Louis Stevens was best known as a designer of romantic châteaux and French cottages for the well-to-do, but if you asked him for a Renaissance palace, he was up to the task. The Harry J. Parker house was built in 1915 on a prominent corner where Bayard Street meets Bigelow Boulevard, and it is a standout in a neighborhood of splendid houses.
We visited again on a cloudy day to get pictures of some of the houses we had to skip the last time we visited Hoodridge Drive, when the sun was from the wrong direction.
In some of these pictures old Pa Pitt took out the utility cables. With others he despaired.
Virginia Manor was developed with the idea that it would be “an entire community of artistic homes.” “The Southern Hills Land Company, developers of the plan, reserve the right to have an architectural expert examine the drawings of proposed homes,” said a photo caption in a 1928 Sun-Telly article on the plan. “Freak houses are barred.” We’ll reprint the whole text of the article here:
Virginia Manor, real estate development of the Southern Hills Land Company in Mt. Lebanon, has been created with the idea of having an entire community of artistic homes. Careful consideration has been given to the architectural detail of every home built in the plan.
No lot in the plan has a frontage of less than 60 feet. This allows room for landscaping on every plot. Restrictions are placed in the deed requiring drawings for a proposed home to be submitted to an expert for approval. More than 25 homes have already been erected, varying in price from $15,000 to $50,000.
Many of the homes erected are those which have won prizes in architectural competitions, such as the American Face Brick Association competition and the United States Gypsum competition. Some of the houses are sponsored by the Architects’ Small House Service Bureau of the United States.
Virginia Manor is located on the first ridge north of and parallel to the Washington road, Mt. Lebanon. It adjoins Marlin place, Colonial heights and Parker Gardens. The plan is accessible through the Liberty tubes or by the way of the West End and the Banksville road.
Here is an album of houses from the eastern half of Virginia Manor, which is a few years older than the western side we saw recently. The houses get a little smaller as they get nearer to the more plebeian neighboring plans of Colonial Heights, Marlin Place, and Parker Gardens, but the variety and quality of the designs is remarkable throughout.
This little house in the Dutch Colonial style caught Father Pitt’s eye as he was wandering in Mount Lebanon.
The materials and colors (though certainly not the roofline) reminded old Pa Pitt of a Dutch colonial house in Hurley, New York: the Bevier house at 25 Main Street, built in about 1720.
This picture was taken in 2000, but not much has changed, according to photographs on line.
Some time ago old Pa Pitt announced his ambition to photograph every house in Schenley Farms. The project is nearly complete; we have the exterior of just about every house in the Historic District. Instead of dumping hundreds of pictures in these pages, Father Pitt will simply refer you to the category Houses in the Schenley Farms National Historic District at Wikimedia Commons, where he has donated all his pictures and organized them by street. That way we can limit ourselves to occasional highlights here.
Virginia Manor is where the rich rich people live in Mount Lebanon. It’s full of houses designed by some of the most distinguished Pittsburgh architects of the 1920s and 1930s. Osage Road has some of the grandest houses, so here is your look at how the other half lives—unless you are the other half, in which case here is your hand mirror.
Originally this house on Tennyson Avenue was a Renaissance palace with a little whiff of Prairie Style. It was built in 1910 for Martin G. Bauer, Jr. The architect, Maximilian Nirdlinger, drew it in the common shape of the Pittsburgh Renaissance palace, with exaggerated brackets that look westward to Chicago but also recall the Italianate houses of a generation earlier.
At some point, the owners decided what they really wanted was a Southern plantation mansion. They amputated the porch and left a house-wide scar filled in with stucco that only draws attention to it, and then added a two-storey round portico, spending a lot of money to leave the house looking socked in the face.
We can imagine what the house looked like with the porch intact. But we don’t have to work very hard at it, because across the street is a very similar house, built one year earlier and designed by the same architect:
Here we see how the houses were both intended to look. The front porch emphasizes the breadth of the house, making it look long and low in spite of its three floors.
Now we can turn back to the Bauer house and see what it was trying to be. In old Pa Pitt’s opinion, it is always best to stick to the original style of a house in making additions or alterations. Any attempt to make the house into something it is not draws attention to the fact that it is not that thing.
Longuevue Drive is one of the streets in Beverly Heights, one of the plans from the 1920s that make the Mount Lebanon Historic District a museum of interwar domestic architecture. The variety of styles is delightful. One gets the impression that all the rules have been repealed, and you can have whatever house your most childish fantasy specifies, from a French château to a fairy-tale witch’s cottage.
We have dozens of pictures if you choose to see them, but because there are so many, we put them behind a “more” link.
(more…)
One of the most remarkable things about the houses in the Mount Lebanon Historic District is how little they change. Many of them are preserved almost exactly as they were built—like this one, built in 1934 from a design by Hannah & Sterling. Hannah is Thomas Hannah, an architect at the end of a long and prosperous career when this house was built; Sterling was the younger P. Howard Sterling, who would continue designing houses in Mount Lebanon after his older partner died. The picture above shows the house as it appears today, and the fuzzy microfilm picture (it’s the lower of these two pictures) from the Pittsburgh Press right after the house was built matches it almost exactly.
William D. Hamilton was in the coffin business, which he inherited from his father and built up into the National Casket Company, a titan in the death industry. North Avenue is the neighborhood line on city planning maps, so this house is in the Central Northside neighborhood by those standards; but socially it belongs to Allegheny West, and the Allegheny West site has a detailed history of 940 West North Avenue.
The architects were Alston & Heckert; the house was built in 1895 or shortly after.1 The style is best described as “eclectic,” but the Gothic windows upstairs give the house a slightly somber and funereal aspect. Since those two trees have been flourishing in front, it is impossible to get a view of the whole façade except in the winter.
