From the blocked-up Gothic windows and general shape, we can infer that this was a small church. But at some point not very recently it was converted to four tiny alley houses, made only slightly less tiny by the addition of what are probably kitchens on the back. (Update: For the history of the church, see “The Mystery of the Converted Church on the South Side.”)
This Second Empire mansion had a narrow escape: the third floor burned out in 1987, and the owner died the next year, leaving the house a derelict hulk. It was rescued from demolition at the last minute by serial restorationist Joedda Sampson, who painted it in her trademark polychrome style; it has since passed to other owners, whose pristine white also works well with the design. The house was built in 1871; Frederick Osterling worked on early-twentieth-century renovations and additions.
A Tudor house in Schenley Farms recedes into the woods, looking more and more like something from a fairy tale.
Addendum: According to a Google Maps user who has documented most of the houses in Schenley Farms, this house was designed by Maximilian Nirdlinger in 1911 for E. H. Kingsley.
You can make good money as a lawyer if you make the right contacts. Willis McCook was lawyer to the robber barons, and he lived among them in this splendid Gothic mansion on the Fifth Avenue millionaires’ row. The architects were the local firm of Carpenter & Crocker. It is now a hotel called the “Mansions on Fifth,” along with the house around the corner that McCook built for his daughter and son-in-law.
This exceptionally fine Second Empire house sits at the end of a row, and therefore has two exposed surfaces for the architect to play with. Victorian architects did not like plain flat surfaces, and whoever designed this house lost no opportunity to vary the shape and texture.
There are many houses of this age in East Birmingham, the section of the South Side between 17th and 27th Streets that was laid out in the middle 1800s. Most of them are anonymous and unremarked. This one, however, has a specific date and pedigree, according to a sign placed on it when it was renovated thirty years ago:
We notice the choice of the word “renovated” rather than “restored,” which is appropriate. The details are a little off for the age of the house, particularly the windows and doorway. Old Pa Pitt suspects that the house had already been altered that way, and the new owners worked with what they had to make the exterior look attractive if not historically correct. At any rate, hundreds of houses on the South Side are in similar shape, but few of them have a known date and history.
Many styles of houses line the quiet, pleasant streets of Schenley Farms, but the neighborhood has an unusual concentration of small Italian Renaissance palaces.
In the South Side, 17th Street is the line between Old Birmingham and New Birmingham: you can tell because the street grid is broken at that point, and east-west streets have to jog to continue on their way. This house is on the Old Birmingham side.
This house in Schenley Farms has had a thorough cleaning and looks just built. It has also lost a large and perhaps obstructive tree. Compare the picture above to the one below, which Father Pitt took in 2014:
Addendum: This house, known as “Ledge House,” was designed by Henry Hornbostel. It was the home of Arthur Hamerschlag, for whom Hamerschlag Hall was named.
This is the kind of eclectic mess twentieth-century architects meant when they vigorously condemned everything “Victorian.” You can hardly pin it down to any historical style. That would probably identify it as “Queen Anne,” the term for Victorian domestic architecture that is a hodgepodge of every historical style, with strange angles thrown in for added picturesque effect. And to those twentieth-century architects, old Pa Pitt has only this to say: this house is a lot more attractive and a lot more pleasant to live in than anything you came up with.
