Tag: Osterling (Frederick)

  • Times Building

    Times Building

    In his earlier career, Frederick Osterling carved out a niche for himself providing Richardsonian Romanesque buildings for people who couldn’t get Richardson (because Richardson was dead). The Allegheny County Courthouse created a mania for the style in Pittsburgh, and Osterling seems to have had all the work he could handle. In this building from 1892, we see the hallmarks of Osterling’s own variation on the style. He was more florid than Richardson, but he was always aware of the overall composition, never allowing the numerous individual details to break up the carefully orchestrated rhythm of the façade.

    Below, we see the Times Building in context, with One Oxford Centre looming in the middle distance.

    Times Building and One Oxford Centre
  • The Arrott Building Reborn

    Arrott Building

    After much expensive restoration and renovation, the Arrott Building (designed by Frederick Osterling) has reopened as a hotel called “The Industrialist.” The exquisite lobby has been carefully preserved. The picture above is huge, stitched together from several photographs to make what may be the only complete head-on picture of the Wood Street façade of the building on the internet.

    Entrance to the Arrott Building
  • Negley-Gwinner-Harter House, Shadyside

    This Second Empire mansion had a narrow escape: the third floor burned out in 1987, and the owner died the next year, leaving the house a derelict hulk. It was rescued from demolition at the last minute by serial restorationist Joedda Sampson, who painted it in her trademark polychrome style; it has since passed to other owners, whose pristine white also works well with the design. The house was built in 1871; Frederick Osterling worked on early-twentieth-century renovations and additions.

  • Korean Central Church of Pittsburgh, Shadyside

    This building began its life as the First Methodist Protestant Church; it later passed into the hands of the Seventh Day Adventists, and now belongs to a nondenominational Korean congregation. It is a work of Frederick Osterling in his typically florid Romanesque style. Obviously the spire has had a bit of bad luck, but the rest of the exterior is in pretty good shape.

    This modest but tasteful house seems to be the parsonage for the church, and Father Pitt can easily imagine that it was designed by Osterling as well. He would be happy to have his speculation corrected or confirmed. Update: Father Pitt’s speculation was wrong. The architect of the parish house, built in 1914 or so, was H. E. Kennedy.1

    1. Source: The Construction Record, May 2, 1914: “Plans are being prepared by Architect H. E. Kennedy, Home Trust building, tor the erection of a stone parish house on Howe and Aiken streets, for the First Methodist Protestant Congregation. Cost $15,000.” ↩︎
  • Decorations on the Parkvale Building, Oakland

    The richly decorated Parkvale Building on Forbes Avenue is currently under renovation, so we can hope that these splendid reliefs will continue to delight future generations of Pittsburghers.

  • The Iroquois

    The Iroquois Building

    The Iroquois Building, which takes up a whole block of Forbes Avenue, was designed by Frederick Osterling, Pittsburgh’s most consistently flamboyant architect. Osterling designed in a variety of styles: he had his own ornate version of Richardsonian Romanesque, and his last large commission was the Flemish-Gothic Union Trust Building. Here, as in the Arrott Building downtown, he adapts Beaux-Arts classicism to his own flashier sensibilities. The building was finished in 1903.

    This clock sits in front of the central light well—a typically ornate Osterling detail.

    A naked brick front would never do for Osterling; it must be constantly varied in shape and texture. These grotesque reliefs help.

  • Lobby of the Arrott Building

    The small but richly gorgeous lobby of the Arrott Building as it appeared in 2013, before the current renovations.

  • The Morgue

    The Allegheny County Morgue (or Mortuary, when the coroner was feeling fancy) was designed by Frederick Osterling to match Richardson’s courthouse. It was originally built where the County Office Building stands now, and it was moved to make way for that building, inch by inch, while the coroner and staff continued to work inside the crawling building.

  • Lion on the Colonial Trust Building

    Another Fourth Avenue lion ornament, on a building that was a later work of Frederick Osterling.

  • The Times Building

    Frederick Osterling found a niche for a while making Richardsonian Romanesque buildings in a city that couldn’t get enough of Richardsonian Romanesque once it got a look at Richardson’s courthouse. Osterling attacked the style with more enthusiasm than most, and his works are certainly more than just Richardson knockoffs. The rich detail of the Times Building (1892) is a good example of his work.

    The picture above was put together from ten individual photographs. Considering the narrow street, it is a very accurate rendering of the façade; but old Pa Pitt apologizes for a bit of fuzziness near the top. Below, the two grand arches of the Fourth Avenue entrance, with their wealth of intricate carved detail. [Addendum: The carving was almost certainly by Achille Giammartini, who also worked with Osterling on the Marine Bank and the Bell Telephone Building.]

    The Times Building runs all the way through from Fourth Avenue back to Third Avenue, and the Third Avenue entrance arch is certainly impressive.