoffs. The rich detail of the Times Building (1892) is a good example of his work.
The picture above was put together from ten individual photographs. Considering the narrow street, it is a very accurate rendering of the façade; but old Pa Pitt apologizes for a bit of fuzziness near the top. Below, the two grand arches of the Fourth Avenue entrance, with their wealth of intricate carved detail. [Addendum: The carving was almost certainly by Achille Giammartini, who also worked with Osterling on the Marine Bank and the Bell Telephone Building.]
The Times Building runs all the way through from Fourth Avenue back to Third Avenue, and the Third Avenue entrance arch is certainly impressive.
Frederick Osterling designed the small but splendid Marine Bank Building on Smithfield Street at Third Avenue. This gargoyle on the corner is old Pa Pitt’s favorite gargoyle in Pittsburgh.
This curious combination of structures always reminds old Pa Pitt of a corner in some European city ravaged by the Second World War: the tower is all that remains of the Gothic church that once stood here, and the rest has been replaced by an office building that has no architectural connection with it whatsoever, but is just gracious enough to make reluctant room for it.
The old Bellefield Presbyterian Church actually predated the Oakland neighborhood. It was built in 1889 in Bellefield, a rural town that had grown into a suburb or exurb of Pittsburgh. Bellefield’s name is remembered in Bellefield Avenue, though almost all remnants of the place have been obliterated by the one force more destructive to old buildings than war, which is prosperity.
Here is a long article (PDF format) on the church and its neighborhood by James D. Van Trump, the architectural historian to whom we owe the preservation of much of what we have succeeded in preserving. The article includes a picture of the church in 1890; note the cable-car tracks on the street in front of it.
The article was written while the church was still standing. “What the Bellefield Church has meant to the Oakland area during the last one hundred years we have seen,” it concludes. “The history of Bellefield’s future has yet to be written. Its congregation feels that if the contribution of the Bellefield Church to the Oakland area is commensurate with that of the past its future would seem to be assured.”
Well, it’s sort of still there. The congregation was merged in 1967 with First United Presbyterian a short distance down Fifth, and the merged church was renamed Bellefield Presbyterian. In 1985 the old building was sold and demolished for the current undistinguished occupant of the site.
The Arrott Building is the most lavishly ornamented of the Fourth Avenue bank towers. The ornaments near the top may be best appreciated from another one of the Fourth Avenue bank towers—or with a very long lens from the street.
This 1890 building was designed by Frederick Osterling, who also gave us the Arrott Building and the Union Trust Building. It now functions as a kind of parasite on the skyscraper Bell Telephone Building next door, but it is still an impressive work of architecture.
