
A row of houses designed by Frederick Osterling, who lived just down the street. The Flemish style is striking. Some years ago they were restored and turned into condominium apartments as the Osterling Flats.



More pictures on a cloudy day.

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A row of houses designed by Frederick Osterling, who lived just down the street. The Flemish style is striking. Some years ago they were restored and turned into condominium apartments as the Osterling Flats.



More pictures on a cloudy day.


Now the Greater Allen African Methodist Episcopal Church, and the current owners keep it beautifully—including its historic Pittsburgh black stones, which give it weighty dignity. It was originally the Eleventh Presbyterian Church (of Allegheny; both Presbyterian and United Presbyterian churches on both sides of the river went well into the double digits), built in 1907. The architect was Thomas Hannah.1
The power was out for days in Brighton Heights after old Pa Pitt pulled down all the utility cables in the way of these pictures.



This is how it looked before Father Pitt got out his little hatchet.

We have more pictures of Eleventh Presbyterian on a cloudy day three years ago.

Two houses that both seem to date from the Civil War era; they both appear on an 1872 plat map of Allegheny City. This one has just had some spiffing up. It is an Italianate variant of the typical Pennsylvania I-house with an addition in the back (although the addition in this case may have been part of the original plan). It has been divided into two dwellings, but the outlines of the house and many of its details are well preserved.


The outline of the house on the 1872 maps shows the wing in the rear, so it is at least that old.

This house was inhabited until recently; it looks as though it had a fire and is undergoing repairs. It has a more complicated history. It also appears on the 1872 map, and later maps that distinguish the materials of buildings show that this was a wood-frame house. At some point around 1900 it was divided into two dwellings. Some time after 1923 it was sheathed in buff Kittanning brick, giving us an 1860s form with 1920s exterior details.


You may have noticed this old school if you looked out the window while your chauffeur drove you down the Ohio River Boulevard. It was built in 1922 for St. Gabriel’s, a Slovak parish, whose church stood across California Avenue from the school. In the late 1960s, when the expressway portion of the Ohio River Boulevard was built, the church was demolished; the congregation moved into the school while it built a big new modern church on the hill above. (We may see that building later: it still stands, though not in use as a church.)

The school has been closed for years, but the building is kept standing. It seems to be in use as a warehouse.






Father Pitt was looking at Wikipedia’s list of flatiron buildings in the United States and thinking that he could multiply the number by ten or so just from buildings in Pittsburgh and the surrounding suburbs. So he has begun a collection of these flatiron buildings, meaning buildings that are triangular like a clothes iron. Here is one that he found especially attractive. The shape is dictated by the acute angle between California Avenue and Woodland Avenue, and of course it has the usual Pittsburgh problem of irregularity in three dimensions to deal with. The form of the building is typical of early-twentieth-century commercial architecture, but the Art Nouveau patterns picked out in light Kittanning brick set this building apart from others like it.


This church was built in 1907 as the Eleventh United Presbyterian Church. The architect was Thomas Hannah.1 Now it belongs to the Greater Allen African Methodist Episcopal congregation, which has kept it in beautifully original shape, right down to the uncleaned black stones, which Father Pitt loves.





The congregation moved to a generic late-twentieth-century church building in the North Hills this year, finally following most of its members to the suburbs. (The congregation was secure enough to be able to move without taking out a loan, which is good news for them even if it’s bad news for the North Side.) That leaves this building in an uncertain state. Right now it is still being well maintained, but its neighborhood is not yet valuable. Perhaps with the revival of city living, it will be worth doing something with in the next few years.

The church was built in 1937, when the Depression was still with us and its congregation probably was not rich. The building is a curious construction in a style old Pa Pitt has decided to call “Modular Byzantine.” The parade of identical rectangles across the tall face of the church makes it look as though it was put together by a methodical and meticulous child playing with blocks.

Because of the extreme slope of the lot, the front has to be very tall if there is going to be any back at all. Since the main entrance is on the lower level, we can add this to our list of churches with the sanctuary upstairs.

The gold domes are a landmark on this section of California Avenue, and we hope they can be preserved.

This church was built in 1906; the Pittsburgh History and Landmarks Foundation was unable to identify the architect, and so far Father Pitt has had no better luck. (Update: The architects are now identified as Vrydaugh & Wolfe; see the end of this article.) It used to be called the Bellevue Methodist Church—Methodist Episcopal, as opposed to Methodist Protestant, since there was one of those, too. This one is in Avalon, which used to be called West Bellevue, and its striking green stone gave it the name by which everybody called it. In 1982, the congregation bowed to the popular will and renamed the church Greenstone.
This is one of the relatively few churches of this type that have kept their spires.
The picture above is one of those rare pictures where old Pa Pitt decided to remove all the fat ugly utility cables, because they were just too distracting.


The composite picture above shows some of the matching Sunday-school wing. The stitching worked perfectly for the building, but it made a noticeable break in the car parked on the street, which you can see if you enlarge the picture. Father Pitt left a note on the windshield.
Addendum: Perhaps unsurprisingly, given the style—and especially that low tower with four corner pinnacles—this church was designed by Vrydaugh & Wolfe.1 This means that Vrydaugh & Wolfe had two of the four corners of this intersection covered: diagonally across from this church is their Church of the Epiphany.

The Bellevue line just narrowly misses this house, making it the first building in Avalon outside Bellevue, and the first on California Avenue outside the city, since California Avenue turns into Lincoln Avenue while it passes through Bellevue. The house was used as the Orion C. Pinkerton funeral home, but when old Pa Pitt took this picture a few days ago, the house was for sale.
This is clearly the work of an architect rather than just a builder, and enough details are preserved that it would be worth restoring. That blank spot above the awning, for example, probably had a stained-glass window in it, and it could have one again.
The off-center front door bothers Father Pitt. He finds it hard to imagine an architect designing the house that way originally. Yet the ornamental brickwork above the door matches that above the windows, as if it had always been that way. At the cost of making the picture look a little artificial, Father Pitt has compressed the shadows and highlights to make the details under the porch roof mire visible: enlarge the picture and judge for yourself what is going on with that front door.