Father Pitt

Tag: Cathedrals

  • Old St. John the Baptist Byzantine Catholic Cathedral, Munhall

    St. John the Baptist Byzantine Cathedral

    Back in 2014, old Pa Pitt took these pictures of the old St. John the Baptist Cathedral in Munhall. In the intervening years Father Pitt has learned much more about making adjustments to photographs to produce a finished picture that looks like the scene he photographed, so he presents these pictures again, “remastered” (as the recording artists would say) for higher fidelity.

    The church was built in 1903 for a Greek Catholic (or Byzantine Catholic, as we would say today) congregation. When Pittsburgh became the seat of a Ruthenian diocese, this became the cathedral.

    The mad genius Titus de Bobula, who was only 25 years old when this church was built, was the architect, and this building still causes architectural historians to gush like schoolgirls. It includes some of De Bobula’s trademarks, like the improbably tall and narrow arches in the towers and side windows and the almost cartoonishly weighty stone over the ground-level arches. It’s made up of styles and materials that no normal architect would put together in one building, and it all works. Enlarge the pictures and note the stonework corner crosses in the towers and all along the side, which we suspect were in the mind of John H. Phillips when he designed Holy Ghost Greek Catholic Church in the McKees Rocks Bottoms, which also makes use of De Bobulesque tall and narrow arches.

    St. John the Baptist Cathedral
    Rectory

    The rectory was designed by De Bobula at the same time.

    Architectural rendering of the cathedral and rectory

    This illustration of the church and rectory was published in January of 1920 in The Czechoslovak Review, but it appears from the style to be De Bobula’s own rendering of the buildings, including the people in 1903-vintage (definitely not 1920) costumes.

    Old St. John the Baptist Byzantine Catholic Cathedral
    Kodak EasyShare Z1485; Konica Minolta DiMAGE Z3.

    The Byzantine Catholic Cathedral moved to a modern building in 1993, still in Munhall, and this building now belongs to the Carpatho-Rusyn Society. According to the Web site, the organization is currently doing “extensive renovations,” which we hope will keep the church and rectory standing for years to come.

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  • St. Peter’s Church, North Side

    St. Peter’s Church

    Andrew Peebles was the architect of St. Peter’s, which was dedicated in 1874. In 1876, it became the cathedral of the new Roman Catholic Diocese of Allegheny, carved out of the Diocese of Pittsburgh, which was left with all the debt while the new Diocese of Allegheny took all the rich churches. That went about as well as you might expect, and in 1877 the Diocese of Allegheny was suppressed and its territory reabsorbed by Pittsburgh. But a church never quite gets over being a cathedral.

    West front of St. Peter’s, North Side

    In 1886, a fire ravaged the building and left nothing but the walls standing. Fortunately Peebles’ original plans were saved, and so the restoration, which took a year and a half, was done to the original design.

    Perspective view
    St. Peter’s
    St. Peter’s
    Front of the rectory

    The rectory was built with a stone front to match the church, but the rest of the house is brick.

    Rectory
    Rectory
    Nikon COOLPIX P100.

    We also have a picture of the front of St. Peter’s at night.

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  • St. Paul’s in Late Fall

    St. Paul’s Cathedral with autumn leaves in foreground

  • St. Peter’s Church, North Side

    St. Peter’s Church

    Built in 1872 from a design by Andrew Peebles, this cathedral-sized church did become a cathedral about three years later for the short-lived Catholic Diocese of Allegheny, which was formed by taking the rich half away from the diocese of Pittsburgh and leaving all the debt with the poor half. The diocese was suppressed in 1889, but old dioceses never die, and there is still a titular Bishop of Allegheny. The current holder of the title is a retired auxiliary bishop of Newark.

    Resurrection relief

    This relief of the Resurrection takes on added drama at night.

    We also have pictures of St. Peter’s by daylight.

  • St. Nicholas Greek Orthodox Cathedral

    St. Nicholas Greek Orthodox Cathedral

    Built in 1904 as the First Congregational Church, this building had a surprisingly short life with its original congregation; the Congregationalists left in 1921, and the Greek Orthodox congregation bought it in 1923. The church became a cathedral when Pittsburgh was elevated to a diocese. The architect was Thomas Hannah, who was at home in both classical and Gothic idioms. Here he went all in for classical, producing an ostentatiously Ionic front that looks like a Greek temple—which, oddly, is a style a Greek Orthodox congregation would never choose for its church if it were building one from scratch.

    St. Nicholas

  • St. Paul’s at the Blue Hour

    St. Paul’s Cathedral

  • Some Details of St. Paul’s Cathedral

    Front of St. Paul’s
    Tower
    Window
    Tracery
    Pinnacle
    Pinnacle
    Ornament
    View from opposite corner

  • Goofy Gargoyle, Grumpy Gargoyle

    Two gargoyle faces on St. Paul’s Cathedral in Oakland.

  • Pulpit of Trinity Episcopal Cathedral

    Pulpit

    This elaborate Gothic pulpit is equipped with a traditional sounding board to deflect the sound out into the congregation. It is also equipped with a microphone, which has become a much more tenacious tradition. An Episcopal church would sooner give up the Thirty-Nine Articles than the microphone. It is an interesting fact of history that no one ever heard anything until electrical amplification was invented.

    Addendum: This pulpit was designed by Bertram Goodhue, the disciple of Ralph Adams Cram who was the architect of First Baptist in Oakland. It was installed in 1922.

  • Trinity Window in Trinity Episcopal Cathedral

    Trinity window

    The large window at the rear of the cathedral. At the apex is the Shield of Faith, the emblem of the Trinity. In the center is Christ ascending, with the legend “He is the King of Glory.” Matthew, Mark, Luke, and John watch and record, each with his traditional symbol (man, lion, ox, eagle).