This building at the corner of Forbes Avenue and Craig Street was designed by S. A. Hall in 1904.1 It still holds down its corner very well, and most of the original details are preserved—including the art-glass transoms.
Source: Pittsburg Press, April 26, 1904. “Architect S. A. Hall has awarded to the Iron City Construction Co. the contract for the erection of a two-story brick and stone store and apartment building on the corner of Craig and Forbes streets for George A. Charles. The structure will cost $25,000.” The building ended up with three floors instead of two, but Mr. Charles is shown as owner of the property on plat maps. Thanks to David Schwing for the information. ↩︎
This small Romanesque commercial building at the corner of Forbes Avenue and Marion Street, probably built in the late 1880s or the 1890s, has a stone front that makes it a little more elaborate than its neighbors. It probably had a couple of pinnacles along the roofline that would have made it stand out even more. It has been modernized a little, which obscures some of the original details, but it appears that it originally had a corner entrance, and weathered Romanesque carvings—including an almost-obliterated face peering out of the foliage—still adorn the capital of the thick column at the corner.
The building next door, which seems to have been built a few years later, was obviously meant to continue the stone front of the corner building, with similar stone and lintels and a similar broad arch.
Charles Bickel was the architect of this factory and warehouse, which, like many industrial buildings of the time, takes its inspiration from the Marshall Field’s Wholesale Store by H. H. Richardson. Bickel, however, added his own sensibilities, and made it an impressive and distinctive building. It is on the National Register of Historic Places.
Since we were looking at department-store warehouses a week ago, here is another one. This one was built in 1901 for Kaufmann’s department store, and as a work of architecture it is the most pleasing of the department-store warehouses we’ve seen. It is on the National Register of Historic Places, with the architect listed as D. H. Crisman; but old Pa Pitt, with all due deference to the experts, thinks that attribution is a mistake.1 Crisman was probably the contractor. He is listed in a 1900 city directory as a carpenter, and in 1902 we find him hiring an architect to design an apartment building, strongly suggesting that he was not an architect himself.
If Father Pitt had to make a guess, he would guess that Charles Bickel was the architect. Bickel designed the store for the Kaufmanns downtown, so he would be an obvious choice. He was also our most prolific producer of warehouses, so he is the safest bet. The style of the building is similar to that of Bickel’s colossal Pittsburgh Terminal Warehouse & Transfer Company on the South Side.
The architect gave the bricklayers a workout. The bricklayers were up to the challenge.
The attribution is probably based on a listing like this one in the Philadelphia Real Estate Record and Builders’ Guide for May 29, 1901: “D. H. Crissman [sic], 727 Filbert street, has taken out a permit for the erection of a four story brick warehouse for Kaufman [sic] Bros., Fifth avenue and Smithfield street. The cost will be about $300,000.” The listing leaves it ambiguous whether Crisman/Crissman is the architect or the contractor. ↩︎
The Tower at PNC Plaza will be ten years old this year. It occurred to Father Pitt that he had enough pictures in his collection to make up a visual story of the construction of the building, so here they are. Above, the progress as of February 18, 2014.
June 27, 2014, before the construction of the cap began.
Part of the flamboyantly Art Deco G. C. Murphy building, which with this addition grew into “the world’s largest variety store,” as it still called itself in the 1990s before it shrank and the whole chain eventually collapsed under the ownership of Meshulam Riklis. The building was designed by Harold E. Crosby.
The terra-cotta decorations were originally brightly colored. In the photograph above, we have boosted the color to make the remaining colors evident.
Only nine years ago, the Skinny Building was restored—the upper floors, at any rate. The ground floor was linked with the building next door as part of a convenience store with an unattractive modern front. Now the building has been thoroughly re-restored, along with its neighbor the Roberts Jewelry building, and both have been given individual ground-floor treatments more in sympathy with their upper floors. PNC, which now owns both buildings, has made good on its pledge to restore them and display art in the upper floors of the Skinny Building.
Donahoe’s was a prosperous market and restaurant that commissioned William E. Snaman to design this elegant commercial palace on Forbes Avenue. Its striking terra-cotta front is still magnificent from the second floor up.
The ground floor has been completely redesigned, though “designed” is a generous term, as we see in this picture from 2022.
Since PNC bought the Skinny Building, arguably the world’s narrowest commercial building, it has been shrouded and under renovation. The shrouds are off now, and we can see the results.
Fourth Avenue, the second-biggest American financial center after Wall Street, was famous for its bank towers. But one bank decided to go long instead of high. The Colonial Trust Company built a magnificent banking hall that ran right through from Forbes Avenue to Fourth Avenue, skylit all the way. Pittsburghers passing between Fourth and Forbes, especially in cold weather, would take the route through the bank so regularly that the hall became known as Colonial Avenue.
Frederick Osterling was the architect, and he designed this magnificent Corinthian face for the Forbes Avenue side.
What would a bank be without its lions?
Home-repair tip: if your pediment is broken, you can fill the gap with a baroque cartouche.
Two years ago, old Pa Pitt got pictures of the other entrances as well, so the rest of the pictures are reruns.
The Fourth Avenue side is in the same style, but narrower:
This side also has its lions.
In 1926, the bank decided to expand by building another equally magnificent hall perpendicular to the first, with an entrance on Wood Street. Osterling was the architect again—but fashions, and Osterling’s own taste, had changed.
Instead of florid Corinthian, this side is in a simpler Ionic style. The outlines are cleaner, and the wall of rectangular panes of glass and the shallow arch at the top seem almost modernistic. It is still a bravura performance, but perhaps a more perfectly controlled one.
Fortunately the whole building has been adapted as Point Park’s University Center, so it is not going anywhere, for the near future at any rate.
