



All the details of the Carnegie Institute buildings (designed by Longfellow, Alden & Harlow) are worth observing. Here is a light fixture held up by a splendid grotesque arm.

Galileo.
In honor of the 125th anniversary of the Carnegie Institute, the Noble Quartet—science, art, music, and literature, as represented by four of their most famous exponents—were gaily bedecked with floral wreaths. It’s a good look for them. The statues are by J. Massey Rhind, one of Andrew Carnegie’s favorite artists.

Michelangelo.

Bach.

Shakespeare.

Science, art, music, literature: these were Andrew Carnegie’s “Noble Quartet,” to which he dedicated his colossal gift to Pittsburgh, the Carnegie Institute. To represent these four disciplines, Carnegie’s favorite sculptor, J. Massey Rhind, gave us Galileo, Michelangelo, Bach, and Shakespeare.
An interesting question: would we make the same choices today? Perhaps. But if we were to change the list, old Pa Pitt might suggest John Brashear, Andy Warhol, Earl Hines, and August Wilson. Not that he has any regional prejudices.

Galileo dwarfs that little Atlas fellow.


Michelangelo works on a model.



Bach thinks musical thoughts.



The entrance to the main Carnegie Library in Oakland. This is a picture Father Pitt took a few years ago, but nothing important has changed. The building was designed by Longfellow, Alden & Harlow, Andrew Carnegie’s favorite architects; they, or Alden & Harlow without Longfellow, also designed many of the neighborhood branch libraries.