Tag: Burnham (Daniel)

  • Burnham Reflected

    300 Sixth Avenue, the former Wood Street Building, was designed by Daniel Burnham. The lower floors were given an Art Deco makeover in 1939, but here we see the more original upper floors in the funhouse mirror of Two PNC Plaza.

  • Lobby of the Frick Building

    Everything in the Frick Building is gleaming white marble, with just enough accents to keep the interior from becoming entirely invisible. Above, the staircase at the Grant Street entrance. Below, the revolving doors and clock at the Grant Street entrance.

    The lobby is shaped like a T, with a hall from the Grant Street entrance ending at the long hall from Forbes Avenue to Fifth Avenue, seen here from the Forbes Avenue entrance.

    Even Henry Frick himself is gleaming white marble, rendered by the well-known sculptor Malvina Hoffman in 1923.

  • Forbes Avenue Side of the Frick Building

    Louis Sullivan was of the opinion that Daniel Burnham’s success in the classical style was a great blow to American architecture. But what could be more American than a Burnham skyscraper? Like America, it melds its Old World influences into an entirely new form, in its way as harmonious and dignified as a Roman basilica, but without qualification distinctly American.

  • Allegheny Building

    Forever overshadowed by its taller neighbor the Frick Building, the Allegheny Building, built in 1906, is also by Daniel Burnham, and also a Frick project. It is one of his spare, almost modernistic designs, and it is fascinating to see how well the classical vocabulary adapts to twentieth-century simplicity.

  • Entrance to the Frick Building

    The Frick Building was designed by Daniel Burnham to convey one message, and with its austere classical dignity it succeeds perfectly. The message was “Henry Frick is more important than Andrew Carnegie.” The Frick Building dwarfed the Carnegie Building next door, which had once been the tallest in the city; by the time Frick had surrounded Carnegie’s building with taller buildings, the Carnegie Building was no longer an attractive place to be, and it was demolished to make way for the Kaufmann’s annex.

  • Oliver Building

    Henry W. Oliver wanted to leave a mark on Pittsburgh, and he certainly did. Virgin Alley was renamed Oliver Avenue, and he planned this building to be the tallest in Pittsburgh. It was the tallest when it opened in 1910, although Oliver himself didn’t live to see it finished. As architect, he hired Daniel Burnham, the great Chicago beaux-arts master for whom Pittsburgh was practically a second home—there are more Burnham buildings here than anywhere else but Chicago.

  • Oliver Building

    2014-06-07-Oliver-Building-01

    One of sixteen buildings designed by the great Beaux-Arts master Daniel Burnham, the Oliver Building, finished in 1910, is typically elegant, and its scale is magnificent. It spans a whole city block. The back of it is a typical tripartite division that allowed large buildings like this to have more windows, more cross-ventilation, and possibly more of those desirable corner offices.

  • God and Mammon

    2009-05-02-trinity-oliver-01

    The spire of Trinity Cathedral is dwarfed by the massive Oliver Building behind it, one of Daniel Burnham’s greatest gifts to Pittsburgh.

    Trinity Cathedral is half a block up Sixth Avenue from the Wood Street subway station.

  • Allegheny Building

    2009-04-01-allegheny-building

    Having walled off the Carnegie Building on the east side, Henry Frick commissioned Daniel Burnham once more to build a wall on the south side. Once again, Burnham responded with an elegant design: not quite the masterpiece that the Frick Building was, but beautiful and perfectly proportioned, as you’d expect from Burnham. Here we see it from the porch of the City-County Building, with the statue of Richard Caliguiri in the foreground.