Does anyone know the architect or the history of this building? Father Pitt put in almost fifteen minutes of work trying to find out something about it, but nothing came up in his searches. It is a particularly elegant little façade, and right now you can buy it and preserve it for future generations.
A dwarf skyscraper with the regulation base-shaft-cap formula, this elegantly simple commercial building was designed by Joseph F. Kuntz for the William G. Wilkins Co. and finished in 1907. It used to be known as the Graphic Arts Building before it was turned into luxury apartments. Soon every building downtown will be luxury apartments, and all the commercial offices will have to move to the suburbs.
It was officially the Union Station, but there was no real union: the other important railroads (the B&O, the P&LE, the Wabash) had their own stations. Most Pittsburghers knew this as the Penn Station for the Pennsylvania Railroad, which owned it and ran most of the trains. Although this view was taken in 2001, little has changed: already the building was high-class apartments, and already the trains came into a dumpy little modern station grafted on the back. Here, on a day of patchy clouds, the afternoon sun shines a spotlight on the station’s most famous feature: the rotunda, one of Daniel Burnham’s most famous architectural achievements, so distinctive that it has its own separate listing on the National Register of Historic Places.
Charles Bickel designed this small skyscraper at First Avenue and Wood Street, which was finished in 1907. It’s a perfect demonstration of the base-shaft-cap form of an early skyscraper. In fact we can use this building as a textbook in our short course on how to read a Beaux-Arts skyscraper. The two-storey base contains the public aspects of the building—retail stores, public offices, and so on. The shaft is the main body of the building, a repeated pattern of windows and wall. The cap gives the building a presentable top, since a gentleman would not appear outdoors without his hat. Note also the floor just above the base outlined with a prominent border. That is the bosses’ floor, where the managers and other important people have their offices. “Form follows function,” as Louis Sullivan said; and in this case the form gives concrete shape to a social reality. You have now completed our course, and may award yourself a certificate.
This splendid terra-cotta façade on Forbes Avenue used to belong to Donahoe’s Market and Cafeteria (note the D above every second-floor window). Father Pitt enjoys the challenge of getting a complete picture of a large façade on a narrow street. Here the stitching has succeeded admirably; except for a little distortion at the ends of the building, this is probably just how the architect drew the upper floors. Old Pa Pitt doubts whether an architect had anything to do with the current incarnation of the ground floor; it looks like the work of a contractor who had a brother-in-law in the corrugated-steel trade.
Addendum: According to the Pittsburgh History and Landmarks Foundation, the original architect of the Donahoe Building was William E. Snaman.
The House Building (1902, architect James T. Steen) looms before us as we cross the Smithfield Street Bridge.
The Burke Building was built in 1836, and rather surprisingly (considering that Pittsburgh was founded in 1758) it’s the oldest building downtown outside Fort Pitt. The Great Fire of 1845 just missed it. The architect was John Chislett, Pittsburgh’s first resident architect, who also designed the Butler Street gatehouse for the Allegheny Cemetery.
The Clark Building was built in 1928 at the same time as the Stanley Theater (now the Benedum Center) around the corner, and designed by the same architects—the Hoffman-Henon Company, which specialized in theaters but could also turn out a pretty good skyscraper in a sort of modernized Beaux-Arts classical style. The upper floors are apartments, but the lower floors are still, as they have been for many years, the center of the jewelry district downtown.
Colonial Place, off Ellsworth Avenue, is one of those little one-street enclaves in Shadyside that shut out the world as much as they can to create a tiny insular community. The architect here was George S. Orth, who also designed a couple of prominent millionaires’ mansions in Allegheny West. The landscape design by E. H. Bachman was just as important, and the sycamore trees he specified have matured into elegant sculptures as attractive when the leaves are off as they are in full leaf.
A good apartment-building design makes its residents feel better off than they are. Here you can imagine yourself walking into a stately English home by Robert Adam, even if your portion of it is only a studio apartment.
