The Software Engineering Institute gives us an unending parade of reflections of the landmarks around it. The curved wall at the main entrance is particularly productive of interesting effects. Below, for example, what appears to be a reflection of the twin spires of St. Paul’s is actually, on closer examination, the same spire reflected twice.
A large Gothic church can be prickly with towers. In addition to the great front towers whose spires can be seen for miles, St. Paul’s has a pair of smaller towers on each transept front.
A statue of St. Simon the Zealot on the east transept façade of St. Paul’s Cathedral. He is identified by the instrument of his martyrdom, the saw, which (according to one common tradition) was also how the prophet Isaiah was killed.
A winter view from the Mellon Institute. This is a high-dynamic-range picture made from three separate photographs, which helps preserve the detail in the shadows as well as the sunlight.
The classical style of this church, which is now the cathedral for the Metropolis of Pittsburgh, is quite unusual for a Greek Orthodox church. Greek Christians do not usually build in a Greek classical style—and the style of this church, with the prominent arch in the front, is more Roman than Greek. The explanation is that it was built for Methodists; the Orthodox congregation bought it from them.
Even if you don’t know much Greek, you can probably guess that this is the name of the church in Greek: “St. Nicholas Greek Orthodox Cathedral Church.”
One of the splendid Ionic capitals that hold up a front of which Vitruvius would have approved.